Amanda > Amanda's Quotes

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  • #1
    Nicole Krauss
    “The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.

    During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me."

    "If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.”
    Nicole Krauss, The History of Love

  • #2
    John Green
    “What is an "instant" death anyway? How long is an instant? Is it one second? Ten? The pain of those seconds must have been awful as her heart burst and her lungs collapsed and there was no air and no blood to her brain and only raw panic. What the hell is instant? Nothing is instant. Instant rice takes five minutes, instant pudding an hour. I doubt that an instant of blinding pain feels particularly instantaneous.”
    John Green, Looking for Alaska

  • #3
    John Green
    “I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was hurricane.”
    John Green, Looking for Alaska

  • #4
    John Green
    “Someday no one will remember that she ever existed, I wrote in my notebook, and then, or that I did. Because memories fall apart, too. And then you're left with nothing, left not even with a ghost but with its shadow. In the beginning, she had haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying again.”
    John Green, Looking for Alaska

  • #5
    Nicole Krauss
    “So many words get lost. They leave the mouth and lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days, you can hear their chorus rushing past: IwasabeautifulgirlPleasedon’tgoItoobelievemybodyismadeofglass-I’veneverlovedanyoneIthinkofmyselfasfunnyForgiveme….

    There was a time when it wasn’t uncommon to use a piece of string to guide words that otherwise might falter on the way to their destinations. Shy people carried a little bunch of string in their pockets, but people considered loudmouths had no less need for it, since those used to being overheard by everyone were often at a loss for how to make themselves heard by someone. The physical distance between two people using a string was often small; sometimes the smaller the distance, the greater the need for the string.

    The practice of attaching cups to the ends of string came much later. Some say it is related to the irrepressible urge to press shells to our ears, to hear the still-surviving echo of the world’s first expression. Others say it was started by a man who held the end of a string that was unraveled across the ocean by a girl who left for America.

    When the world grew bigger, and there wasn’t enough string to keep the things people wanted to say from disappearing into the vastness, the telephone was invented.

    Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person’s silence.”
    Nicole Krauss, The History of Love

  • #6
    Sue Monk Kidd
    “Did you know there are thirty-two names for love in one of the Eskimo languages?" August said. "And we just have this one. We are so limited, you have to use the same word.”
    Sue Monk Kidd, The Secret Life of Bees

  • #7
    Yōko Ogawa
    “When we grow up, we find ways to hide our anxieties, our loneliness, our fear and sorrow. But children hide nothing, putting everything into their tears, which they spread liberally about for the whole world to see.”
    Yoko Ogawa, The Diving Pool: Three Novellas

  • #8
    Yōko Ogawa
    “Because he had been- and in many ways still was- such a brilliant man, he no doubt understood the nature of his memory problem. It wasn't pride that prevented him from asking for help but a deep aversion to causing more trouble than necessary for those of us who lived in the normal world.”
    Yoko Ogawa, The Housekeeper and the Professor

  • #9
    Yōko Ogawa
    “It was clear that he didn't remember me from one day to the next. The note clipped to his sleeve simply informed him that it was not our first meeting, but it could not bring back the memory of the time we had spent together.”
    Yoko Ogawa, The Housekeeper and the Professor

  • #10
    Yōko Ogawa
    “He treated Root exactly as he treated prime numbers. For him, primes were the base on which all other natural numbers relied; and children were the foundation of everything worthwhile in the adult world”
    Yoko Ogawa, The Housekeeper and the Professor
    tags: love

  • #11
    Haruki Murakami
    “Don’t you see? You and he might never cross paths again. Of course, a chance meeting could occur, and I hope it happens. I really do, for your sake. But realistically speaking, you have to see there’s a huge possibility you’ll never be able to meet him again. And even if you do meet, he might already be married to somebody else. He might have two kids. Isn’t that so? And in that case, you may have to live the rest of your life alone, never being joined with the one person you love in all the world. Don’t you find that scary?”
    Haruki Murakami, 1Q84

  • #12
    Haruki Murakami
    “I'm a coward when it comes to matters of the heart. That is my fatal flaw.”
    Haruki Murakami, 1Q84

  • #13
    Megan McCafferty
    “Gone for a while
    Hoping, always, to return
    If you will let me”
    Megan McCafferty, Perfect Fifths

  • #14
    Megan McCafferty
    “We just want to be where we're supposed to be. We just want to be with the people we want to be with. I don't think that's asking for too much, ya know what I'm saying?”
    Megan McCafferty, Perfect Fifths
    tags: love

  • #15
    Megan McCafferty
    “(Parentheses speak
    More than we dare say out loud
    Why, oh, why is that?)”
    Megan McCafferty, Perfect Fifths

  • #16
    Megan McCafferty
    “He always loved her because of, not in sprite of, her flaws.”
    Megan McCafferty, Perfect Fifths
    tags: love

  • #17
    Megan McCafferty
    “And so I’ll let you go, and let it be.

    Whatever”
    Megan McCafferty, Fourth Comings

  • #18
    Jenny Colgan
    “She's home. That's all. That's true love, I can't explain it any better than that.”
    Jenny Colgan, The Good, The Bad And The Dumped
    tags: love

  • #19
    Jenny Colgan
    “Then when Matt had come along it hadn't been fireworks, passion and fights and drama. It had been low- key, sweet, lovely. But that didn't meant it wasn't the real thing. It never had done. Just because it wasn't suprising hadn't meant it wasn't right.”
    Jenny Colgan, The Good, The Bad And The Dumped

  • #20
    Elizabeth Scott
    “He looks trapped, helpless and furious, and that’s a feeling I know too well. Know how much it hurts. Know how it holds you down, how every day there are a thousand little ways to see there is nothing you can do to change who or what you are.”
    Elizabeth Scott, Between Here and Forever

  • #21
    Elizabeth Scott
    “And now I see what has been there all along, what I've noticed but never truly understood until now.
    Eli is as uncertain as I am, as we all are. Life has surprised him like it has me. Has hurt him like it has me.”
    Elizabeth Scott, Between Here and Forever

  • #22
    Elizabeth Scott
    “This is what happiness is, past the rubbish of its overuse as a word, past the cracked gloss of the letters that mean nothing when strung together. They mean something now, and I know what it's like when you and someone else are right together. How simple is is, and how amazing.”
    Elizabeth Scott

  • #23
    Elizabeth Scott
    “I think love is huge, overwhelming. I think it's terrible and beautiful.”
    Elizabeth Scott, Between Here and Forever
    tags: love

  • #24
    Joseph Gordon-Levitt
    “I think there is something beautiful in reveling in sadness. The proof is how beautiful sad songs can be. So I don’t think being sad is to be avoided. It’s apathy and boredom you want to avoid. But feeling anything is good, I think. Maybe that’s sadistic of me.”
    Joseph Gordon-Levitt

  • #26
    John Green
    “Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book.”
    John Green, The Fault in Our Stars

  • #27
    John Green
    “I'm in love with you," he said quietly.

    "Augustus," I said.

    "I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you.”
    John Green, The Fault in Our Stars

  • #28
    John Green
    “As he read, I fell in love the way you fall asleep: slowly, and then all at once.”
    John Green, The Fault in Our Stars

  • #30
    John Green
    “Oh, I wouldn't mind, Hazel Grace. It would be a privilege to have my heart broken by you.”
    John Green, The Fault in Our Stars

  • #31
    John Green
    “May I see you again?" he asked. There was an endearing nervousness in his voice.

    I smiled. "Sure."

    "Tomorrow?" he asked.

    "Patience, grasshopper," I counseled. "You don't want to seem overeager.

    "Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow." I rolled my eyes. "I'm serious," he said.

    "You don't even know me," I said. I grabbed the book from the center console. "How about I call you when I finish this?"

    "But you don't even have my phone number," he said.

    "I strongly suspect you wrote it in this book."

    He broke out into that goofy smile. "And you say we don't know each other.”
    John Green, The Fault in Our Stars

  • #32
    John Green
    “I believe the universe wants to be noticed. I think the universe is inprobably biased toward the consciousness, that it rewards intelligence in part because the universe enjoys its elegance being observed. And who am I, living in the middle of history, to tell the universe that it-or my observation of it-is temporary?”
    John Green, The Fault in Our Stars



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