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  • #1
    Anthony Marra
    “At the kitchen table she examined the glass of ice. Each cube was rounded by room temperature, dissolving in its own remains, and belatedly she understood that this was how a loved one disappeared. Despite the shock wave of walking into an empty flat, the absence isn’t immediate, more a fade from the present tense you shared, a melting into the mast, not an erasure but a conversion in form, from presence to memory, from solid to liquid, and the person you once touched runs over your skin, now in sheets down your back, and you may bathe, may sink, may drown in the memory, but your fingers cannot hold it.”
    Anthony Marra, A Constellation of Vital Phenomena

  • #2
    Anthony Marra
    “The definitions had the stately reassurance of orthodoxy, reminding her of the prewar years, when she had relied on the reference book to complete her weekly assignments ... when she still believed the meaning of a thing was limited to a few tersely worded clauses, but nothing, she now knew, could be defined in exclusion, and every bug, pencil, and grass blade was a dictionary in itself, requiring the definitions of all other things to fulfill its own.”
    Anthony Marra, A Constellation of Vital Phenomena

  • #3
    Maggie Nelson
    “It is absurd, Barthes says, to try to flee from language's assertive nature by 'adding to each sentence some little phrase of uncertainty, as if anything that came out of language could make language tremble.' My writing is riddled with such tics of uncertainty. I have no excuse or solution, save to allow myself the tremblings, then go back in later and slash them out. In this way I edit myself into a boldness that is neither native nor foreign to me.”
    Maggie Nelson, The Argonauts



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