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What I'm Reading in October - 2012
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Carol
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Oct 14, 2012 12:59PM

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Finished The Caine Mutiny

Finished A Brew to a Kill

Finished The Sister Queens

Started The Forsyte Saga: Swan Song

Almost done with Secondhand Spirits

Partway through Kitty Foyle



Bought a couple yesterday that look interesting: The Age of Desire



I had brought along Penelope Lively's Spiderweb on a recent trip, but gave up about 2/3 of the way through. I liked her YA book A Stitch In Time, so am wondering if there are any fans of hers who can confirm that perhaps I had bad luck reading one of her ... weaker novels?

I'm looki..."
Susan, I keep trying to read Wallace too. We did a short story of his that was very intriguing. You can find it here: http://www.newyorker.com/fiction/feat...
It made me realize why so many people are intrigued with Wallace's writing. Our discussion is still up in the short story conference too. I just read the opening description in the story to the folks at the CR convention this morning.

Some great non-mystery books I've read lately are:
The World We Found by Thrity Umrigar (contemporary India)
In the Company of the Courtesan by Sarah Dunant (early 1500s Venice)
A Reliable Wife by Robert Goolrick (rural Wisconsin, 1909)
I'm now reading a fascinating memoir,
Life on the Color Line: The True Story of a White Boy Who Discovered He Was Black

Absolutely right, Nicole. I did not like ATSS as much, maybe because I didn't have the same feel of discovering a new culture. And the main character's story was so brutal.
I am one disc into the audio version of The Sandcastle Girls, by Chris Bohjalian, and I'm considering not finishing it. It's fiction, set in the heart of the Armenian genocide, and it is brutally honest in the descriptions of the atrocities. It seems like an important book that I will be glad to have read, but I'm not sure that I am up for the emotional cost of the experience. Any thoughts from the group?

The Fellowship by Roger Friedland and Harold Zellman. Half genius, half charlatan Frank Lloyd Wright devised The Fellowship as a means of saving his beloved Taliesin which he’d already lost three times, twice to fire and once to bankruptcy. Wright invariably found a savior to rescue him from vorays into speculations. The idea of The Fellowship, a group of paying resident students who would benefit from proximity to the master, may have germinated from Wright’s third wife Olgivanna’s experience with the Gurdjieff cult in France. Wright was also influenced by Gurdjieff as were his daughters Svetlana and Iovanna. Initially, Wright seemed to have little intention to instruct the students who served as laborers rebuilding Taliesin, the studio and in general farming tasks. They also built Taliesin West near Scottsdale, AZ. As some apprentices departed, Wright realized he’d need to have a more scholastic approach. Since he, himself, had no university degree nor license as an architect, he could not confer degrees upon the students. His magnetic personality and the originality of his architectural concepts kept many of the acolytes mesmerized. Wright’s career began as an associate of Louis Sullivan, grew with his Prairie House designs, and came to fruition in his later years with Fallingwaters, designated as the most beautiful house design (though lacking engineering expertise, Wright’s cantilever system was sharply criticized, and probably only succeeded as his students surreptitiously added more rebar to the cement, than Wright specified. Similar problems occurred with the Johnson Wax Building as the lilypad columns which upheld the structure were thought to be too weak; again his apprentices dealt with these problems, sometimes over Wright’s objections. In the case of the Johnson project, Wright was correct that the unusual design, strengthened with steel mesh rather than rods could hold five times the weight necessary. The glass rod skylights, beautiful as they were, leaked as did many of Wright’s roofs.) Overall, Wright was more artist and visionary of architecture than a pragmatic engineer, yet it is undeniable that his influence –for example the Usonian house which was the precursor of the ranch house that became the prototypical suburban home of the 50’s—has had worldwide influence. Always a controversial figure, he was recognized by the Architectural Society for his lifetime achievements, and typically, he took the occasion to criticize much modern architecture. The Fellowship, written in 2006, briefly covers Wright’s personal history up to the founding of The Fellowship. As a primary engine for Wright’s designs as well as producing the cash needed to pursue his goals, The Fellowship was seen by some outsiders as a cult, while being revered by many prominent individuals, especially avant garde devotees of Theosophy, Spiritualism and other such beliefs. Wright was inclined to manipulate these disciples, rather than succumb to their doctrines, though he was always interested in the revolutionary idea. He was too much of an egotist to wish to share the stage with another celebrity. Ayn Rand who had based her main character in The Fountainhead on Wright, upon meeting him was disillusioned as he was far from the idealistic ideologue she had imagined. Wright’s wife Olgivanna had a great deal of influence on the members of The Fellowship and following Wright’s death, she assumed control, including music and dance as an important venture, based on her Gurdjieffian ideas. With her death, The Fellowship declined, though the program exists to this day. Taliesin East and West have both come to prominence as tourist destinations to showcase the work of Wright and his followers.


The Fellowship by Roger Friedland and Harold Zellman. Half genius, half charlatan Frank Lloyd Wright devised The Fellowship as a means of saving h..."
Wright was more than a bit of an sob, wasn't he? The CRs who just came back from our Pittsburgh convention might be interested in this book. They got to see Falling Water.


I read the first couple of chapters of The Sandcastle Girls. It was confusing, first told by his grandmother, then by him. About his Armenian relatives who were exiled from Ottoman Turkey. The subject was of interest, but the book did not capture my interest. Perhaps I should have given it more time, but I felt like this was going to be another of his long-winded boring books like his Double Bind. So I sent it back to the library unfinished.
Mary Ellen: What book is ATSS?
Marge


You might be interested in the book Loving Frank by Nancy Horan. It is a fictional account of Frank Lloyd Wright's relationship with lover, Martha "Mamah" Borthwick. He was not a nice person - maybe that goes with being a genius.

I really liked A THOUSAND SPLENDID SUNS, although it is a sad book. It is about the life of a young Afghan woman.

I've read biographies of him, but The Fellowship is the first that detailed the cult atmosphere that surrounded him, and how he pretty much used them as slave laborers. Most were willing however, in order to work with their master.
I've read "Loving Frank" which frankly I thought was not very well written, certainly didn't get at the gist of who FLW was, and focused on their love story as central to FLW's life, when in fact, his 30+ year relationship with his third wife Olgivanna was far more influential. However, Taliesin is taking advantage of the book's publication by offering a "Loving Frank" tour--and given FLW's talent for taking monetary advantage of every situation, that fits right in.
My husband's roofing company did a lot of work on local FLW houses, nearly all of which had major structural problems plus roofs that leaked. Nevertheless, my husband considers him an American icon.

The fire and murders at Taliesen, make me almost feel sorry for the b*stard.


Lynn wrote: "Has anyone read The Women by T.C. Boyle? I think it's better written than Loving Frank and covers all the women in FLW's life, starting with the last wife and moving back through time to the first."
I was just writing the same thing, when I noticed your post. I read both titles for a book club, and much preferred Boyle's look at FLW.
I was just writing the same thing, when I noticed your post. I read both titles for a book club, and much preferred Boyle's look at FLW.


However, it sounds like I am definitely in the minority here.

Yep, that is a good one, but then, it's T.C.!

However, it sounds like I am de..."
Nope, I really liked it, and then read a non-fiction book about the murders (which sought to blame Wright, of all things) that served to help me understand the profoundly not understandable.
By the way, according to a documentary I saw later, Wright stipulated in his will that he wanted to be buried next to Mamah. He was, but later that "influential" (I think controlling) third wife (or perhaps someone connected to her--forgive my faulty memory) had him exhumed and moved to Taliesin West.
One of the best moments in the non-fiction account concerns him first meeting the father of Mamah's children on the train from Chicago after the murders--the father going to retrieve their bodies. They were able to put aside everything else in their sorrow. Then Wright insisted on making Mamah's coffin, strewing it with wildflowers and burying her. Many witnesses heard him sobbing uncontrollably as he carried this out. So, yes, he was an S.O.B. and definitely full of himself, but I was still moved by his grief.


The death and burial was devastating, wasn't it? The book really seeks to understand Mamah's search for independence and a life of her own - at the expense of giving up her family. She so thoroughly attached herself to Wright that she gave up both her independence and her children. As you can imagine, my in person book club had a field day with this one.


Here's a picture from the play: Carney, Thaxter, Ashley and an actress names June Harding who, as far as I've been able to discover, hasnt done anything else...


Thank you, Jennifer! I love reading the casts in older plays as well. This is a nice reminder of the genesis of the Ephron sisters. And, I love seeing Art Carney. We all forget that he definitely wasn't just in The Honeymooners.


I am still missing the world of Shantaram, which kept me in its spell for so long.



Started catching up on my Harry Bosch mysteries over vacation with A Darkness More Than Night (which was ho-hum) and City of Bones which was more engaging. I'm currently reading the next in the series, Lost Light.



John, I really liked the audio version of Rules of Civility, too.
I just finished listening to Doc by Maria Doria Russell, and it was very very good. I think it was Book Concierge who I first heard of this from, and I'd like to thank her. I thought the narrator was excellent.


The novel I most recently completed was THE BIRD ARTIST, by Howard Norman, which really kept me turning the pages. I found his characters as illustrated by their dialogue arresting. It's set in Newfoundland in the early years of the 20th century. I'm still pondering what it all may mean, but I like it when a book gives me that experience.
Am just beginning HOW IT ALL BEGAN by Penelope Lively.
I got 100 pages into INFINITE JEST and gave up. I mostly feel very sad at this failure, but I confess I have moments in which I think DFW just couldn't do character.

I'm currently listening to In the Time of the Butterflies by Julia Alverez, and loving it. My daughter, the IB English teacher, has been recommended it to me for years.

Thanks for letting me know, Larry. I'll sign up for sure.

I wasn't able to find her on Facebook, when I searched it just sent me out to the web. Could you send me a link to her page?

Sherry, do a Facebook search on MARY Doria Russell ... I noticed that you had mentioned her name as MARIA Doria Russell. It's interesting that I sometimes mispronounce her name that way when I'm speaking of her. Let me know if that doesn't work.


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