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  • #1
    Edward Abbey
    “Gaze not too long into the abyss, lest the abyss gaze into thee.”
    Edward Abbey, Desert Solitaire

  • #2
    Edward Abbey
    “beyond the confluence lies the wilderness of the Needles country, known to only a few cowboys and uranium prospectors; on the west side of the junction is another labyrinth of canyons, pinnacles and fins of naked stone, known to even fewer, closer than anything else in the forty-eight United States to being genuine terra incognita—The Maze.”
    Edward Abbey, Desert Solitaire

  • #3
    Edward Abbey
    “C. M. Doughty—Travels in Arabia Deserta—who almost never came back. A few Americans have tried to understand the desert: Mary Austin in her book Land of Little Rain, John C. Van Dyke in an unjustly forgotten book The Desert, Joseph Wood Krutch with The Voice of the Desert, the contemporary novelists Paul Bowles and William Eastlake in part of their work (but only in an incidental way), and such obscure figures as the lad Everett Reuss, author of On Desert Trails, who disappeared at the age of twenty-six into the canyon”
    Edward Abbey, Desert Solitaire

  • #4
    John Green
    “I wish I understood it,” she said. “It’s okay,” I said. “Nobody gets anybody else, not really. We’re all stuck inside ourselves.” “You just, like, hate yourself? You hate being yourself?” “There’s no self to hate. It’s like, when I look into myself, there’s no actual me—just a bunch of thoughts and behaviors and circumstances. And a lot of them just don’t feel like they’re mine. They’re not things I want to think or do or whatever. And when I look for the, like, Real Me, I never find it. It’s like those nesting dolls, you know? The ones that are hollow, and then when you open them up, there’s a smaller doll inside, and you keep opening hollow dolls until eventually you get to the smallest one, and it’s solid all the way through. But with me, I don’t think there is one that’s solid. They just keep getting smaller.” “That reminds me of a story my mom tells,” Daisy said. “What story?” I could hear her teeth chattering when she talked but neither of us wanted to stop looking up at the latticed sky. “Okay, so there’s this scientist, and he’s giving a lecture to a huge audience about the history of the earth, and he explains that the earth was formed billions of years ago from a cloud of cosmic dust, and then for a while the earth was very hot, but then it cooled enough for oceans to form. And single-celled life emerged in the oceans, and then over billions of years, life got more abundant and complex, until two hundred fifty thousand or so years ago, humans evolved, and we started using more advanced tools, and then eventually built spaceships and everything. “So he gives this whole presentation about the history of earth and life on it, and then at the end, he asks if there are any questions. An old woman in the back raises her hand, and says, ‘That’s all fine and good, Mr. Scientist, but the truth is, the earth is a flat plane resting on the back of a giant turtle.’ “The scientist decides to have a bit of fun with the woman and responds, ‘Well, but if that’s so, what is the giant turtle standing upon?’ “And the woman says, ‘It is standing upon the shell of another giant turtle.’ “And now the scientist is frustrated, and he says, ‘Well, then what is that turtle standing upon?’ “And the old woman says, ‘Sir, you don’t understand. It’s turtles all the way down.’” I laughed. “It’s turtles all the way down.” “It’s turtles all the way fucking down, Holmesy. You’re trying to find the turtle at the bottom of the pile, but that’s not how it works.” “Because it’s turtles all the way down,” I said again, feeling something akin to a spiritual revelation.”
    John Green, Turtles All the Way Down

  • #5
    “Three other pieces of mail: An overdue notice from the library. Facing the Lions, by Tom Wicker. Wicker had spoken to a Rotary luncheon a month ago, and he was the best speaker they’d had in years.”
    Richard Bachman, Roadwork

  • #6
    Emily St. John Mandel
    “Suggested Further Reading The Handmaid’s Tale by Margaret Atwood Stories of Your Life and Others by Ted Chiang Cloud Cuckoo Land by Anthony Doerr Dune by Frank Herbert To the Bright Edge of the World by Eowyn Ivey Crystal Eaters by Shane Jones Station Eleven by Emily St. John Mandel The Road by Cormac McCarthy The Time Traveler’s Wife by Audrey Niffenegger The Opposite House by Helen Oyeyemi State of Wonder by Ann Patchett”
    Emily St. John Mandel, Sea of Tranquility

  • #7
    Paulette Jiles
    “THIS IS A PRINTING OFFICE CROSSROADS OF CIVILIZATION Refuge of all the arts against the ravages of time armoury of fearless truth against whispering rumor incessant trumpet of trade From this place words may fly abroad not to perish on waves of sound not to vary with the writer’s hand but fixed in time having been verified in proof Friend you stand on sacred ground THIS IS A PRINTING OFFICE”
    Paulette Jiles, News of the World

  • #8
    James Baldwin
    “These boys, now, were living as we’d been living then, they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities. They were filled with rage. All they really knew were two darknesses, the darkness of their lives, which was now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone.”
    James Baldwin, Going to Meet the Man: Stories

  • #9
    James Baldwin
    “For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard.”
    James Baldwin, Going to Meet the Man: Stories

  • #10
    Percival Everett
    “The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it. I don’t believe in race. I believe there are people who will shoot me or hang me or cheat me and try to stop me because they do believe in race, because of my brown skin, curly hair, wide nose and slave ancestors. But that’s just the way it is.”
    Percival Everett, Erasure

  • #11
    Patrick O'Brian
    “There is only one thing I do not care for, however,’ he said as the order was passed reverently round the table, ‘and that is this foolish insistence upon the word surgeon. “Do hereby appoint you surgeon … take upon you the employment of surgeon … together with such allowance for wages and victuals for yourself as is usual for the surgeon of the said sloop.” It is a false description; and a false description is anathema to the philosophic mind.’ ‘I am sure it is anathema to the philosophic mind,’ said James Dillon. ‘But the naval mind fairly revels in it, so it does. Take that word sloop, for example.’ ‘Yes,’ said Stephen, narrowing his eyes through the haze of port and trying to remember the definitions he had heard. ‘Why, now, a sloop, as you know, is properly a one-masted vessel, with a fore-and-aft rig. But in the Navy a sloop may be ship-rigged – she may have three masts.’ ‘Or take the Sophie,’ cried the master, anxious to bring his crumb of comfort. ‘She’s rightly a brig, you know, Doctor, with her two masts.’ He held up two fingers, in case a landman might not fully comprehend so great a number. ‘But the minute Captain Aubrey sets foot in her, why, she too becomes a sloop; for a brig is a lieutenant’s command.’ ‘Or take me,’ said Jack. ‘I am called captain, but really I am only a master and commander.’ ‘Or the place where the men sleep, just for’ard,’ said the purser, pointing. ‘Rightly speaking, and official, ’tis the gun-deck, though there’s never a gun on it. We call it the spar-deck – though there’s no spars, neither – but some say the gun-deck still, and call the right gun-deck the upper-deck. Or take this brig, which is no true brig at all, not with her square mainsail, but rather a sorts of snow, or a hermaphrodite.’ ‘No, no, my dear sir,’ said James Dillon, ‘never let a mere word grieve your heart. We have nominal captain’s servants who are, in fact, midshipmen; we have nominal able seamen on our books who are scarcely breeched – they are a thousand miles away and still at school; we swear we have not shifted any backstays, when we shift them continually; and we take many other oaths that nobody believes – no, no, you may call yourself what you please, so long as you do your duty. The Navy speaks in symbols, and you may suit what meaning you choose to the words.”
    Patrick O'Brian, Master and Commander

  • #12
    Robert Louis Stevenson
    “TO THE HESITATING PURCHASER If sailor tales to sailor tunes, Storm and adventure, heat and cold, If schooners, islands, and maroons, And buccaneers, and buried gold, And all the old romance, retold Exactly in the ancient way, Can please, as me they pleased of old, The wiser youngsters of today: --So be it, and fall on! If not, If studious youth no longer crave, His ancient appetites forgot, Kingston, or Ballantyne the brave, Or Cooper of the wood and wave: So be it, also! And may I And all my pirates share the grave Where these and their creations lie! CONTENTS”
    Robert Louis Stevenson, Treasure Island

  • #13
    P.D. James
    “Quid te exempta iuvat spinis de pluribus una?
    Vivere si recte nescis, decede peritis.
    Lusisti satis, edisti satis atque bibisti:
    Tempus abire tibi est.”
    P.D. James, The Children of Men



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