The Story "The book which the reader now holds in his hands, from one end to the other...treats the advance from evil to good, from injustice to justice, from falsity to truth, from darkness to daylight, from blind appetite to conscience, from decay to life, from bestiality to duty, from Heaven to Hell, from Limbo to God. Matter itself is the starting point, and the point of arrival is the soul." —Victor Hugo, Les Misérables
In this story of the trials of the peasant Jean Valjean--a man unjustly imprisoned, baffled by destiny, and hounded by his nemesis, the magnificently realized, ambiguously malevolent police detective Javert--Hugo achieves the sort of rare imaginative resonance that allows a work of art to transcend its genre.
Questions: Answer as many or as few questions as you like. Discussion will revolve around how many people enter the discussion. Just come in and discuss whether you liked the book or didn’t. There are no wrong answers and everyone has their own opinion which we can respect. Now, just come in and talk!!!
How did Bishop Bienvenu's visit to the dying revolutionary G—change him? What about this man surprised the Bishop and why? How are the Revolutionary ideals espoused by G— similar to or different from the pure Christian ideals of the Bishop?
Why did Jean Valjean steal the Bishop's silver? How was this act influenced by his experience in prison? Discuss the process of change that occurred in Valjean after the Bishop "bought back his soul from Satan" with the silver. Would this bargain have been successful with every person? Why was Valjean subject to such transformation?
Discuss what you know about the French Revolution and its cultural echoes in France. Could this story of Valjean's redemption be told in another historical context? In what ways is this story dependent on and independent of its setting?
How would you characterize Hugo's political and nationalist stance based on his description of the Battle of Waterloo and his account of other political events? Can his loyalties—Monarchist, Bonapartist, nationalist, humanist, etc.—be discerned and defined?
Marius's friends die in the July Revolution. What values were they defending? What do you think Hugo values in these heroic characters and how does his description of them show this?
Hugo inserts a rather scathing aside about the nature of Fame in Part I, chapter one: "Prosperity presupposes ability." Jean Valjean is an example of a man who is exceptional in many significant ways, who positively and profoundly affects the lives of people around him, and who lives and dies in absolute obscurity. This portrait is drawn by a man who was inarguably the most famous man in France, literally "a legend in his own time." How can fame adversely influence one's ability to do good in the world? How does Valjean safely covet his obscurity, and how does this obscurity contribute to the good deeds Valjean habitually performs?
Cosette was never more fortunate than when she left the home of the socially "respectable" Thénardiers to be raised by a feared ex-convict. How is this an indictment of Hugo's society's criteria for respectability? What are the Thénardiers symbolic or symptomatic of?
One of the most psychologically complex characters is Javert, who— though he plays the role of a villain—acts not out of malice but out of a sense of duty to what he truly believes is ethically correct. How would you define Javert's value system? There is a weak link in Javert's chain of rationalizations for his behavior and his life. Identify it and explain how it leads to Javert's suicide. At which points in the book does Hugo show Javert to advantage? At which points does Javert appear to be more a classic villain?
Hugo clearly adores Paris. How is the street urchin Gavroche symbolic of the city in which he runs rampant? If he is truly a "son of Paris," which attributes did he inherit from his "mother"? Compare Hugo's descriptions of Paris to his descriptions of the French countryside and smaller cities. How do Parisians differ from denizens of the rest of France? Are these differences slight or serious?
Compare the musical Les Misérables to the book. What is left out, emphasized, or added? How does the change of medium effect the pace and tone of the story? To what do you attribute the long-running success of the musical?
"The book which the reader now holds in his hands, from one end to the other...treats the advance from evil to good, from injustice to justice, from falsity to truth, from darkness to daylight, from blind appetite to conscience, from decay to life, from bestiality to duty, from Heaven to Hell, from Limbo to God. Matter itself is the starting point, and the point of arrival is the soul."
—Victor Hugo, Les Misérables
In this story of the trials of the peasant Jean Valjean--a man unjustly imprisoned, baffled by destiny, and hounded by his nemesis, the magnificently realized, ambiguously malevolent police detective Javert--Hugo achieves the sort of rare imaginative resonance that allows a work of art to transcend its genre.
Questions:
Answer as many or as few questions as you like. Discussion will revolve around how many people enter the discussion. Just come in and discuss whether you liked the book or didn’t. There are no wrong answers and everyone has their own opinion which we can respect. Now, just come in and talk!!!
How did Bishop Bienvenu's visit to the dying revolutionary G—change him? What about this man surprised the Bishop and why? How are the Revolutionary ideals espoused by G— similar to or different from the pure Christian ideals of the Bishop?
Why did Jean Valjean steal the Bishop's silver? How was this act influenced by his experience in prison? Discuss the process of change that occurred in Valjean after the Bishop "bought back his soul from Satan" with the silver. Would this bargain have been successful with every person? Why was Valjean subject to such transformation?
Discuss what you know about the French Revolution and its cultural echoes in France. Could this story of Valjean's redemption be told in another historical context? In what ways is this story dependent on and independent of its setting?
How would you characterize Hugo's political and nationalist stance based on his description of the Battle of Waterloo and his account of other political events? Can his loyalties—Monarchist, Bonapartist, nationalist, humanist, etc.—be discerned and defined?
Marius's friends die in the July Revolution. What values were they defending? What do you think Hugo values in these heroic characters and how does his description of them show this?
Hugo inserts a rather scathing aside about the nature of Fame in Part I, chapter one: "Prosperity presupposes ability." Jean Valjean is an example of a man who is exceptional in many significant ways, who positively and profoundly affects the lives of people around him, and who lives and dies in absolute obscurity. This portrait is drawn by a man who was inarguably the most famous man in France, literally "a legend in his own time." How can fame adversely influence one's ability to do good in the world? How does Valjean safely covet his obscurity, and how does this obscurity contribute to the good deeds Valjean habitually performs?
Cosette was never more fortunate than when she left the home of the socially "respectable" Thénardiers to be raised by a feared ex-convict. How is this an indictment of Hugo's society's criteria for respectability? What are the Thénardiers symbolic or symptomatic of?
One of the most psychologically complex characters is Javert, who— though he plays the role of a villain—acts not out of malice but out of a sense of duty to what he truly believes is ethically correct. How would you define Javert's value system? There is a weak link in Javert's chain of rationalizations for his behavior and his life. Identify it and explain how it leads to Javert's suicide. At which points in the book does Hugo show Javert to advantage? At which points does Javert appear to be more a classic villain?
Hugo clearly adores Paris. How is the street urchin Gavroche symbolic of the city in which he runs rampant? If he is truly a "son of Paris," which attributes did he inherit from his "mother"? Compare Hugo's descriptions of Paris to his descriptions of the French countryside and smaller cities. How do Parisians differ from denizens of the rest of France? Are these differences slight or serious?
Compare the musical Les Misérables to the book. What is left out, emphasized, or added? How does the change of medium effect the pace and tone of the story? To what do you attribute the long-running success of the musical?