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The Remains of the Day
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The Remains of the Day by Kazuo Ishguro (2013 Reading Challenge)
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Ally
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Dec 30, 2012 05:51AM


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The narration is a wonderful and delicate tongue-in-cheek treatment of the English as stoic and humorless but well-intended and perhaps innocent (or unconscious) to the extreme. It is also a story subtly told of tragic loss and passion... I'm really enjoying this.

The idea that anyone could see collaboration with the Nazi regime as a positive moral choice requires quite a significant paradigm shift!



I am often disappointed by film adaptations of novels, but the movie is really good in this case.

Without giving out any spoilers, I thought the comment about how the English got duped by the Germans prior to WWII was because the English system of Honor, and the proper treatment of a defeated foe (WWI), dictated their willingness to welcome the German Third Reich. Very interesting.



Stevens, I think, was born to a life of service. His father was in service. I presume that his mother had been in service. It appeared to be all that he knew.
I've seen the movie more recently than I've read the book, but I recollect that there were other people in service at the house who may/may not have been caught dallying with the opposite sex in the garden (or some such place) or people who were in service who left under questionable circumstances.
And wasn't there a certain amount of shock/surprise when Miss Kenyon left the house?

Yes, I think the author was showing us just how much we can shut down our natural character and inclinations for the sake of (job, religion, culture, upbringing, you-name-it). We do this out of fear. Stevens' whole demeanor is of a man who is afraid to face anything true or real... recall how when his father died he continued to serve drinks to the gentlemen upstairs, and was not aware of (or, chose not to acknowledge) the tears streaming down his cheeks.
A similar moment happened when Miss Kenton told Stevens that she was leaving -- the gentlemen upstairs kept asking him what was wrong... apparently his face betrayed the emotion he was trying to hide.
Any one of those moments could have been faced for what they were, but Stevens' denial was in full swing. This may be an extreme example of the hold a job can have on a person's life, but I've known people who have sacrificed everything for their job of work.
No one else in the story is that divorced from their feelings, not even his father, who tells him he loves him in the end. I think it is a story about the prison we can build around ourselves in order to stay safe and avoid responsibility.
The good news is, I think Stevens began to see the possibility of human warmth and interaction as the beginning of change. It is also interesting to me that the person in his life who tries to treat him like a human being is his new "master," who happens to be an American. And isn't that a comment on the class system in England?

Let's assume for the sake of argument that the conversations that Stevens reports are accurate, i.e. other characters in the book really did say what he reports. I'm calling him an unreliable narrator in that he misses some obvious emotional cues and often fails to grasp the significance of what he reports...

Lord Darlington was not charged with treason, he was accused of it in a newspaper, sued and lost his suit. He may not have been a traitor in the strict legal sense and his intentions at the beginning may have been as honourable as Stevens sees them, but he did carry on with his pro-German stance even after Hitler came to power and when most politically aware people had become suspicious, so he was extremely naive.
Janice, I thought Miss Kenton left before the American 'master' bought the house, so he wouldn't be the one asking Stevens what was wrong, although I may have remember the chronology incorrectly. I think the new owner of the house is the one who keeps trying to get Stevens to use banter, which he is uncomfortable with.

To Val - I was thinking of Darlington and his guests when Stevens went to serve them after learning of Miss Kenton's engagement and departure. They ('the gentlemen upstairs') kept asking Stevens if something was wrong, as if it showed on his face, but (of course) which he refused to acknowledge.

Stevens seems to regard his aristocratic English employer as a master, but his American employer as just an employer, with money rather than breeding, so he is a bit less uncomfortable with human interaction (although he regards banter more as a difficult skill to add to his CV than something he might ever enjoy).
I see a big difference between being pro-German in 1923 and being so in the mid to late 1930s. Lord Darlington was pro-German rather than pro-Nazi, he severs his contact with the BUF woman and acknowledges that getting rid of the Jewish maids was wrong, but does not go on to think through the implications of the new German regime, which is why I see him as naive rather than treasonous and Stevens sees him as honourable.
(The BUF was pro-Nazi and mainly working class. Miss Kenton and later Lord Darlington disagree with their policies, Stevens objects to their class.)

It has been a while since I read this book or even saw the movie, although I do have it on VHS.

Stevens does seem to be hanging on to the old social hierarchy, but he is an anachronism by the time he is relating the story. Stevens is still employed as a butler and still takes pride in doing his job well, but no longer devotes himself to Mr Farraday in the way he had to Lord Darlington. He is less unquestioningly deferential, but it is not clear whether this is because he has less respect for 'new money' or that he realises that the world has changed. I saw it as mostly the latter, plus also realising that Lord Darlington's political opinions were wrong (although he still insists they were honourable in intent). Stevens doesn't understand or acknowledge his own motivations a lot of the time, so I don't think Kazuo Ishiguro intends us to be able to pinpoint them confidently and 'class' is certainly one of his motivations.
This is from "The Frost Report" in the 1960s:
http://s220.beta.photobucket.com/user...


I've just finished reading this excellent novel. There've already been lots of good comments on this thread about the details of the story.
I just wanted to note that I have read it and I'm looking forward to reading more from Ally's 2013 BYT Reading Challenge. I've found several of them as free ebook downloads.
I just wanted to note that I have read it and I'm looking forward to reading more from Ally's 2013 BYT Reading Challenge. I've found several of them as free ebook downloads.

I can hardly believe it either Susan!

The film adaptation is wonderful too.


http://www.foliosociety.com/book/ROD/...


The film adaptation is wonderful too."
Yes. I have just started reading it.
I read The Remains of the Day by Kazuo Ishiguro when it came out and I have very positive memories of it. I generally don’t reread books because, well, as well all know, there’s already just too many books and too little time. The Remains of the Day is my current real world, book group choice so I am forced to reread it. Having read just over 30 pages I am wondering whether I should be rereading more books. It’s like slipping into a warm bath - something very familiar and yet always welcome. It’s sublime storytelling and beautifully written. I remember it all fairly well but the quality is better than I had recalled.
It perfectly evokes the life of a butler in a Great English House between the wars - and every page is an absolute delight. I am so glad to be rereading it.
Welcome back old friend.

A huge hit indeed. Both book (1989 Booker Prize and over one million copies sold in English alone), and the subsequent film adaptation garnered a few awards.
Lynaia wrote: "I remember that. That's a large part of why I picked the book up when I saw it at my library bookstore."
Yeah. Hype can be offputting - though in this case it was all justified - both book and film
Connie wrote: "I loved "The Remains of the Day" too."
Listen to Connie. Connie knows.
Connie wrote: "I concentrate less on the plot, and more on the quality of writing, the second time around."
That's certainly my experience with this reread too.

