Sonja > Sonja's Quotes

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  • #1
    Edith Wharton
    “Ah, good conversation — there's nothing like it, is there? The air of ideas is the only air worth breathing.”
    Edith Wharton, The Age of Innocence

  • #2
    Thomas Pynchon
    “Life's single lesson: that there is more accident to it than a man can ever admit to in a lifetime and stay sane.”
    Thomas Pynchon, V.

  • #4
    Edith Wharton
    “I don't know if I should care for a man who made life easy; I should want someone who made it interesting.”
    Edith Wharton

  • #5
    Edith Wharton
    “If only we'd stop trying to be happy, we could have a pretty good time.”
    Edith Wharton

  • #6
    Edith Wharton
    “Nothing is more perplexing to a man than the mental process of a woman who reasons her emotions.”
    Edith Wharton

  • #7
    Edith Wharton
    “...I have always lived on contrasts! To me the only death is monotony. Beware of monotony; it's the mother of all the deadly sins.”
    Edith Wharton

  • #8
    Edith Wharton
    “After all, one knows one's weak points so well, that it's rather bewildering to have the critics overlook them and invent others.”
    Edith Wharton

  • #9
    Edith Wharton
    “It is less mortifying to believe one's self unpopular than insignificant, and vanity prefers to assume that indifference is a latent form of unfriendliness.”
    Edith Wharton

  • #10
    Thomas Pynchon
    “What goes around may come around, but it never ends up exactly the same place, you ever notice? Like a record on a turntable, all it takes is one groove's difference and the universe can be on into a whole 'nother song.”
    Thomas Pynchon, Inherent Vice

  • #11
    Jack Kerouac
    “[...]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes “Awww!”
    Jack Kerouac, On the Road

  • #12
    Ernest Hemingway
    “You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintery light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person died for no reason.”
    Ernest Hemingway, A Moveable Feast

  • #13
    Edith Wharton
    “Life is always either a tightrope or a feather bed. Give me the tightrope.”
    Edith Wharton

  • #14
    Louise Erdrich
    “What happens when you let an unsatisfactory present go on long enough? It becomes your entire history.”
    Louise Erdrich, The Plague of Doves

  • #15
    Ovid
    “Dignity and love do not blend well, nor do they continue long together. ”
    Ovid

  • #16
    Ovid
    “A new idea is delicate. It can be killed by a sneer or a yawn; it can be stabbed to death by a quip and worried to death by a frown on the right man's brow.”
    Ovid

  • #17
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #18
    Thomas Pynchon
    “For a moment she'd wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry.”
    Thomas Pynchon, The Crying of Lot 49

  • #19
    Thomas Pynchon
    “What, I should only trust good people? Man, good people get bought and sold every day. Might as well trust somebody evil once in a while, it makes no more or less sense.”
    Thomas Pynchon, Inherent Vice

  • #20
    Thomas Pynchon
    “If there is something comforting - religious, if you want - about paranoia, there is still also anti-paranoia, where nothing is connected to anything, a condition not many of us can bear for long.”
    Thomas Pynchon, Gravity’s Rainbow

  • #21
    Sylvia Plath
    “I wonder why I don't go to bed and go to sleep. But then it would be tomorrow, so I decide that no matter how tired, no matter how incoherent I am, I can skip on hour more of sleep and live.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #22
    Sylvia Plath
    “Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing.”
    sylvia plath

  • #23
    Sylvia Plath
    “I must get my soul back from you; I am killing my flesh without it.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #24
    Sylvia Plath
    “Yes, my consuming desire is to mingle with road crews, sailors and soldiers, barroom regulars—to be a part of a scene, anonymous, listening, recording—all this is spoiled by the fact that I am a girl, a female always supposedly in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yes, God, I want to talk to everybody as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #25
    F. Scott Fitzgerald
    “You'll find another.'
    God! Banish the thought. Why don't you tell me that 'if the girl had been worth having she'd have waited for you'? No, sir, the girl really worth having won't wait for anybody.”
    F. Scott Fitzgerald, This Side of Paradise

  • #26
    Azar Nafisi
    “You get a strange feeling when you're about to leave a place, I told him, like you'll not only miss the people you love but you'll miss the person you are now at this time and this place, because you'll never be this way ever again.”
    Azar Nafisi, Reading Lolita in Tehran: A Memoir in Books

  • #27
    Haruki Murakami
    “A certain type of perfection can only be realized through a limitless accumulation of the imperfect.”
    Haruki Murakami, Kafka on the Shore

  • #28
    Warsan Shire
    “give your daughters difficult names. give your daughters names that command the full use of tongue. my name makes you want to tell me the truth. my name doesn’t allow me to trust anyone that cannot pronounce it right.”
    Warsan Shire

  • #29
    Warsan Shire
    “At the end of the day, it isn’t where I came from. Maybe home is somewhere I’m going and never have been before.”
    Warsan Shire

  • #30
    Warsan Shire
    “you can't make homes out of human beings
    someone should have already told you that”
    warsan shire

  • #31
    Andrea Gibson
    “...It’s hard to watch
    the game we make of love,
    like everyone’s playing checkers
    with their scars,
    saying checkmate
    whenever they get out
    without a broken heart.

    Just to be clear
    I don’t want to get out
    without a broken heart.
    I intend to leave this life
    so shattered
    there’s gonna have to be
    a thousand separate heavens
    for all of my flying parts.”
    Andrea Gibson



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