Chaos Reading discussion

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Gone Girl
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DISCUSSION OPEN - GONE GIRL - 2013 Group Read #1
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Yeah - I'm going to have to keep disagreeing. That seems like a simplistic way of looking at books: it's either "wow" or "I'm okay, you're okay". I've read many, many books that have both well developed characters and escapism.
I think I'm starting to understand why people use the term "genre fiction" - that idea that there are certain rules to certain genres. I'd be bored to tears if I read books that all followed the same set of rules.
I also can't stand the idea of "normal people". Nobody's normal. If people could just accept that and move on, the world would be a much more pleasant and interesting place. Every "average joe" has their quirks and their exceptional stories. A good writer can present that in a way that's entertaining, as well as relatable.
For that reason, (among others) I don't think there's anything wrong with identifying with the characters in this book. I could absolutely relate to Amy, although I probably wouldn't have actually killed anyone or tried to have them done for my murder. I'd have considered it though. I think that's what makes her character so creepy - that feeling that she could be any of us, given a certain set of circumstances, and if we indulged our desires to the same degree.
I think I'm starting to understand why people use the term "genre fiction" - that idea that there are certain rules to certain genres. I'd be bored to tears if I read books that all followed the same set of rules.
I also can't stand the idea of "normal people". Nobody's normal. If people could just accept that and move on, the world would be a much more pleasant and interesting place. Every "average joe" has their quirks and their exceptional stories. A good writer can present that in a way that's entertaining, as well as relatable.
For that reason, (among others) I don't think there's anything wrong with identifying with the characters in this book. I could absolutely relate to Amy, although I probably wouldn't have actually killed anyone or tried to have them done for my murder. I'd have considered it though. I think that's what makes her character so creepy - that feeling that she could be any of us, given a certain set of circumstances, and if we indulged our desires to the same degree.


You can identify with unlikely characters. For example, you could identify with Amy -empathize with her feelings about being cheated on, feel for her need to be perfect, her complicated feelings for Nick. But it's rare to run into a person that would go to the lengths she went to as a reaction to being cheated on, not being perfect, etc. Most of of would take it as far as slapping Nick, or divorcing him, or some might even just tick around. But it's much more fun to read about a fake murder than it is to read about a good slap. Sometimes.

Sometimes.

I think good authors make characters relatable even if they are extraordinary. Amy could be like any betrayed wife just to the extreme and there are men that I know that remind me of Nick. The character that I most identified with was Go. Maybe that's why she's one of the few characters I didn't dislike or maybe it's because she wasn't in the book nearly enough.
I am kind of upset I already returned the book or I would have loved to read the thank you section. I'm not very good about reading those but now I wish I had so I could have laughed at the amazingness of it.

The acknowledgements section wasn't anything special, I thought. It was a little long winded, a touch pompous, and full of inside jokes; just par for the course of author acknowledgements.

Karina, I had the exact same issue with We Need to Talk ABout Kevin. By the time the author got around to the meat of the story (the last 100 pages) I disliked the author characters so much I still somewhat hated the book. Even though it did all come together at the end.





I feel the same and did not notice any 'slow down' or break between the first half and the second. I think there is probably a little of that 'cool girl' and all of us girls.
Helen wrote: "I had some issues with the post-reveal mystery details. ..."
Me too. Some of the small details just didn't make sense. I found myself keeping a list!
Me too. Some of the small details just didn't make sense. I found myself keeping a list!

I didn't like any of the main characters in the book. They're pretty despicable and psychotic. I didn't even like Go that much. But I enjoyed this book a lot. I'm going to have to go with John Green's point: "Books are not in the business of creating merely likeable characters with whom you can have some simple identification. Books are in the business of crating great stories that make your brain go ahhbdgbdmerhbergurhbudgerbudbaaarr."

You're so right! That's probably why that bothered me so much! Flynn just shoved it in our faces - "We all do this/have done it!" I keep hoping that we women have moved past doing things like pretending to be the Cool Girl. But she's in there...stupid, stupid, stupid girl.

Very well put!

An excellent point. I'm with you on this..sort of. I don't think that she ever would have been a "normal girl", as she calls it, even without the Amazing Amy image. Yes, I think the books helped create this sociopath. But I also think she was born with a proclivity to psychopathy. They do say that some people are born socio/psychopaths and it has very little to do with the nurture element. She doesn’t seem to have a conscience or empathy; it’s all about her. She felt entitled and superior, mostly because of her incredible intelligence. And because of that intellect she decided to manipulate these “lesser/ boring/ mediocre” humans, getting what she felt was her right. All I can say is she is one scary, brilliant psycho.

I loved that Flynn showed how a psychopathic character could be that relatable - almost as if she could be anyone you know."
That's exactly what I thought! Amy is so brilliant and such a high-functioning sociopath (or psychopath?) that she can become anybody she wants. She becomes whomever she thinks you want her to be. It's frightening. SHE'S frightening!

Inspiring and thought provoking. And don't worry - I'm mostly over it now ;-)
Helen wrote: "I became mildly obsessed with Gillian Flynn for a short time after reading this book and was delighted to find plenty of material on the internet so could stalk/learn as much as possible about her...."
Oooh. Thanks for that. Bookmarked for when I have glasses and can read for more than 20 minutes at a time. Sigh. Yup - glasses. :(
Oooh. Thanks for that. Bookmarked for when I have glasses and can read for more than 20 minutes at a time. Sigh. Yup - glasses. :(

I have to say I was relieved when Nick found all that stuff in the shed. At first I thought he was going to find a dead fetus in a crib. I'm actually surprised he didnt. That was one crazy you know what!
I would've liked a different end, but I guess that was Flynn's last surprise for us.
Very good book.
Ruby wrote: "Jane wrote: "Not really looking for the veracity of characters... Just a terrific, quite original thriller. (Would one look for a believable character in Hannibal Lecter? Hope not)..."
Yes. I definitely would..."
I agree, but I think there's two different points being made. Could a Hannibal Lector actually exist in the real world versus is he a believable (and consistent) literary character. The conceit of the book is the existence of this fantastic and unlikely character, and the challenge is selling him to us as believable, (which I think Harris did brilliantly in 'The Silence of the Lambs' but fell short on in the sequels).
I've heard the argument before that because a book is labeled 'genre' it's somehow freed from criticism for its inconsistencies but I don't buy it, especially today when the line between 'genre' and 'mainstream' is getting blurred into non-existence.
Yes. I definitely would..."
I agree, but I think there's two different points being made. Could a Hannibal Lector actually exist in the real world versus is he a believable (and consistent) literary character. The conceit of the book is the existence of this fantastic and unlikely character, and the challenge is selling him to us as believable, (which I think Harris did brilliantly in 'The Silence of the Lambs' but fell short on in the sequels).
I've heard the argument before that because a book is labeled 'genre' it's somehow freed from criticism for its inconsistencies but I don't buy it, especially today when the line between 'genre' and 'mainstream' is getting blurred into non-existence.
Karina wrote: "The whole time, to me anyway, I felt like he was getting set up. It wasn't until the police started talking to Nick about the fake crime scene that I realized Amy was the one setting him up. I mean who else would go through all that trouble..."
There was a definite hint about what was going on in the references to Hannibal, MO and Mark Twain, for those who remember their Huck Finn. One of my favorite books and I'm sad to say I didn't pick up on it until after I finished the book.
There was a definite hint about what was going on in the references to Hannibal, MO and Mark Twain, for those who remember their Huck Finn. One of my favorite books and I'm sad to say I didn't pick up on it until after I finished the book.
Whitney wrote: "I've heard the argument before that because a book is labeled 'genre' it's somehow freed from criticism for its inconsistencies but I don't buy it, especially today when the line between 'genre' and 'mainstream' is getting blurred into non-existence. .."
I agree. I don't think it's unreasonable to expect believable and/or well developed characters in a book, regardless of any label that might be put on it.
I agree. I don't think it's unreasonable to expect believable and/or well developed characters in a book, regardless of any label that might be put on it.
Books mentioned in this topic
The Women's Room (other topics)Sharp Objects (other topics)
Gone Girl (other topics)
Last Exit to Brooklyn (other topics)
Gone Girl (other topics)
More...
P.S. So let's say "well developed unbelievable" characters...