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The Captive / The Fugitive (In Search of Lost Time, #5-6)
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The Captive, vol. 5 > Through Sunday, 6 Oct.: The Captive

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message 101: by Marcelita (new)

Marcelita Swann | 1135 comments Kalliope wrote: "Elizabeth wrote: "Kalliope, Fionnuala: Yes, it is the same Théodore . Remember, when Tante Leonie had seen a person (or a dog!) she didn't know, she would call Franҫoise to go to Camus' grocery

So, the "cocher" brother to the femme de chambre de Mme Putbus, is this Théodore then? ..."


And don't forget...how he symbolizes "old France."
Théodore and Françoise..."seen" in the statues at Saint-André-des-Champ.

http://books.google.com/books?id=7nV5...
"Proust and the Middle Ages" By Richard Bales (p 87)


message 102: by Fionnuala (new)

Fionnuala | 1142 comments Marcelita wrote: "And don't forget...how he symbolizes "old France." Théodore and Françoise..."seen" in the statues at Saint-André-des-Champ."

How can we ever hope to keep even half of the Recherche catalogued in our minds?
How do you do it, Marcelita?


message 103: by Marcelita (last edited Oct 08, 2013 09:45AM) (new)

Marcelita Swann | 1135 comments Fionnuala wrote: "Marcelita wrote: "And don't forget...how he symbolizes "old France." Théodore and Françoise..."seen" in the statues at Saint-André-des-Champ."

How can we ever hope to keep even half of the Recherc..."


Trust me, I felt the same way, when I first read the novel.

Maybe the turning point was realizing it had a circular structure...or maybe after reading Carter's biography, or even reflecting on the philosophical nature of life, but whatever it was...I really had no choice but to succumb.

So, I read Proust, or about Proust, everyday... attend anything remotely related to the novel...and answer when my husband calls me "the poor obsessive."


message 104: by Marcelita (last edited Oct 08, 2013 09:43AM) (new)

Marcelita Swann | 1135 comments Martin wrote: "·Karen· wrote: "Fionnuala wrote: "Elsewhere, I've jokingly compared him to a good wine but he IS like a good wine, brawny, full-bodied, complex, decadent, massive, plummy, spicy...and just a little.

".Just left off at the part where Charlus makes some very interesting claims about Odette. My initial reaction: "He must be lying. Right? Right?!" .."


When I first read how Charlus met Odette...

“'Why, it was through me that he came to know her. I had thought her charming in her boyish get-up one evening when she played Miss Sacripant; I was with some clubmates, and each of us took a woman home with him, and although all I wanted was to go to sleep, slanderous tongues alleged—it's terrible how malicious people are—that I went to bed with Odette.'" MP

... I remembered that wonderful afternoon in Estir's studio.

"One imagined moreover that it must be feigned, and that the young person who seemed ready to submit to caresses in this provoking costume had probably thought it intriguing to enhance the provocation with this romantic expression of a secret longing, an unspoken grief. [...] At the foot of the picture was inscribed: 'Miss Sacripant, October, 1872.'" MP (WBG)


message 105: by Fionnuala (new)

Fionnuala | 1142 comments Marcelita wrote: "So, I read Proust, or about Proust, everyday... attend anything remotely related to the novel...and answer when my husband calls me "the poor obsessive."

Good story, Marcelita - life imitating art.


message 106: by Marcelita (last edited Oct 09, 2013 02:57AM) (new)

Marcelita Swann | 1135 comments Fionnuala wrote: "Marcelita wrote: "So, I read Proust, or about Proust, everyday... attend anything remotely related to the novel...and answer when my husband calls me "the poor obsessive."

-life imitating art."


And there is always another "fix."

During this week's reading, I noticed a "past" self, when I was in my "infatuation stage" with Proust and, similar to a friend who has just fallen in love, could only talk about "him."

"...as irritating as an initiate who prides himself on the secrets which he possesses and is burning to divulge..." MP

Here is the passage, the narrator on Charlus:

"He was as boring as a specialist who can see nothing outside his own subject, as irritating as an initiate who prides himself on the secrets which he possesses and is burning to divulge, as repellent as those people who, whenever their own weaknesses are in question, blossom and expatiate without noticing that they are giving offense, as obsessed as a maniac and as uncontrollably imprudent as a criminal." MP p 408

And pray a "future" self is not truly "as obsessed as a maniac." ;)


message 107: by Fionnuala (new)

Fionnuala | 1142 comments Yes indeed, Marcelita, I've been wondering recently how you and the others who are rereading the Recherche were so restrained in your comments in the early months of this group read while the rest of us were fumbling in the dark. But you allowed us to arrive at understanding in our own time - and you kept us royally entertained via the fashion pages in the meantime!
Thank you.


message 108: by Marcelita (last edited Oct 09, 2013 05:10AM) (new)

Marcelita Swann | 1135 comments Moving to the lounge...on Pinter's year with Proust.


message 109: by Ce Ce (new) - rated it 4 stars

Ce Ce (cecebe) | 626 comments Marcelita wrote: "Marcelita wrote: "In the Overture...the foundation stones are laid:

"...'Come in and stop your husband drinking brandy,' in my cowardice I became at once a man, and did what all we grown men do ..."


I can think of no better way to end this year...or if I am still running my perpetual 2 weeks behind :-) begin my new year...than re-read the overture.

What a provocative thought to have re-read the overture after each volume.


message 110: by Ce Ce (new) - rated it 4 stars

Ce Ce (cecebe) | 626 comments Jocelyne wrote: "Isn't Charlus a superbly drawn character? He touches every emotional chord: we sneer at his arrogance, we laugh at his ridicule and weep at how pathetic he can be."

So true Jocelyne. I am seeing Charlus as perfectly flawed and sympathetic...a portrait of the human condition.

I choked in delighted laughter this morning. When M. Charlus believed he was dying he developed a "Christian meekness"...and just as facilely ditched it when he was better. He is us.

"It was not that he lost his eloquence...it still flowed freely, but it had changed...it was now a quasi-mystical eloquence, embellished with words of meekness, parables from the Gospel, an apparent resignation to death."

"This Christian meekness into which his splendid violence had been transposed...provoked the admiration of those who came to his bedside."

"M. de Charlus had risen far above the level at which he had lived in the past. But this moral improvement, as to the reality of which, it must be said, his oratorical skill was capable of deceiving somewhat his impressionable audience, vanished with the malady which had laboured on his behalf. M. de Charlus redescended the downward slope with a speed which, as we shall see, continued steadily to increase." ML pp 434 & 435

How many times have I promised to be better? More admirable & moral. Saintly. To revert with speed to the person I am. Charlus is vulnerable. He is charming. He is clueless. He has been vile. He is aging and in denial with his scent and powder. He is fully fleshed. And superb


message 111: by Ce Ce (last edited Oct 19, 2013 11:51AM) (new) - rated it 4 stars

Ce Ce (cecebe) | 626 comments My heart warmed and I loved the Queen of Naples for offering her arm and escorting M. Charlus...who of us has not needed this in our life? Whether the cause is our own indelicate actions or words; or those of another.

"'Lean on my arm. You may be sure that it will always support you. It is strong enough for that.' Then, raising her eyes proudly in front of her (where Ski later told me, Mme Verdurin and Morel were standing: 'You know how in the past, at Gaeta, it held the mob at bay. It will be a shield to you.'"

The Queen of Naples held the mob at bay; when the Narrator (who also witnessed what was happening) could not put aside his own obsession and be the friend blindsided Charlus so needed.


message 112: by Ce Ce (new) - rated it 4 stars

Ce Ce (cecebe) | 626 comments Marcus wrote: "...My sense from the beginning of the Captive is that we're coming up to the surface after a long, fathoms deep, underwater journey and that we are entering realtime - when the mission is debriefed - from a dreamy, amniotic state before. "

So perfectly and elegantly stated Marcus.


message 113: by Fionnuala (new)

Fionnuala | 1142 comments Ce Ce wrote: "Marcus wrote: "...My sense from the beginning of the Captive is that we're coming up to the surface after a long, fathoms deep, underwater journey and that we are entering realtime - when the missi..."

Seems like you are entering real time too, Ce Ce!


message 114: by Ce Ce (new) - rated it 4 stars

Ce Ce (cecebe) | 626 comments Fionnuala wrote: "Ce Ce wrote: "Marcus wrote: "...My sense from the beginning of the Captive is that we're coming up to the surface after a long, fathoms deep, underwater journey and that we are entering realtime - ...

Seems like you are entering real time too, Ce Ce!
"


Ha, ha...yes, a case of life imitating art. We are steadily coming out from under...and dazedly looking around to see a world still under our feet.


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