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ada > ada's Quotes

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  • #1
    Tim Kreider
    “if you want to enjoy the rewards of being loved, you also have to submit to the mortifying ordeal of being known.”
    Tim Kreider, I Wrote This Book Because I Love You: Essays

  • #2
    André Aciman
    “He came. He left. Nothing else had changed. I had not changed. The world hadn't changed. Yet nothing would be the same. All that remains is dreammaking and strange remembrance.”
    André Aciman, Call Me by Your Name

  • #3
    André Aciman
    “People who read are hiders. They hide who they are. People who hide don’t always like who they are.”
    André Aciman, Call Me by Your Name

  • #4
    André Aciman
    “Is it better to speak or die?”
    André Aciman, Call Me by Your Name

  • #5
    André Aciman
    “And on that evening when we grow older still we'll speak about these two young men as though they were two strangers we met on the train and whom we admire and want to help along. And we'll want to call it envy, because to call it regret would break our hearts.”
    André Aciman, Call Me by Your Name

  • #6
    André Aciman
    “I suddenly realized that we were on borrowed time, that time is always borrowed, and that the lending agency exacts its premium precisely when we are least prepared to pay and need to borrow more...”
    André Aciman, Call Me by Your Name

  • #7
    André Aciman
    “Did I want him to act? Or would I prefer a lifetime of longing provided we both kept this little Ping-Pong game going: not knowing, not-not-knowing, not-not-not-knowing? Just be quiet, say nothing, and if you can't say "yes," don't say "no," say "later." Is this why people say "maybe" when they mean "yes," but hope you'll think it's "no" when all they really mean is, Please, just ask me once more, and once more after that?
    André Aciman, Call Me by Your Name

  • #8
    André Aciman
    “We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything—what a waste!”
    André Aciman, Call Me by Your Name

  • #9
    Hanya Yanagihara
    “His feelings for Jude were complicated. He loved him- that part was simple- and feared for him, and sometimes felt as much his older brother and protector as his friend. He knew that Jude would be and had been fine without him, but he sometimes saw things in Jude that disturbed him and made him feel both helpless and, paradoxically, more determined to help him (although Jude rarely asked for help of any kind).”
    Hanya Yanagihara, A Little Life

  • #10
    Hanya Yanagihara
    “Who am I? Who am I?”
    “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you.”

    "And who are you?"
    "I'm Willem Ragnarsson. And I will never let you go.”
    Hanya Yanagihara, A Little Life

  • #11
    Hanya Yanagihara
    “And he cries and cries, cries for everything he has been, for everything he might have been, for every old hurt, for every old happiness, cries for the shame and joy of finally getting to be a child, with all of a child's whims and wants and insecurities, for the privilege of behaving badly and being forgiven, for the luxury of tenderness, of fondness, of being served a meal and being made to eat it, for the ability, at last, at last, of believing a parent's reassurances, of believing that to someone he is special despite all his mistakes and hatefulness, because of all his mistakes and hatefulness.”
    Hanya Yanagihara, A Little Life

  • #12
    Hanya Yanagihara
    “Now he got out of bed and wrapped his blanket around himself, yawning. That evening, he'd talk to Jude. He didn't know where he was going, but he knew he would be safe; he would keep them both safe. He went to the kitchen to make himself coffee, and as he did, he whispered the lines back to himself, those lines he thought of whenever he was coming home, coming back to Greene Street after a long time away - "And tell me this: I must be absolutely sure. This place I've reached, is it truly Ithaca?"- as all around him, the apartment filled with light.”
    Hanya Yanagihara, A Little Life

  • #13
    Hanya Yanagihara
    “He had never discussed it with Jude, but in the years to come, he would see him in all sorts of pain, big pains and little ones, would see him wince at small hurts and occasionally, when the discomfort was too profound, would see him vomit, or pleat to the ground, or simply blank out and become insensate, the was he was doing in their living room now. But although he was a man who kept his promises, there was a part of him that always wondered why he had never raised the issue with Jude, why he had never made him discuss what it felt like, why he had never dared to do what instinct told him to do a hundred times: to sit down beside him and rub his legs, to try to knead back into submission those misfiring nerve endings. Instead here he was hiding in the bathroom, making busywork for himself as, a few yards away, one of his dearest friends sat alone on a disgusting sofa, making the slow, sad, lonely journey back to consciousness, back to the land of the living, without anyone at all by his side.
    "You're a coward," he said to his reflection in the bathroom mirror. His face looked back at him, tired with disgust. From the living room, there was only silence, but Willem moved to stand unseen at its border, waiting for Jude to return to him.”
    Hanya Yanagihara, A Little Life



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