Willow > Willow's Quotes

“Evil is an act, not an appetite. How many haven't wanted to slash the throat of some boor across the dining room table? Present company excepted of course. Everyone has the appetite. If you give in to it, it, that act is evil. The appetite is normal.”
― Gregory Maguire, Wicked: The Life and Times of the Wicked Witch of the West

“Monster” is derived from the Latin noun monstrum, “divine portent,” itself formed on the root of the verb monere, “to warn.” It came to refer to living things of anomalous shape or structure, or to fabulous creatures like the sphinx who were composed of strikingly incongruous parts, because the ancients considered the appearance of such beings to be a sign of some impending supernatural event. Monsters, like angels, functioned as messengers and heralds of the extraordinary. They served to announce impending revelation, saying, in effect, “Pay attention; something of profound importance is happening.”
― Susan Stryker

“The power of monsters is their ability to fuse opposites, to merge contraries, to subvert rules, to overthrow cognitive barriers, moral distinction, and ontological categories. Monsters overcome the barrier of time itself. Uniting past and present, demonic and divine, guilt and conscience, predator and prey, parent and child, self and alien, our monsters are our innermost selves.”
― David D. Gilmore, Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors

“On old maps, cartographers would draw strange beasts around the margins and write phrases such as "Here be dragons." That's where monsters exist: in the unmapped spaces, in the places where we haven't filled in all the gaps...”
― Kelly Link & Gavin J. Grant

“What strange phenomena we find in a great city, all we need do is stroll about with our eyes open. Life swarms with innocent monsters.”
― Charles Baudelaire

“Monsters cannot be announced. One cannot say: 'Here are our monsters,' without immediately turning the monsters into pets.”
― Jacques Derrida

“A story must be judged according to whether it makes sense. And 'making sense' must be here understood in its most direct meaning: to make sense is to enliven the senses. A story that makes sense is one that stirs the senses from their slumber, one that opens the eyes and the ears to their real surroundings, tuning the tongue to the actual tastes in the air and sending chills of recognition along the surface of the skin. To make sense is to release the body from the constraints imposed by outworn ways of speaking, and hence to renew and rejuvenate one's felt awareness of the world. It is to make the senses wake up to where they are.”
― David Abram, The Spell of the Sensuous: Perception and Language in a More-Than-Human World

“Sure, cried the tenant men,but it’s our land…We were born on it, and we got killed on it, died on it. Even if it’s no good, it’s still ours….That’s what makes ownership, not a paper with numbers on it."

"We’re sorry. It’s not us. It’s the monster. The bank isn’t like a man."

"Yes, but the bank is only made of men."

"No, you’re wrong there—quite wrong there. The bank is something else than men. It happens that every man in a bank hates what the bank does, and yet the bank does it. The bank is something more than men, I tell you. It’s the monster. Men made it, but they can’t control it.”
― John Steinbeck, The Grapes of Wrath