Sara > Sara's Quotes

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  • #1
    Elizabeth Wein
    “It’s awful, telling it like this, isn’t it? As though we didn’t know the ending. As though it could have another ending. It’s like watching Romeo drink poison. Every time you see it you get fooled into thinking his girlfriend might wake up and stop him. Every single time you see it you want to shout, 'You stupid ass, just wait a minute,' and she’ll open her eyes! 'Oi, you, you twat, open your eyes, wake up! Don’t die this time!' But they always do.”
    Elizabeth Wein, Code Name Verity

  • #2
    Elizabeth Wein
    “It's an illusion I've noticed before-- words on a page are like oxygen to a petrol engine, firing up ghosts. It only lasts while the words are in your head. After you put down the paper or pen, the pistons fall lifeless again.”
    Elizabeth Wein, Rose Under Fire

  • #3
    Jonathan Safran Foer
    “I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #4
    Jonathan Safran Foer
    “He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.
    Jonathan Safran Foer, Everything is Illuminated

  • #5
    Jonathan Safran Foer
    “She wants to know if I love her, that's all anyone wants from anyone else, not love itself but the knowledge that love is there, like new batteries in the flashlight in the emergency kit in the hall closet.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #6
    Jonathan Safran Foer
    “I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others -- The only thing worse than being sad is for others to know that you are sad.”
    Jonathan Safran Foer, Everything Is Illuminated

  • #7
    Jonathan Safran Foer
    “The bruises go away, and so does how you hate, and so does the feeling that everything you receive from life is something you have earned.”
    Jonathan Safran Foer, Everything Is Illuminated

  • #8
    Margaret Atwood
    “A word after a word after a word is power.”
    Margaret Atwood

  • #9
    W.B. Yeats
    “Too many things are occurring for even a big heart to hold.”
    W.B. Yeats, Dyland Thomas T.S. Eliot

  • #10
    Daniel Keyes
    “Thank God for books and music and things I can think about.”
    Daniel Keyes, Flowers for Algernon

  • #11
    Elizabeth Wein
    “It's like being in love, discovering your best friend.”
    Elizabeth Wein, Code Name Verity

  • #12
    Melina Marchetta
    “What do you want from me?" he asks.
    What I want from every person in my life, I want to tell him.
    More.”
    Melina Marchetta, Jellicoe Road

  • #13
    Jandy Nelson
    “I gave up practically the whole world for you,” I tell him, walking through the front door of my own love story. “The sun, stars, ocean, trees, everything, I gave it all up for you.”
    Jandy Nelson, I'll Give You the Sun

  • #14
    Emily St. John Mandel
    “No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.”
    Emily St. John Mandel, Station Eleven

  • #15
    Emily St. John Mandel
    “First we only want to be seen, but once we’re seen, that’s not enough anymore. After that, we want to be remembered.”
    Emily St. John Mandel, Station Eleven

  • #16
    Katherine Rundell
    “I do, I’m afraid, understand books far more readily than I understand people. Books are so easy to get along with.”
    Katherine Rundell, Rooftoppers

  • #17
    Katherine Rundell
    “Books crowbar the world open for you.”
    Katherine Rundell, Rooftoppers

  • #18
    Emily St. John Mandel
    “A fragment for my friend--
    If your soul left this earth I would follow and find you
    Silent, my starship suspended in night”
    Emily St. John Mandel, Station Eleven

  • #19
    Emily St. John Mandel
    “Forever is the most dizzying word in the English language. The idea of staying in one place forever was like standing at the border of a foreign country, peering over the fence and trying to imagine what life might be like on the other side, and life on the other side was frankly unimaginable.”
    Emily St. John Mandel, Last Night in Montreal

  • #20
    John Green
    “When I look at my room, I see a girl who loves books.”
    John Green, Looking for Alaska

  • #21
    Margaret Atwood
    “But I have already told the beginning, so right now it's the middle. And Zeb is in the middle of the story about Zeb. He is in the middle of his own story.

    I am not in this part of the story; it hasn't come to the part with me. But I'm waiting, far off in the future. I'm waiting for the story of Zeb to join up with mine. The story of Toby. The story I am in right now, with you.”
    Margaret Atwood, MaddAddam

  • #22
    Margaret Atwood
    “There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.”
    Margaret Atwood , MaddAddam

  • #23
    Jasmine Warga
    “I will be stronger than my sadness.”
    Jasmine Warga, My Heart and Other Black Holes

  • #24
    Jasmine Warga
    “Anyone who has actually been that sad can tell you that there's nothing beautiful or literary or mysterious about depression.”
    Jasmine Warga, My Heart and Other Black Holes

  • #25
    Dana Reinhardt
    “But no matter what happens, the earth keeps turning. Monday always comes and eventually, sometimes excruciatingly slowly, that Monday is followed by a Friday. You take tests, hand in papers you wrote at two in the morning the day they were due, and your shoes get worn out, and the pollen in the air increases so that you go through an entire package of tissues during the SATs, and you wander through the crowds at parties looking for Natalie Banks because you came with her, and you watch her take off for the backyard with a senior who seems to be in the backyard with a different girl at every party, and you learn to play chess with your dad, and you eat too much ice cream, and your favorite television drama has its two-hour season finale, and then suddenly the school year ends and you pack your bags for Tennessee.”
    Dana Reinhardt, How to Build a House

  • #26
    Dana Reinhardt
    “I think about how we can’t always live in the moment because moments pass, and when we’re lucky, we have the kind of moments that we can’t help wanting to go back to. We think about them, remember how they felt, and when more time passes we tell stories of these moments that are worth reliving.”
    Dana Reinhardt, How to Build a House

  • #27
    Curtis Sittenfeld
    “There are people we treat wrong and later we're prepared to treat other people right. Perhaps this sounds mercenary, but I feel grateful for these trial relationships, and I would like to think it all evens out - surely, unknowingly, I have served as practice for other people.”
    Curtis Sittenfeld, Prep

  • #28
    Curtis Sittenfeld
    “I decided that I wanted to say to Sin-Jun, I like your skirt. But sometimes speaking is so hard! It's like standing still, then sprinting. I kept rehearsing the sentence in my head, examining it for flaws.”
    Curtis Sittenfeld, Prep

  • #29
    Thomas Pynchon
    “No, thought Oedipa, sad. As if their home cemetery in some way still did exist, in a land where you could somehow walk, and not need the East San Narciso Freeway, and bones still could rest in peace, nourishing ghosts of dandelions, no one to plow them up. As if the dead really do persist, even in a bottle of wine.”
    Thomas Pynchon, The Crying of Lot 49

  • #30
    Chris Cleave
    “London had always had this trick of living in two time signatures at once - the urgent and the always - each in earshot of the other.”
    Chris Cleave, Everyone Brave Is Forgiven



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