Gabriel Molina Hernández > Gabriel's Quotes

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  • #1
    Johann Wolfgang von Goethe
    “¿Acaso esas ganas de cambiar de situación no son en realidad una íntima e incómoda impaciencia que me perseguirá donde quiera que vaya?”
    Johann Wolfgang von Goethe, The Sorrows of Young Werther
    tags: change

  • #2
    Marcel Proust
    “Sabía que hasta el recuerdo del piano falseaba el plano en que veía las cosas de la música, porque el campo que se le abre al pianista no es un mezquino teclado de siete notas, sino un teclado inconmensurable, desconocido casi por completo, donde aquí y allá, separadas por espesas tinieblas inexploradas, han sido descubiertas algunos millones de teclas de ternura, de coraje, de pasión, de serenidad que le componen, tan distintas entre sí como un mundo de otro mundo, por unos cuantos grandes artistas que nos han hecho el favor, despertando en nosotros la equivalencia del tema que ellos descubrieron, de mostrarnos la gran riqueza, la gran variedad oculta, sin que nos demos cuenta, en esa noche enorme, impenetrada y descorazonadora de nuestra alma, que consideramos como el vacío y la nada.”
    Marcel Proust, Swann’s Way

  • #3
    Jean-Paul Sartre
    “I am going to outlive myself. Eat, sleep, sleep, eat. Exist slowly, softly, like these trees, like a puddle of water, like the red bench in the streetcar.”
    Jean-Paul Sartre, Nausea

  • #4
    Thomas Mann
    “It is remarkable how a man cannot summarize his thoughts in even the most general sort of way without betraying himself completely, without putting his whole self into it, quite unawares, presenting as if in allegory the basic themes and problems of his life.”
    Thomas Mann, The Magic Mountain

  • #5
    Thomas Mann
    “I know I am talking nonsense, but I’d rather go rambling on, and partly expressing something I find it difficult to express, than to keep on transmitting faultless platitudes.”
    Thomas Mann, The Magic Mountain

  • #6
    Thomas Mann
    “A man lives not only his personal life, as an individual, but also, consciously or unconsciously, the life of his epoch and his contemporaries. He may regard the general, impersonal foundations of his existence as definitely settled and taken for granted, and be as far from assuming a critical attitude towards them as our good Hans Castorp really was; yet it is quite conceivable that he may none the less be vaguely conscious of the deficiencies of his epoch and find them prejudicial to his own moral well-being. All sorts of personal aims, hopes, ends, prospects, hover before the eyes of the individual, and out of these he derives the impulse to ambition and achievement. Now, if the life about him, if his own time seems, however outwardly stimulating, to be at bottom empty of such food for his aspirations; if he privately recognises it to be hopeless, viewless, helpless, opposing only a hollow silence to all the questions man puts, consciously or unconsciously, yet somehow puts, as to the final, absolute, and abstract meaning in all his efforts and activities; then, in such a case, a certain laming of the personality is bound to occur, the more inevitably the more upright the character in question; a sort of palsy, as it were, which may extend from his spiritual and moral over into his physical and organic part. In an age that affords no satisfying answer to the eternal question of 'Why?' 'To what end?' a man who is capable of achievement over and above the expected modicum must be equipped either with a moral remoteness and single-mindedness which is rare indeed and of heroic mould, or else with an exceptionally robust vitality. Hans Castorp had neither one nor the other of these; and thus he must be considered mediocre, though in an entirely honourable sense.”
    Thomas Mann, The Magic Mountain

  • #7
    Carson McCullers
    “This was her, Mick Kelly, walking in the daytime and by herself at night. In the hot sun and in the dark with all the plans and feelings. This music was her—the real plain her...This music did not take a long time or a short time. It did not have anything to do with time going by at all. She sat with her arms around her legs, biting her salty knee very hard. The whole world was this symphony, and there was not enough of her to listen... Now that it was over there was only her heart beating like a rabbit and this terrible hurt.”
    Carson McCullers, The Heart Is a Lonely Hunter

  • #8
    Carson McCullers
    “The whole world was this symphony, and there was not enough of her to listen.”
    Carson McCullers, The Heart Is a Lonely Hunter

  • #9
    Carson McCullers
    “My advice to you is this. Do not attempt to stand alone. ...The most fatal thing a man can do is try to stand alone.”
    Carson McCullers, The Heart Is a Lonely Hunter

  • #10
    Carson McCullers
    “In the face of brutality I was prudent. Before injustice I held my peace. I sacrificed the things in hand for the good of they hypothetical whole. I believed in the tongue instead of the fist. As an armor against oppression I taught patience and faith in the human soul I know now how wrong I was. I have been a traitor to myself and to my people. All that is not. Now is the time to act and to act quickly. Fight cunning with cunning and might with might”
    Carson McCullers, The Heart Is a Lonely Hunter

  • #11
    Carson McCullers
    “I got to wear blinders all the time so I won't think sideways or in the past.”
    Carson McCullers, The Heart Is a Lonely Hunter



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