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    Andrea Gibson
    “For Jenn

    At 12 years old I started bleeding with the moon
    and beating up boys who dreamed of becoming astronauts.
    I fought with my knuckles white as stars,
    and left bruises the shape of Salem.
    There are things we know by heart,
    and things we don't.

    At 13 my friend Jen tried to teach me how to blow rings of smoke.
    I'd watch the nicotine rising from her lips like halos,
    but I could never make dying beautiful.
    The sky didn't fill with colors the night I convinced myself
    veins are kite strings you can only cut free.
    I suppose I love this life,

    in spite of my clenched fist.

    I open my palm and my lifelines look like branches from an Aspen tree,
    and there are songbirds perched on the tips of my fingers,
    and I wonder if Beethoven held his breath
    the first time his fingers touched the keys
    the same way a soldier holds his breath
    the first time his finger clicks the trigger.
    We all have different reasons for forgetting to breathe.

    But my lungs remember
    the day my mother took my hand and placed it on her belly
    and told me the symphony beneath was my baby sister's heartbeat.
    And I knew life would tremble
    like the first tear on a prison guard's hardened cheek,
    like a prayer on a dying man's lips,
    like a vet holding a full bottle of whisky like an empty gun in a war zone…
    just take me just take me

    Sometimes the scales themselves weigh far too much,
    the heaviness of forever balancing blue sky with red blood.
    We were all born on days when too many people died in terrible ways,
    but you still have to call it a birthday.
    You still have to fall for the prettiest girl on the playground at recess
    and hope she knows you can hit a baseball
    further than any boy in the whole third grade

    and I've been running for home
    through the windpipe of a man who sings
    while his hands playing washboard with a spoon
    on a street corner in New Orleans
    where every boarded up window is still painted with the words
    We're Coming Back
    like a promise to the ocean
    that we will always keep moving towards the music,
    the way Basquait slept in a cardboard box to be closer to the rain.

    Beauty, catch me on your tongue.
    Thunder, clap us open.
    The pupils in our eyes were not born to hide beneath their desks.
    Tonight lay us down to rest in the Arizona desert,
    then wake us washing the feet of pregnant women
    who climbed across the border with their bellies aimed towards the sun.
    I know a thousand things louder than a soldier's gun.
    I know the heartbeat of his mother.

    Don't cover your ears, Love.
    Don't cover your ears, Life.
    There is a boy writing poems in Central Park
    and as he writes he moves
    and his bones become the bars of Mandela's jail cell stretching apart,
    and there are men playing chess in the December cold
    who can't tell if the breath rising from the board
    is their opponents or their own,
    and there's a woman on the stairwell of the subway
    swearing she can hear Niagara Falls from her rooftop in Brooklyn,
    and I'm remembering how Niagara Falls is a city overrun
    with strip malls and traffic and vendors
    and one incredibly brave river that makes it all worth it.

    Ya'll, I know this world is far from perfect.
    I am not the type to mistake a streetlight for the moon.
    I know our wounds are deep as the Atlantic.
    But every ocean has a shoreline
    and every shoreline has a tide
    that is constantly returning
    to wake the songbirds in our hands,
    to wake the music in our bones,
    to place one fearless kiss on the mouth of that brave river
    that has to run through the center of our hearts
    to find its way home.”
    Andrea Gibson



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