Wicked
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How Did the Broadway Musical of this Book Compare to the Book's Message
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[deleted user]
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Jan 06, 2013 11:50AM
The message of how and what and where evil is and forgiveness and if good intentions with bad results is the same as bad intentions with bad results is conveyed through the writing style, the stories and the interactions between the characters. With the transition between book into musical, with many themes or aspects blurred or omitted, how did the theme change, if at all?
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I totally agree, its as though they are two separate tellings of a story. The idea of what makes evil, evil, and what good intentions can lead too, was clearly there in the musical. But the darkness of the book that was so excellent was clearly toned down for a family type audience. The music is beautiful and the show is lovely. But if you try to consider it based on the book you'll just get mad. General rule of thumb, think of it as a different telling of the same lore. Just like different versions of Cinderella exist, so too can different "versions" of Wicked.

Agree. I really feel like The Wizard of Oz is a fairy tale and all retellings are like fairy tale retellings--no, they're not consistent with one another, but half the fun is seeing how each new writer/producer decides to change them!
For me the themes of the two versions seemed very different (and I am a huge fan of both regardless!). The musical deals with the danger of propaganda and how power and popularity can go to one's head. There's a lot about why the Wizard does what he does, why Glinda sells out, and how the people of Oz wind up thinking Elphaba's wicked even though she isn't. It could be seen as a cautionary tale about not believing anyone's publicity (your own included).
While the book maybe has a little of that, it has a very different focus. There's a lot of criticism of society for being oblivious to all the terrible things going on in the world. People aren't presented with neat moral choices (do you sell out or not?)--it asks instead whether you take a moral stance at all or just stand by apathetically and go on with your life. And of course Elphaba is wickeder in the book and it goes into why that is.
Anyway, that's my take--the conversations in the book about good and evil seemed very uninspired to me; mostly I was struck by the fact that they just sat around talking about it rather than doing anything. Especially when (view spoiler) and everybody responded by wanting to have this wine-soaked intellectual discussion about the nature of evil, and at the end she told them they should have called the police. The point is that nobody much cared if she was wicked at all; they couldn't be bothered to get involved and were incapable of making a moral judgment of the situation. Yeah, I can see why that didn't make it into the musical.



In the book Elphaba is not as feared or notorious as in the play. Glinda is not as popular or as politically connected (untill the second book). This exaggeration is typical Broadway dramatizations. The true nature of evil then comes into the question, not the PERCEPTION. Popularity is not one of the themes since we don't have the contrasting extremes like in the play.

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