نسيبة العزيبي > نسيبة's Quotes

“سعة البحر مخيفة أحيانا، وبرودة قاعِه مزعجة دائما، وزرقة أعماقه تبعث الرهبة في أشجع النفوس.”
― أحمد الديب, حكايات بعد النوم

“الأديان أعظم من معتنقيها”
― سعود السنعوسي, ساق البامبو

“يقال أن بين ولادة الفكرة وتدوينها على الأوراق يسقط شيء ما.. يعيق وصول الفكرة كما هي”
― سعود السنعوسي

“المرأة بعاطفتها، إنسان يفوق الإنسان”
― سعود السنعوسي, ساق البامبو

“السعادة المفرطة كالحزن تماماً، تضيق بها النفس إن لم نشارك بها أحداً.”
― سعود السنعوسي, ساق البامبو

“من أصعب اللحظات على المرء هي تلك التي تعجز فيها الحروف عن وصف ما بداخله من مشاعر.. يسترسل في الحديث ويطيل الشرح ويكرر العبارات.. ولكن يبقى الشعور مختلفاً عن كلماته.. وتبقى الكلمات في حيرة من أمرها.. عاجزةً أمام فيض المشاعر”
― سعود السنعوسي

“A feeling is no longer the same when it comes the second time. It dies through the awareness of its return. We become tired and weary of our feelings when they come too often and last too long.”
― Pascal Mercier, Night Train to Lisbon

“SOLIDAO, LONELINESS.
What is it that we call loneliness. It can't simply be the absence of others, you can be alone and not lonely, and you can be among people and yet be lonely. So what is it? ... it isn't only that others are there, that they fill up the space next to us. But even when they celebrate us or give advice in a friendly conversation, clever, sensitive advice: even then we can be lonely. So loneliness is not something simply connected with the presence of others or with what they do. Then what? What on earth?”
― Pascal Mercier, Night Train to Lisbon

“In the years afterward, I fled whenever somebody began to understand me. That has subsided. But one thing remained: I don't want anybody to understand me completely. I want to go through life unknown. The blindness of others is my safety and my freedom.”
― Pascal Mercier, Night Train to Lisbon

“To live for the moment: it sounds so right and so beautiful. But the more I want to, the less I understand what it means.”
― Pascal Mercier, Night Train to Lisbon

“It wasn't only that you didn't see him anymore, meet him anymore. You saw his absence and encountered it as something tangible. His not being there was like the sharply outlined emptiness of a photo with a figure cut out precisely with scissors and now the missing figure is more important, more dominant than all others.”
― Pascal Mercier, Night Train to Lisbon