awake-and-howling > awake-and-howling's Quotes

“Experience: that most brutal of teachers. But you learn, my God do you learn.”
― C.S. Lewis

“People who have monsters recognize each other. They know each other without even saying a word.”
― Benjamin Alire Sáenz, Last Night I Sang to the Monster

“I'll never understand how time can make a moment feel as close as yesterday and as far as years.”
― Adam Silvera, History Is All You Left Me

“I feel like a rock being skipped through the ocean—pain, relief, pain again, relief again, eventually destined to sink.”
― Adam Silvera, History Is All You Left Me

“Stop acting so small. You are the universe in ecstatic motion.”
― Rumi

“Because I was conceived and born and I grew up. I'm breathing and my heart is beating and as much as it hurts ― as much searing, monumental pain it causes me ― I have to exist.”
― Brenna Yovanoff, Paper Valentine

“Stay away from the ones you love too much. Those are the ones who will kill you.”
― Donna Tartt, The Goldfinch

“But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.”
― Donna Tartt, The Goldfinch

“And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.”
― Donna Tartt, The Goldfinch

“But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.”
― Donna Tartt, The Goldfinch