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Finding a Great Editor
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Vicky
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Sep 02, 2012 07:48AM

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Good luck with the book!


(And a deuce coupe is a double ice-cream cone)

Coupe is from the French for cut.
"A coupé or coupe (from the French verb couper, to cut) is a closed car body style (permanently attached fixed roof), the precise definition of which varies from manufacturer to manufacturer, and over time. Classic coupés are hardtopped sports cars or sporty variants of sedan (saloon) body styles, with doors commonly reduced from four to two, and a close-coupled interior (i.e., the rear seat placed further forward than in a standard sedan) offering either two seats or 2+2 seating (space for two passengers in the front and two occasional passengers or children in the rear). The coupé could be a classic coupé or four-door coupé."
A coupe does not have to be old-style, nor need it be from any particular decade.


hey guys, I do realize the importance of editor after finishing my book. I posted my first book on kindle but after loads of after work. I still do realize that it could have been a little different.
So I might need tips for now. Do reply please on my e-mail (imran.mohd.usman@gmail.com), but do mention the subject.
have a great day.
So I might need tips for now. Do reply please on my e-mail (imran.mohd.usman@gmail.com), but do mention the subject.
have a great day.

Hi Vicky,
I'm a former trade publishing editor, a former literary agent, and author of 8 books published by major publishers. I teach and sometimes do some freelance editing...but I'm not soliciting work, because I'm taking time off all of that to write a sequel to my next book, with Viking. The reason I'm responding is just to say be very selective in your choice. There are lots of good editors out there, but lots of unqualified ones as well. The idea of unpublished or self-published writers teaching others to do what haven't yet managed to do themselves makes me very uneasy.
If you scroll down on the opening page of my teaching website, you'll see a list of accomplishments and qualities to look for in a writing teacher. The same list would apply to an editor. Hope it helps! www.nextlevelworkshop.com.


I agree many people who advertise themselves as "editors" return results no better than if you edited the book yourself. For example, my first book, Giving Up Mental Illness Or How To Be Normal In A Crazy World was supposedly edited by a real publisher. However, when I looked at it, it was obvious they did virtually nothing. With my second book, Healing Personal Psychologym I couldn't afford an editor, heard some negative stories from a friend who paid thousands to have his book poorly edited, and edited it myself by going over it line, by line, multiple times. I can still find editing errors in that one, each time I pick it up. The fee and the caveat about poor editors found me publishing a third book this month,an e-book Healing Personal Depression And Anxiety For Good: The Only Self-Help Solution You'll Ever Need. I think I did a better job self-editing than with the others, but still needs work. Yet, retired and living on a fixed income does not afford me the luxury of an editor. Best thing is that I was able to publish through Smashwords for nothing. They distribute to most e-book sellers except Amazon. I am about to submit it to Amazon for their self-publishing platform. If sold at Smashwords, the net proceeds is 85% of cover price. If at Amazon it's about 70%. What I need more than anything is some promotion and sales so that perhaps I can afford an editor on my next book.

Of course every writer should edit her manuscript to her maximum ability. But to have it published without a professional reviewing it first? The multiple errors you describe is what gives self-published books their poor reputation. Amateur publishing bleeds through in the first page--and readers notice it. They are much less likely to recommend your books to others. It also hurts your professional image.
Oh, yes. There are many professional editors that are incompetent and dishonest. Early in my career I fell for one who had published an excellent How-To write book, which means that she was qualified. But instead of sending me back to revise the draft of that novel that still had some major overarching problems, she sent me a contract in which she explained that since I was a "Pulitzer-Prize material" in addition to her hefty fee she should receive 10% of the "first 10 million dollars from the movie rights...." etc.
If you cannot afford to pay, then at least use writing buddies for mutual back-scratching. You can read each other's manuscripts and make comments, corrections and suggestions. Different writers bring different strengths--some are nitty picky and point out typos and grammatical mistakes, others are generalists and ask for clarifications or point out development issues and the organization of the material. (For fiction, they can help with character consistencies, psychological arc, or plot twists logic.)
That means that you need to work with more than just one other writing buddy--and spend equal amount of time on their manuscripts. But the result may be quite less amateurish than what you are describing happened with your self-published books.

Not really, sorry. I am sure there are good ones out there, and I know at least one I'd strongly recommend for non-fiction, but not YA. I wish I could help, but I'm trying to stay disciplined. If you're still looking for help 4-5 months from now, I may be freer--you're welcome to contact me. But I hope you find someone sooner. In any case, you should always do a test edit--have the editor read the first 5000 words or so and write an editorial letter about that. It will reveal a great deal--by the end of that letter, you'll know whether or not an editor's for you, and vice versa.

Of course every writer s..."
Talia - Thanks for your valuable comments. I agree professional editing is very important, or at a minimum a good group of readers(or, ideally, both). We writers get too close to our own work to be able to do a thorough job without a few more sets of eyes to back us up!

Barbara - Thanks so much. I'm working with someone now, and feel comfortable with this person's credentials and integrity. Hoping for the best!

Also, our eyes tend to correct mistakes as we read, so that our own mistakes evade us....


Hi Vicky,
Another great resource for finding an editor that meets all your criteria is the Editorial Freelancers Association website:
http://www.the-efa.org/
I found a wonderful editor through the EFA. Her name is Robin Martin, and she can be contacted through her website at:
http://www.twosongbirdspress.com/
There is also lots of great information on the EFA website regarding customary rates and explanations of all the different services a great editor can provide to an author.
Another thought is to ask for references you can contact directly, once you've narrowed your search down to a few folks. I have answered questions about Robin from prospective customers several times over the past few years. She always asks my permission to be contacted first, and I'm always happy to, because she has provided me with excellent service.
I hope this helps!
All the best,
Rob

Hi Rob -
Thanks for your comments and the reference to the EFA website. Much appreciated!

Rob,
Thanks for the info. Just what I was looking for.
Jasenn

Thanks for the info - I was also looking for good editors for general fiction and found a name on the EFA website.
Best wishes
Judy Croome, Johannesburg, South Africa


Hi Vicky,
I posted on elance and craigslist for editors and had dozens of proposals. In the end, I ended up using around 5 editors, each with their own strengths and weaknesses.
What I found most important is that though chemistry matters between the editor/ author, there is just no replacement for an experienced editor. Someone who may know all the grammar rules could do a good job but they won't challenge you in the manuscript the way that all stories need to be challenged.
The method that I used was that I paid for the editing of one chapter from each editor and continued to do samples of one chapter at a time until I felt comfortable with the person. In the end, I hired two editors (at multiple times) go over the entire manuscript, and both were excellent.
If you need actual referrals, please let me know.
Wen-Szu

Thanks for your comments. I love your approach! So happy you found some good editors for your manuscript. I appreciate the offer of referrals, but I'm working with someone I'm happy with right now. Best of luck with your book!



Great site, Barbara.


There are three levels of editing: content or substantive, copy or line edit, and proofreading. To answer Laura, the level of editing you choose determines "how much work" you'll get (and pay for). Content editing is the most detailed and the most expensive. The editor will analyze your story, make suggestions on plot, characters, etc. A copy or line edit will review not only grammar and punctuation, but things like overused words, misplaced modifiers, etc. Proofreading is the final pass to make sure there are no remaining grammar, punctuation, or format errors in the final manuscript after editing.
I want to repeat the suggestion to get a sample edit before agreeing to use a particular editor. I sent a five page sample to ten different editors and asked that they return it, along with a cost estimate. (I was looking for a copy edit. I used members of my local Sisters in Crime chapter for my content edit.) This will tell you quite a lot. Two never responded. (Eliminated, since if they're not responding to a query, they won't respond to getting the work done.) One said he was too busy to take on another edit for a few months. (Eliminated since I didn't want to wait.) The others sent back the sample pages and how they would edit them. About half of those shocked me with how much they didn't know about grammar and punctuation. (Eliminated)
I chose Christina Miller based on that sample edit and her price quote. I found her through Christian Editor Network, which is appropriate for my genre (edgy Christian fiction). I just received the copy edit back and I can't say enough about how pleased I am with her work. Not only does she make corrections, she often puts in an explanation of the rule or why she made the change.
Speaking of changes, just because an editor makes one doesn't mean you have to accept it. It's still your book. If you think they're wrong (and I've been verifying things in The Chicago Manual of Style and on the Grammar Girl site) or even if they're right, but you think the sentence reads better or reflects your character's voice better in the original, you can leave it the way it is.
And now I offer my apologies for going on for so long on my first post. I'll try to be more concise next time.



I found my editor (Arlene Prunkl, penultimateword.com) online and she's great. I used a short story as a test case and that worked out well so I hired her to edit my novel.
It's not just finding an editor, it's finding an editor who line edits. That's what counts. No repetitions, no turns of phrase that are not appropriate, too many adverbs, too many exclamation points, etc. A good line editor is essential!

That is great advice. Thanks.


http://metamorphosiseditingservices.b...
or email us: Metamorphosiseditingservice@gmail.com
Beta Reading: $.0015 Per Word:
This is one of the first stages of revision. If you aren't ready to have your piece completely re-worked and just want a second opinion on the plot, characters, and general suggestions, this is the package for you. We will read your manuscript and then send you extensive notes on how you can make your writing stronger.
Detailed Copy Editing: $.0025 Per Word:
Do you think your manuscript is fine as far as plot and characterization goes, but aren't sure about the grammar, punctuation, spelling, word choice, transitions, or sentence structure? With this package, we cover all of those things!
Proof Reading: $.0035 Per Word:
(For more than one read through, add $50)
Proof Reading is a combination of beta reading and copy editing. We will check over plot and characterization as well fix grammar, punctuation, word choice, and make line edits (sentence structure) suggestions. We will provide comments in the margin of the manuscript for specific suggestions as well as at the end of the piece for general suggestions.
Synopsis Editing: $35 Flat Rate:
If you have a rough draft of your synopsis or need suggestions for one you aren't sure about, we will do our best to make it clear, concise, and to the point. It is our goal to have people read your synopsis and grab your book!


My price will go by page count and at $1 per page that should average about $250 - 300 per novel for average length works. I may be open to negotiation on price, especially for some projects with greater length. I would prefer not to edit anything less than 10 pages and nothing longer than 600 so that I'm not distracted from my work at JEA and, of course, with my own writing. I would prefer to work with word documents because it's much easier to use that program's comments system to note changes and make notes on areas where some work is needed.
When I edit I look for proper grammar usage, solid plotting, engaging storytelling and areas where the author could use cutting to improve the flow. I don't have a specific preference on genre, but I do reserve the right to reject a project if I feel that I would not be the right editor for the work (conflict of interest or projects I find offensive due to topics like sexual abuse of minors utilized in a sexually titillating manner for example). I prefer to look at the work first and if I take it on, to receive half at the beginning of the assignment and the other half on completion. I take payments via Paypal.
If you would be interested in seeking my help with editing or have any questions please e-mail me at nightshade44637@gmail.com with the heading "Editing Inquiry" with your book title. Thanks.

A degree in...? Editing? :-)



It's some time since you wrote this, and your answers have been mainly from the US. I'll recommend an editor from UK who I've found very responsive and very quick. It's Morgen Bailey (note the E) who has her very useful writers' website. She teaches and heads a writing workshop in Northampton.

This is going sound glib and crazy but it is the best advice I was given - give the book to your mother; better still your grandmother ... they'll find more errors and pose the most challenging questions of any paid editor.
In the absence of a mother or grandmother, then The Carter Seagrove Project may be able to help

I'm new here
Thanks for adding me to this group
I m Rima Al khany writer
( English is not my native language)
Have you tried co-writing ?
