“The train was generally empty at that time. Mlle Julie would lean back in a corner of the dimly lighted carriage and I liked to sit opposite and look at her. I could often do so for a long time without indiscretion, for her eyes were shut. No, she wasn't asleep, but tired. I watched the eyelashes on the cheek, the soft resting eyelids. Was it tired she looked? Not so much tired as sad. Not so much sad as serious. No, it wasn't bitterness in the curving corner of her lips, but an extraordinary sweetness, an extraordinary gravity, an extraordinary nobility. What were her thoughts? Behind those closed lids, what was going on? What had her life been? Had she suffered? She must have suffered to look so grave. Had she loved? Whom had she loved? I think the passion that devoured me at the time was the passion of curiosity. Once, as I was watching her like this, she suddenly opened her eyes and caught me. Her glance held me for a moment, and I was too fascinated to look away. Her glance was piercing, not unkind but terrifying. She was searching me. What did she see?
"Come," she said at last. "Come here and sit beside me."
I think she said it to get rid of my intolerable gaze. After I had obeyed, she put her hand on mine for the space of a heartbeat. I turned my eager palm to clasp it, but she withdrew it gently and sank back again into her corner and her reverie.”
―
Dorothy Strachey,
Olivia