Aris > Aris's Quotes

“king: "You're...you're shit! You shitting, shitting shit!"
"Your Majesty," Durzo said gravely. "A man of your stature's cursing vocabulary ought to extend beyond a tedious reiteration of the excreta that fills the void between his ears.”
― Brent Weeks, The Way of Shadows

“Let there be spaces in your togetherness, And let the winds of the heavens dance between you. Love one another but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other's cup but drink not from one cup. Give one another of your bread but eat not from the same loaf. Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other's keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow.”
― Khalil Gibran, The Prophet

“Trees are poems the earth writes upon the sky, We fell them down and turn them into paper,
That we may record our emptiness.”
― Kahlil Gibran

“Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.”
― Kahlil Gibran

“I have found both freedom and safety in my madness; the freedom of loneliness and the safety from being understood, for those who understand us enslave something in us.”
― Kahlil Gibran, The Madman

“For what is it to die but to stand naked in the wind and to melt into the sun? And when the earth shall claim your limbs, then shall you truly dance.”
― Kahlil Gibran

“Generosity is giving more than you can, and pride is taking less than you need.”
― Khalil Gibran, Sand and Foam

“Hearts united in pain and sorrow
will not be separated by joy and happiness.
Bonds that are woven in sadness
are stronger than the ties of joy and pleasure.
Love that is washed by tears
will remain eternally pure and faithful.”
― Khalil Gibran, Love Letters in the Sand: The Love Poems of Khalil Gibran

“Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
"That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
"What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
"I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.”
― Patrick Rothfuss, The Name of the Wind

“Auri hopped down from the chimney and skipped over to where I stood, her hair streaming behind her. "Hello Kvothe." She took a half-step back. "You reek."
I smiled my best smile of the day. "Hello Auri," I said. "You smell like a
pretty young girl."
"I do," she agreed happily.
She stepped sideways a little, then forward again, moving lightly on the balls of her bare feet. "What did you bring me?" she asked.
"What did you bring me?" I countered.
She grinned. "I have an apple that thinks it is a pear," she said, holding it up. "And a bun that thinks it is a cat. And a lettuce that thinks it is a lettuce."
"It's a clever lettuce then."
"Hardly," she said with a delicate snort. "Why would anything clever think it was a lettuce?"
"Even if it is a lettuce?" I asked.
"Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too." She shook her head sadly, her hair following the motion as if she were underwater.
I unwrapped my bundle. "I brought you some potatoes, half a squash,
and a bottle of beer that thinks it is a loaf of bread."
"What does the squash think it is?" she asked curiously, looking down at it. She held her hands clasped behind her back
"It knows it's a squash," I said. "But it's pretending to be the setting sun."
"And the potatoes?" she asked.
"They're sleeping," I said. "And cold, I'm afraid."
She looked up at me, her eyes gentle. "Don't be afraid," she said, and reached out and rested her fingers on my cheek for the space of a heartbeat, her touch lighter than the stroke of a feather. "I'm here. You're safe.”
― Patrick Rothfuss, The Wise Man's Fear

“It exhasperated her, but she knew better than to force the world to her desire.”
― Patrick Rothfuss, The Slow Regard of Silent Things

“The gesture was so tight with rage she feared she’d snap and crack the world in two.”
― Patrick Rothfuss, The Slow Regard of Silent Things

“We are, all of us, poor wretches, and those who prefer not to understand this are even worse off than the rest of us.

”
― Isabelle Eberhardt

“Now more than ever do I realize that I will never be content with a sedentary life, that I will always be haunted by thoughts of a sun-drenched elsewhere.”
― Isabelle Eberhardt, The Nomad: Diaries of Isabelle Eberhardt

“For those who know the value of and exquisite taste of solitary freedom (for one is only free when alone), the act of leaving is the bravest and most beautiful of all.”
― Isabelle Eberhardt, The Nomad: Diaries of Isabelle Eberhardt

“A subject to which few intellectuals ever give a thought is the right to be a vagrant, the freedom to wander. Yet vagrancy is a deliverance, and life on the open road is the essence of freedom. To have the courage to smash the chains with which modern life has weighted us (under the pretext that it was offering us more liberty), then to take up the symbolic stick and bundle and get out.”
― Isabelle Eberhardt

“Tout le grand charme poignant de la vie vient peut-être de la certitude absolue de la mort. Si les choses devaient durer, elles nous sembleraient indignes d'attachement.”
― Isabelle Eberhardt

“No prayers, no medicines, merely the ineffable happiness of dying.”
― Isabelle Eberhardt, The Oblivion Seekers

“Re'lar Kvothe," he said seriously. "I am trying to wake your sleeping mind to the subtle language the world is whispering. I am trying to seduce you into understanding. I am trying to teach you." He leaned forward until his face was almost touching mine. "Quit grabbing at my tits.”
― Patrick Rothfuss, The Wise Man's Fear

“Teccam explains there are two types of secrets. There are secrets of the mouth and secrets of the heart.

Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. There secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free.

Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.

Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. They they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.”
― Patrick Rothfuss, The Wise Man's Fear