Edna Keng'ara > Edna's Quotes

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  • #1
    Toni Morrison
    “You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.”
    Toni Morrison, Song of Solomon

  • #2
    Toni Morrison
    “She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because it's there, because it can't hurt, and because what difference does it make?”
    Toni Morrison, Song of Solomon

  • #3
    Toni Morrison
    “Gimme hate, Lord,” he whimpered. “I’ll take hate any day. But don’t give me love. I can’t take no more love, Lord. I can’t carry it...It’s too heavy. Jesus, you know, you know all about it. Ain’t it heavy? Jesus? Ain’t love heavy?”
    Toni Morrison, Song of Solomon

  • #4
    Gabrielle Zevin
    “What is a game?" Marx said. "It's tomorrow, and tomorrow, and tomorrow. It's the possibility of infinite rebirth, infinite redemption. The idea that if you keep playing, you could win. No loss is permanent, because nothing is permanent, ever.”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #5
    Victoria Schwab
    “Being forgotten, she thinks, is a bit like going mad. You begin to wonder what is real, if you are real. After all, how can a thing be real if it cannot be remembered?”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #6
    Hanya Yanagihara
    “The problem, though, with trying to be the ideal anything is that eventually the definition changes, and you realize that what you'd been pursuing all along was not a single truth but a set of expectations determined by context. You leave that context, and you leave behind those expectations, too, and then you're nothing once again.”
    Hanya Yanagihara, To Paradise

  • #7
    Jacqueline Harpman
    “I was forced to acknowledge too late, much too late, that I too had loved, that I was capable of suffering, and that I was human after all.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #8
    Jacqueline Harpman
    “Being beautiful, was that for men?'
    'Yes. Some women say that it is for ourselves. What on earth can we do with it? I could have loved myself whether I was hunchbacked or lame, but to be loved by others, you had to be beautiful.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #9
    Jacqueline Harpman
    “My memory begins with my anger.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #10
    Jacqueline Harpman
    “Perhaps you never have time when you are alone? You only acquire it by watching it go by in others".”
    Jacqueline Harpman, I Who Have Never Known Men

  • #11
    Zoraida Córdova
    “There were hundreds of things Marimar wanted to know. Why is this happening? Why can't we stop it? Why didn't you try to tell me sooner? Who are you? Why do this? What broke your heart so completely that it's splinters found their way through generations.”
    Zoraida Córdova, The Inheritance of Orquídea Divina

  • #12
    Zoraida Córdova
    “Everyone said New York City was for creatives, for artists, but that was a washed-up remnant of the past. New York wasn’t for artists anymore. It was for steel and glass and suits. It was for fifteen-million-dollar Central Park apartments that remained empty all year round, ghost homes, tax shelter homes. Artists were as common as subway rats, except subway rats had free food options. New York gutted artists, used them as food, sucking out their marrow to make the glamour stronger.”
    Zoraida Córdova, The Inheritance of Orquídea Divina

  • #13
    Kristin Hannah
    “I think maybe love can just...dissolve."
    "No, it does not," her mother said.
    "So how do--"
    "You hang on," her mother said. "Until your hands are bleeding, and still you do not let go.”
    Kristin Hannah, Winter Garden

  • #14
    Kristin Hannah
    “I stand up feeling my new role. I am a motherless daughter now, a sisterless woman. There is no one left of the family I was born into; there is only the family I have made. My mother is in all of us, though especially in me, and the dreams of my father to, so it is my job to be all of us now.”
    Kristin Hannah, Winter Garden



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