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  • #1
    Elif Batuman
    “I kept thinking about the uneven quality of time--the way it was almost always so empty, and then with no warning came a few days that felt so dense and alive and real that it seemed indisputable that that was what life was, that its real nature had finally been revealed. But then time passed and unthinkably grew dead again, and it turned out that that fullness had been an aberration and might never come back.”
    Elif Batuman, The Idiot
    tags: time

  • #2
    Elif Batuman
    “What did you bring your host family?'
    'Chocolate.'
    'Chocolate.' She sighed.
    'I'm afraid I'll accidentally eat it all before I get there,' I said, following the rule that you had to pretend to have this problem where you couldn't resist chocolate.”
    Elif Batuman, The Idiot

  • #3
    Elif Batuman
    “I suppressed a sigh. Hungary felt increasingly like reading War and Peace: new characters came up every five minutes, with their unusual names and distinctive locutions, and you had to pay attention to them for a time, even though you might never see them again for the whole rest of the book. I would rather have talked to Ivan, the love interest, but somehow I didn’t get to decide. At the same time, I also felt that these superabundant personages weren’t irrelevant at all, but somehow the opposite, and that when Ivan had told me to make friends with the other kids, he had been telling me something important about the world, about how the fateful character in your life wasn’t the one who buried you in a rock, but the one who led you out to more people.”
    Elif Batuman, The Idiot

  • #4
    Elif Batuman
    “I began to intuit dimly why people drank when they went dancing, and it occurred to me that maybe the reason preschool had felt the way it had was that one had had to go through the whole thing sober. When”
    Elif Batuman, The Idiot

  • #5
    Elif Batuman
    “I had listened to my Walkman while reading Père Goriot. Père Goriot’s previous owner, Brian Kennedy, had systematically underlined what seemed to be the most meaningless and disconnected sentences in the whole book. Thank God I wasn’t in love with Brian Kennedy, and didn’t feel any mania to decipher his thoughts.”
    Elif Batuman, The Idiot

  • #6
    Honoré de Balzac
    “However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?”
    Honoré de Balzac, Père Goriot

  • #7
    Honoré de Balzac
    “If the human heart sometimes finds moments of pause as it ascends the slopes of affection, it rarely halts on the way down.”
    Honoré de Balzac, Père Goriot

  • #8
    Samuel Beckett
    “drill one hole after another into [language] until that which lurks behind, be it something or nothing, starts seeping through – I cannot imagine a higher goal for today’s writer.”
    Samuel Beckett

  • #9
    György Lukács
    “From the ethical point of view, no one can escape responsibility with the excuse that he is only an individual, on whom the fate of the world does not depend. Not only can this not be known objectively for certain, because it is always possible that it will depend precisely on the individual, but this kind of thinking is also made impossible by the very essence of ethics, by conscience and the sense of responsibility.”
    Georg Lukacs

  • #10
    György Lukács
    “Kafka was a realist”
    Georg Lukacs

  • #11
    Perry Anderson
    “Maximum awareness and respect for the scholarship of historians outside the boundaries of Marxism is not incompatible with rigorous pursuit of a Marxist historical enquiry: it is a condition of it. Conversely, Marx and Engels themselves can never be taken simply at their word: the errors of their writings on the past should not be evaded or ignored, but identified and criticized. To do so is not to depart from historical materialism, but to rejoin it.”
    Perry Anderson, Passages from Antiquity to Feudalism

  • #12
    Franz Kafka
    “A book must be the axe for the frozen sea within us.”
    Franz Kafka

  • #13
    Harold Bloom
    “I treasure ruefully some memories of W.H. Auden that go back to the middle 1960s, when he arrived in New Haven to give a reading of his poems at Ezra Stiles College. We had met several times before, in New York City and at Yale, but were only acquaintances. The earlier Auden retains my interest, but much of the frequently devotional poetry does not find me. Since our mutual friend John Hollander was abroad, Auden phoned to ask if he might stay with my wife and me, remarking of his dislike of college guest suites.
    The poet arrived in a frayed, buttonless overcoat, which my wife insisted on mending. His luggage was an attache case containing a large bottle of gin, a small one of vermouth, a plastic drinking cup, and a sheaf of poems. After being supplied with ice, he requested that I remind him of the amount of his reading fee. A thousand dollars had been the agreed sum, a respectable honorarium more than forty years ago. He shook his head and said that as a prima donna he could not perform, despite the prior arrangement. Charmed by this, I phoned the college master - a good friend - who cursed heartily but doubled the sum when I assured him that the poet was as obdurate as Lady Bracknell in 'The Importance of Being Earnest'. Informed of this yielding, Auden smiled sweetly and was benign and brilliant at dinner, then at the reading, and as he went to bed after we got home.”
    Harold Bloom, The Anatomy of Influence: Literature as a Way of Life

  • #14
    Guy Davenport
    “I also wish I knew why millions of bright American children turn overnight into teenage nerds. The substitution of the automobile for the natural body, which our culture has effected in the most evil perversion of humanity since chivalry, is one cause; narcosis by drugs and Dionysian music is another.”
    Guy Davenport, The Guy Davenport Reader

  • #15
    Olaf Stapledon
    “Philosophy is an amazing tissue of really fine thinking and incredible, puerile mistakes. It's like one of those rubber 'bones' they give dogs to chew, damned good for the mind's teeth, but as food - no bloody good at all.”
    Olaf Stapledon, Odd John

  • #16
    Alasdair MacIntyre
    “Charles II once invited the members of the Royal Society to explain to him why a dead fish weighs more than the same fish alive; a number of subtle explanations were offered to him. He then pointed out that it does not.”
    Alasdair MacIntyre

  • #17
    Hugh Kenner
    “Certainly, reading Post-Structuralist prose is a form of work, like jogging with a nail in your shoe.”
    Hugh Kenner, Mazes: Essays

  • #18
    Hugh Kenner
    “One senses that Hegel was possible only in German, and finds it natural that Locke in a language where large and red precede apple should have arrived at the thing after sorting out its sensory qualities, whereas Descartes in a language where grosse et rouge follows pomme should have come to the attributes after the distinct idea.”
    Hugh Kenner

  • #19
    Clive James
    “Books are the anchors
    Left by the ships that rot away.”
    Clive James, The River in the Sky

  • #20
    Northrop Frye
    “Nobody is capable of of free speech unless he knows how to use language, and such knowledge is not a gift: it has to learned and worked at. [p.93]”
    Northrop Frye, The Educated Imagination

  • #21
    William H. Gass
    “Try to remember that artists in these catastrophic times, along with the serious scientists, are the only salvation for us, if there is to be any.”
    William H. Gass

  • #22
    Plutarch
    “So inconsiderable a thing is fortune in respect of human nature, and so insufficient to give content to a covetous mind, that an empire of that mighty extent and sway could not satisfy the ambition of two men;”
    Plutarch, Plutarch's Lives: Volume II

  • #23
    Theodor W. Adorno
    “I have no hobby. As far as my activities beyond the bounds of my recognized profession are concerned, I take them all, without exception, very seriously. So much so, that I should be horrified by the idea that they had anything to do with hobbies—preoccupations in which I had become mindlessly infatuated in order to kill the time—had I not become hardened by experience to such examples of this now widespread, barbarous mentality.”
    Theodor W. Adorno, The Culture Industry

  • #24
    Theodor W. Adorno
    “The splinter in your eye is the best magnifying-glass available.”
    Theodor W. Adorno

  • #25
    Friedrich Nietzsche
    “What then is truth? A movable host of metaphors, metonymies, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions — they are metaphors that have become worn out and have been drained of sensuous force.”
    Friedrich Nietzsche

  • #26
    Gary Brecher
    “It's always the same story: It's not 'violence' until somebody hits you back. Till then, you don't notice your guys hitting the other tribe. That's just normal background noise. It takes blood, buckets of it, to get a person's attention. And not just anybody's blood--it's gotta be your own, or that of a close relative. Otherwise it's just spots on the sidewalk.”
    Gary Brecher, War Nerd

  • #27
    Michel Foucault
    “I don't feel that it is necessary to know exactly what I am. The main interest in life and work is to become someone else that you were not in the beginning.”
    Michel Foucault

  • #28
    Novalis
    “Poetry heals the wounds inflicted by reason.”
    Novalis

  • #29
    Vladimir Nabokov
    “In reading, one should notice and fondle details. There is nothing wrong about the moonshine of generalization when it comes after the sunny trifles of the book have been lovingly collected. If one begins with a readymade generalization, one begins at the wrong end and travels away from the book before one has started to understand it. Nothing is more boring or more unfair to the author than starting to read, say, Madame Bovary, with the preconceived notion that it is a denunciation of the bourgeoisie. We should always remember that the work of art is invariably the creation of a new world, so that the first thing we should do is to study that new world as closely as possible, approaching it as something brand new, having no obvious connection with the worlds we already know. When this new world has been closely studied, then and only then let us examine its links with other worlds, other branches of knowledge.”
    Vladimir Nabokov

  • #30
    Stephen Jay Gould
    “We pass through this world but once. Few tragedies can be more extensive than the stunting of life, few injustices deeper than the denial of an opportunity to strive or even to hope, by a limit imposed from without, but falsely identified as lying within.”
    Stephen Jay Gould, The Mismeasure of Man



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