Ray > Ray's Quotes

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  • #1
    Hayao Miyazaki
    “I think 2-D animation disappeared from Disney because they made so many uninteresting films. They became very conservative in the way they created them. It's too bad. I thought 2-D and 3-D could coexist happily.”
    Hayao Miyazaki

  • #2
    Hayao Miyazaki
    “We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation. ”
    Hayao Miyazaki

  • #3
    Hayao Miyazaki
    “Is someone different at age 18 or 60? I believe one stays the same.”
    Hayao Miyazaki

  • #4
    Hayao Miyazaki
    “The concept of portraying evil and then destroying it - I know this is considered mainstream, but I think it is rotten. This idea that whenever something evil happens someone particular can be blamed and punished for it, in life and in politics is hopeless.”
    Hayao Miyazaki

  • #5
    Hayao Miyazaki
    “Do everything by hand, even when using the computer.”
    Hayao Miyazaki

  • #6
    Hayao Miyazaki
    “Cut off a wolf's head and it still has the power to bite.”
    Hayao Miyazaki, もののけ姫 [Mononoke hime]

  • #7
    Hayao Miyazaki
    “[on the future of hand-drawn animation] I'm actually not that worried. I wouldn't give up on it completely. Once in a while there are strange, rich people who like to invest in odd things. You're going to have people in the corners of garages making cartoons to please themselves. And I'm more interested in those people than I am in big business.”
    Hayao Miyazaki

  • #8
    Hayao Miyazaki
    “You must see with eyes unclouded by hate. See the good in that which is evil, and the evil in that which is good. Pledge yourself to neither side, but vow instead to preserve the balance that exists between the two.”
    Hayao Miyazaki

  • #9
    C.S. Lewis
    “Critics who treat 'adult' as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence. And in childhood and adolescence they are, in moderation, healthy symptoms. Young things ought to want to grow. But to carry on into middle life or even into early manhood this concern about being adult is a mark of really arrested development. When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.”
    C.S. Lewis

  • #10
    Gloria Steinem
    “A pedestal is as much a prison as any small, confined space.”
    Gloria Steinem

  • #11
    Kurt Vonnegut Jr.
    “We are what we pretend to be, so we must be careful about what we pretend to be.”
    Kurt Vonnegut, Mother Night

  • #12
    Kurt Vonnegut Jr.
    “Hello babies. Welcome to Earth. It's hot in the summer and cold in the winter. It's round and wet and crowded. On the outside, babies, you've got a hundred years here. There's only one rule that I know of, babies-"God damn it, you've got to be kind.”
    Kurt Vonnegut

  • #13
    Kurt Vonnegut Jr.
    “Say what you will about the sweet miracle of unquestioning faith, I consider a capacity for it terrifying and absolutely vile.”
    Kurt Vonnegut, Mother Night

  • #14
    Kurt Vonnegut Jr.
    “There are plenty of good reasons for fighting...but no good reason to ever hate without reservation, to imagine that God Almighty hates with you, too. Where's evil? It's that large part of every man that wants to hate without limit, that wants to hate with God on its side. It's that part of every man that finds all kinds of ugliness so attractive....it's that part of an imbecile that punishes and vilifies and makes war gladly.”
    Kurt Vonnegut, Mother Night

  • #15
    Kurt Vonnegut Jr.
    “Oh, God — the lives people try to lead.
    Oh, God — what a world they try to lead them in.”
    Kurt Vonnegut, Mother Night

  • #16
    Ruth Ozeki
    “Sometimes when she told stories about the past her eyes would get teary from all the memories she had, but they weren't tears. She wasn't crying. They were just the memories, leaking out.”
    Ruth Ozeki, A Tale for the Time Being

  • #17
    Ruth Ozeki
    “I am a time being. Do you know what a time being is? Well, if you give me a moment, I will tell you. A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.”
    Ruth Ozeki, A Tale for the Time Being

  • #18
    Ruth Ozeki
    “But memories are time beings, too, like cherry blossoms or ginkgo leaves; for a while they are beautiful, and then they fade and die.”
    Ruth Ozeki, A Tale for the Time Being

  • #19
    Margaret Atwood
    “Don't let the bastards grind you down.”
    Margaret Atwood, The Handmaid’s Tale

  • #20
    Margaret Atwood
    “Ignoring isn’t the same as ignorance, you have to work at it.”
    Margaret Atwood, The Handmaid's Tale

  • #21
    Margaret Atwood
    “But who can remember pain, once it’s over? All that remains of it is a shadow, not in the mind even, in the flesh. Pain marks you, but too deep to see. Out of sight, out of mind.”
    Margaret Atwood, The Handmaid’s Tale

  • #22
    Margaret Atwood
    “Better never means better for everyone... It always means worse, for some.”
    Margaret Atwood, The Handmaid’s Tale

  • #23
    Margaret Atwood
    “When we think of the past it's the beautiful things we pick out. We want to believe it was all like that.”
    Margaret Atwood, The Handmaid’s Tale

  • #24
    Margaret Atwood
    “But remember that forgiveness too is a power. To beg for it is a power, and to withhold or bestow it is a power, perhaps the greatest.
    Maybe none of this is about control. Maybe it isn't really about who can own whom, who can do what to whom and get away with it, even as far as death. Maybe it isn't about who can sit and who has to kneel or stand or lie down, legs spread open. Maybe it's about who can do what to whom and be forgiven for it. Never tell me it amounts to the same thing.”
    Margaret Atwood, The Handmaid’s Tale

  • #25
    Margaret Atwood
    “Truly amazing, what people can get used to, as long as there are a few compensations.”
    Margaret Atwood, The Handmaid’s Tale

  • #26
    Margaret Atwood
    “My name isn't Offred, I have another name, which nobody uses now because it's forbidden. I tell myself it doesn't matter, your name is like your telephone number, useful only to others; but what I tell myself is wrong, it does matter. I keep the knowledge of this name like something hidden, some treasure I'll come back to dig up, one day. I think of this name as buried. This name has an aura around it, like an amulet, some charm that's survived from an unimaginably distant past. I lie in my single bed at night, with my eyes closed, and the name floats there behind my eyes, not quite within reach, shining in the dark.”
    Margaret Atwood, The Handmaid’s Tale

  • #27
    Margaret Atwood
    “That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn't even an enemy you could put your finger on.”
    Margaret Atwood, The Handmaid’s Tale

  • #28
    Margaret Atwood
    “There is something powerful in the whispering of obscenities, about those in power. There's something delightful about it, something naughty, secretive, forbidden, thrilling. It's like a spell, of sorts. It deflates them, reduces them to the common denominator where they can be dealt with.”
    Margaret Atwood, The Handmaid’s Tale

  • #29
    Margaret Atwood
    “No mother is ever, completely, a child's idea of what a mother should be, and I suppose it works the other way around as well. But despite everything, we didn't do too badly by one another, we did as well as most.”
    Margaret Atwood, The Handmaid’s Tale

  • #30
    Margaret Atwood
    “How easy it is to invent a humanity, for anyone at all.”
    Margaret Atwood, The Handmaid’s Tale



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