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  • #1
    Sherman Alexie
    “Peace and beauty? You think Indians are so worried about peace and beauty? ... If Wovoka came back to life, he'd be so pissed off. If the real Pocahontas came back, you think she'd be happy about being a cartoon? If Crazy Horse, or Geronimo, or Sitting Bull came back, they'd see what you white people have done to Indians, and they'd start a war. They'd see the homeless Indians staggering around downtown. They'd see fetal-alcohol-syndrome babies. They'd see the sorry-ass reservations. They'd learn about Indian suicides and infant mortality rates. They'd listen to some dumb-ass Disney song and feel like hurting somebody. They'd read books by assholes like Wilson, and they would start killing themselves some white people, and then kill some asshole Indians too.

    Dr. Mather, if the Ghost Dance worked, there would be no exceptions. All you white people would disappear. All of you. If those dead Indians came back to life ,they wouldn't crawl into a sweathouse with you. They wouldn't smoke the pipe with you. They wouldn't go to the movies and munch popcorn with you. They'd kill you. They'd gut you and eat your heart.”
    Sherman Alexie, Indian Killer

  • #2
    Richard Siken
    “You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.”
    richard siken

  • #3
    Taylor Jenkins Reid
    “I spent half my time loving her and the other half hiding how much I loved her.”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #4
    Maggie Stiefvater
    “I was looking for a miracle, but I got a story instead, and sometimes those are the same thing.”
    Maggie Stiefvater, All the Crooked Saints

  • #5
    Holly Black
    “If I cannot be better than them, I will become so much worse.”
    Holly Black, The Cruel Prince

  • #6
    Laura Ingalls Wilder
    “We start learning the minute we're born, Laura. And if we're wise, we don't stop until the Lord calls us home.”
    Laura Ingalls Wilder, Little House on the Prairie

  • #7
    Melissa Albert
    “I remembered less from my own life than I did from the books I read.”
    Melissa Albert, The Hazel Wood

  • #8
    Michele Filgate
    “We get so used to the stories we tell about ourselves. This is why we sometimes need to find ourselves in the stories of others.”
    Michele Filgate, What My Mother and I Don't Talk About: Fifteen Writers Break the Silence

  • #9
    Michele Filgate
    “Sometimes I imagine what it would be like to give this book to my mother. To present it to her as a precious gift over a meal that I've cooked for her. To say: Here is everything that keeps us from really talking. Here is my heart. Here are my words. I wrote this for you.”
    Michele Filgate, What My Mother and I Don't Talk About: Fifteen Writers Break the Silence

  • #10
    James Baldwin
    “It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who had ever been alive.”
    James Baldwin

  • #11
    “I take a longer look at the words on her headstone.
    Brave, kind, loyal, sweet, loving, graceful, strong, thoughtful, funny, genuine, hopeful, playful, insightful, and on and on…
    Was she, though? Was she any of those things? The words make me angry. I can’t look at them any longer.
    Why do we romanticize the dead? Why can’t we be honest about them?”
    Jennette McCurdy, I'm Glad My Mom Died

  • #12
    “And if my entire life and point of view and identity have been built on a false foundation, confronting that false foundation would mean destroying and rebuilding a new foundation from the ground up. I have no idea how to go about doing this.”
    Jennette McCurdy, I'm Glad My Mom Died

  • #13
    Rebecca Solnit
    “Pain serves a purpose. Without it you are in danger. What you cannot feel you cannot take care of.”
    Rebecca Solnit, The Faraway Nearby

  • #14
    Rebecca Solnit
    “The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the symphony resounds, the seed germinates. A book is a heart that only beats in the chest of another.”
    Rebecca Solnit, The Faraway Nearby

  • #15
    Rebecca Solnit
    “What’s your story? It’s all in the telling. Stories are compasses and architecture; we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story.”
    Rebecca Solnit, The Faraway Nearby

  • #16
    Rebecca Solnit
    “A book is a heart that only beats in the chest of another.”
    Rebecca Solnit, The Faraway Nearby

  • #17
    Rebecca Solnit
    “Books are solitudes in which we meet.”
    Rebecca Solnit, The Faraway Nearby

  • #18
    Rebecca Solnit
    “Georgia O’Keeffe moved to rural New Mexico, from which she would sign her letters to the people she loved, “from the faraway nearby.” It was a way to measure physical and psychic geography together. Emotion has its geography, affection is what is nearby, within the boundaries of the self. You can be a thousand miles from the person next to you in bed or deeply invested in the survival of a stranger on the other side of the world.”
    Rebecca Solnit, The Faraway Nearby

  • #19
    Rebecca Solnit
    “Time always wins; our victories are only delays; but delays are sweet, and a delay can last a whole lifetime.”
    Rebecca Solnit, The Faraway Nearby

  • #20
    Blake Crouch
    “Imagine you’re a fish, swimming in a pond. You can move forward and back, side to side, but never up out of the water. If someone were standing beside the pond, watching you, you’d have no idea they were there. To you, that little pond is an entire universe. Now imagine that someone reaches down and lifts you out of the pond. You see that what you thought was the entire world is only a small pool. You see other ponds. Trees. The sky above. You realize you’re a part of a much larger and more mysterious reality than you had ever dreamed of.”
    Blake Crouch, Dark Matter

  • #21
    Blake Crouch
    “For anyone who has wondered what their life might look like at the end of the road not taken.”
    Blake Crouch, Dark Matter

  • #22
    Blake Crouch
    “The box isn't all that different from life. If you go in with fear, fear is what you'll find.”
    Blake Crouch, Dark Matter

  • #23
    Blake Crouch
    “The older I get, the less I understand.”
    Blake Crouch, Dark Matter

  • #24
    Jacqueline Harpman
    “I was forced to acknowledge too late, much too late, that I too had loved, that I was capable of suffering, and that I was human after all.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #25
    Jacqueline Harpman
    “Being beautiful, was that for men?'
    'Yes. Some women say that it is for ourselves. What on earth can we do with it? I could have loved myself whether I was hunchbacked or lame, but to be loved by others, you had to be beautiful.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #26
    Jacqueline Harpman
    “Because I want to know! Sometimes, you can use what you know, but that's not what counts most. I want to know everything there is to know. Not because it's any use, but for the pleasure of knowing, and now I demand that you teach me everything you know, even if I will never be able to use it.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #27
    Jacqueline Harpman
    “I cannot mourn for what I have not known.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #28
    Jacqueline Harpman
    “Talking is existing.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #29
    Jacqueline Harpman
    “even a person raised in captivity learns to want, yearns to see beyond their cage. How much of our humanity is intrinsic? How much remains, when all else is stripped away?”
    Jacqueline Harpman, I Who Have Never Known Men

  • #30
    Jacqueline Harpman
    “The reader and I thus mingled will constitute something living, that will not be me, because I will be dead, and will not be that person as they were before reading, because my story, added to their mind, will then become part of their thinking.”
    Jacqueline Harpman, I Who Have Never Known Men



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