Amber > Amber's Quotes

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  • #1
    Shahad Al Rawi
    “Everything our eyes touch is just an idea. There's nothing real about reality. We are prisoners of our imaginations, and our experiences in the world of reality consist only of ideas. All of existence is an assembly of ideas. That is the sole truth. Don't believe anything else. And don't tell anyone, because people only believe things that come independently to their minds. Yet they don't know where the mind is to be found. There's never a day when they ask themselves, "Do I actually posses a thing called the mind? What is it shaped like? What's its colour?" The mind, my little one, is another idea. A complicated idea made of other ideas as though they were real.”
    Shahad Al Rawi, ساعة بغداد

  • #2
    Jean-Paul Sartre
    “Perhaps there is nothing in the world I cling to as much as this feeling of adventure; but it comes when it pleases; it is gone so quickly and how empty I am once it has left. Does it, ironically, pay me these short visits in order to show me that I have wasted my life?”
    Jean Paul Sartre

  • #3
    Ocean Vuong
    “Although the woman cannot read it, she knows it signals a name, something given by a mother or father, something weightless yet carried forever, like a heartbeat.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #4
    Hermann Hesse
    “[H]e never ceased in his heroic and earnest endeavor to love them, to be just to them, to do them no harm, for the love of his neighbor was as deeply in him as the hatred of himself, and so his whole life was an example that love of one's neighbor is not possible without love of oneself, and that self-hate is really the same thing as sheer egoism, and in the long run breeds the same cruel isolation and despair.”
    Hermann Hesse, Steppenwolf

  • #5
    Hermann Hesse
    “No, Steppenwolf's look penetrated our whole age. It saw through all its hustle and bustle, all its pushy ambition, all its conceitedness, the whole superficial comedy of its shallow, self-important intellectualism. And sad to say, his look penetrated deeper still, well beyond the mere deficiencies and hopeless inadequacies of our age, our intellectualism and our culture. It went right to the heart of all things human. In a single second it eloquently expressed all the skepticism of a thinker—and perhaps of one in the know — as to the dignity and meaning of human life as such. He look seemed to say: ' Don't you see what apes we are? That's what human beings are like, just take a look!' and all celebrity, all cleverness, all intellectual achievements, all humanity's attempts to create something sublime, great and enduring were reduced to a fairground farce.”
    Hermann Hesse, Steppenwolf

  • #6
    Angela Y. Davis
    “You have to act as if it were possible to radically transform the world. And you have to do it all the time.”
    Angela Davis

  • #7
    Angela Y. Davis
    “[Prison] relieves us of the responsibility of seriously engaging with the problems of our society, especially those produced by racism and, increasingly, global capitalism.”
    Angela Y. Davis, Are Prisons Obsolete?

  • #8
    Angela Y. Davis
    “Sometimes we have to do the work even though we don't yet see a glimmer on the horizon that it's actually going to be possible.”
    Angela Y. Davis

  • #9
    Angela Y. Davis
    “The prison therefore functions ideologically as an abstract site into which undesirables are deposited, relieving us of the responsibility of thinking about the real issues afflicting those communities from which prisoners are drawn in such disproportionate numbers. This is the ideological work that the prison performs—it relieves us of the responsibility of seriously engaging with the problems of our society, especially those produced by racism and, increasingly, global capitalism.”
    Angela Y. Davis, Are Prisons Obsolete?

  • #10
    Sally Rooney
    “Now, in her satisfied exhaustion, with her hand resting on the white linen tablecloth, the touch of Ivan's fingertips, the candle dripping a slow thread of wax down its side, the glossy lid of the closed piano, Margaret feels that she can perceive the miraculous beauty of life itself, lived only once and then gone forever, the bloom of a perfect and impermanent flower, never to be retrieved. This is life, the experience, this is all there has ever been. To force this moment into contact with her ordinary existence only seems to reveal how constricting, how misshapen her ideas of life have been before.”
    Sally Rooney, Intermezzo



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