Gena > Gena's Quotes

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  • #1
    Milan Kundera
    “That is when I understood the magical meaning of the circle. If you go away from a row, you can still come back into it. A row is an open formation. But a circle closes up, and if you go away from it, there is no way back. It is not by chance that the planets move in circles and that a rock coming loose from one of them goes inexorably away, carried off by centrifugal force. Like a meteorite broken off from a planet, I left the circle and have not stopped falling. Some people are granted their death as they are whirling around, and others are smashed at the end of their fall. And these others (I am one of them) always retain a kind of faint yearning for that lost ring dance, because we are all inhabitants of a universe where everything turns in circles.”
    Milan Kundera, The Book of Laughter and Forgetting

  • #2
    Lionel Shriver
    “I seem to remember even from when I was very young that when you loved someone you also hated them for making you love them, since loving someone is so incredibly humiliating.”
    Lionel Shriver, The Female of the Species

  • #3
    Mat Johnson
    “I have always loved quitting jobs. Whether because the job itself was repugnant or the people working at it with me, I have always held my right to quit my job as one of my most sacred privileges. An entire ritual surrounds this shedding of employment. First, there is the glorious moment when, after the unpleasantness of my position and my general unhappiness become overwhelmingly apparent to me, I say to myself (and I quote), “Fuck this. I don’t have to take this shit anymore. They think they can make me do what they want, but I’m out of here.” Ah, there it is, the almost orgasmic release I feel when I first make the profane declaration to myself, the feeling of reclaimed power coursing invisibly through me. But not just that: this singular moment, this coveted private knowledge is formed into a golden kernel and popped into existence again in my mind as a reaction to every unfortunate work-related moment I’m forced to endure before I make my destined departure. It’s such a glorious thing, the harboring of this secret knowledge, that in itself it has kept me at many a job even longer than I had originally intended, because just knowing that I would soon be free was the most effective of panaceas. So much so that there were times when even though it was impossible for me to quit I would say the same words to myself and mercifully delude my conscious mind that I could get the hell out of there if I wanted to.”
    Mat Johnson, Pym

  • #4
    Mat Johnson
    “There are two types of lazy bosses. One is so lazy that they make you do not only your own work but theirs too. Worse, they lie to you about it, unloading all responsibility for their actions. The other is so lazy that not only do they not do their own work but they can't even be bothered to provide you work to do. These bosses lie as well, but only to themselves, passively. The first is the hardest boss to work for, the second the easiest.”
    Mat Johnson, Pym

  • #5
    Lionel Shriver
    “All these men afraid of bein’ crowded, ain’t they? They need all this room, they afraid some woman gonna crawl in their head and take over. Well, surprise, surprise. Ain’t nobody crawlin’ in there ’cept you, honey, and you get older and older and it get stuffy in there. Let me tell you, you afraid of other folks takin’ away your elbow room, well, just relax. You born alone, you die alone, and you get any kind of company in between, you one lucky boy. Bein’ by yourself ain’t no accomplishment. Ain’t like being no kind of hero. Ray, see, Ray sho ’nough figures he gettin’ away with somethin’, understand me? He think he a clever boy, runnin’ round with whores, gettin’ diseases, drinkin’ his heart out till five in the a.m. Lucky Ray, huh? Well, what Raymond Harris gettin’ away with is not see his kids grow up, and when he do come back they call him Mr. Harris ’steada Daddy, and they shake his hand ’steada kiss his cheek, and they spit when he turn his back. And I spit, too, though I’ll take him in again and love him, ’cause that’s what I’s here to do. But I spit anyways, ’cause he such a dumb sucker, understand me? ’Less stupid ole Ray Harris die by hisself in some alleyway. Sho, run away. Best way in the world to be nothin’. Risk endin’ up croaked by garbage cans, when he could die in my arms?” Leonia put her coffee cup in its saucer, and it rattled softly. “That no way to be the big man, baby. That just be dumb and sad. You got me?”
    Lionel Shriver, The Female of the Species

  • #6
    Lionel Shriver
    “I thought at the time that I couldn't be horrified anymore, or wounded. I suppose that's a common conceit, that you've already been so damaged that damage itself, in its totality, makes you safe.”
    Lionel Shriver, We Need to Talk About Kevin

  • #7
    Stephen  King
    “Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye.
    But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower.
    And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.”
    Stephen King, Wolves of the Calla
    tags: hope

  • #8
    Paulo Coelho
    “You will never be able to escape from your heart. So it's better to listen to what it has to say.”
    Paulo Coelho, The Alchemist

  • #9
    “Relationships are mysterious. We doubt the positive qualities in others, seldom the negative. You will say to your partner: do you really love me? Are you sure you love me? You will ask this a dozen times and drive the person nuts. But you never ask: are you really mad at me? Are you sure you’re angry? When someone is angry, you don’t doubt it for a moment. Yet the reverse should be true. We should doubt the negative in life, and have faith in the positive.”
    Christopher Pike, Remember Me

  • #10
    Walter Mosley
    “Love, as the poet says, is like the spring. It grows on you and seduces you slowly and gently, but it holds tight like the roots of a tree. You don't know until you're ready to go that you can't move, that you would have to mutilate yourself in order to be free. That's the feeling. It doesn't last, at least it doesn't have to. But it holds on like a steel claw in your chest. Even if the tree dies, the roots cling to you. I've seen men and women give up everything for love that once was.”
    Walter Mosley, The Man in My Basement

  • #11
    Sarah Kane
    “don't say no to me you can't say no to me because it's such a relief to have love again and to lie in bed and be held and touched and kissed and adored and your heart will leap when you hear my voice and see my smile and feel my breath on your neck and your heart will race when I want to see you and I will lie to you from day one and use you and screw you and break your heart because you broke mine first and you will love me more each day until the weight is unbearable and your life is mine and you'll die alone because I will take what I want then walk away and owe you nothing it's always there it's always been there and you cannot deny the life you feel fuck that life fuck that life fuck that life I have lost you now.”
    Sarah Kane, Crave

  • #12
    Mark Z. Danielewski
    “Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.”
    Mark Z. Danielewski, House of Leaves

  • #13
    Julian Barnes
    “In my terms, I settled for the realities of life, and submitted to its necessities: if this, then that, and so the years passed. In Adrian's terms, I gave up on life, gave up on examining it, took it as it came. And so, for the first time, I began to feel a more general remorse - a feeling somewhere between self-pity and self-hatred - about my whole life. All of it. I had lost the friends of my youth. I had lost the love of my wife. I had abandoned the ambitions I had entertained. I had wanted life not to bother me too much, and had succeeded - and how pitiful that was.”
    Julian Barnes, The Sense of an Ending

  • #14
    Jeanette Winterson
    “The trouble with babies is that they are made like a safe- no way to see what's inside and no guarantee that the effort will be worth the trouble. spin the numbers, crack the code, but the door won't swing open. Babies are safes on time-delay. It takes years for the door to swing open, and even when it does, the best minds are undecided as to the value of the contents”
    Jeanette Winterson, The Stone Gods
    tags: babies

  • #15
    George Saunders
    “They were sorry, they were saying with their bodies, they were accepting each other back, and that feeling, that feeling of being accepted back again and again, of someone's affection for you expanding to encompass whatever new flawed thing had just manifested in you, that was the deepest, dearest thing he'd ever—”
    George Saunders, Tenth of December

  • #16
    Claire Messud
    “Life's funny. You have to find a way to keep going, to keep laughing, even after you realize that none of your dreams will come true. When you realize that, there's still so much of a life to get through.”
    Claire Messud, The Woman Upstairs

  • #17
    Claire Messud
    “When you’re the Woman Upstairs, nobody thinks of you first. Nobody calls you before anyone else, or sends you the first postcard. Once your mother dies, nobody loves you best of all. It’s a small thing, you might think; and maybe it depends upon your temperament; maybe for some people it’s a small thing. But for me, in that cul-de-sac outside Aunt Baby’s, with my father and aunt done dissecting death and shuffling off to bed behind the crimson farmhouse door, preparing for morning mass as blameless as lambs and as lifeless as the slaughtered—I felt forsaken by hope. I felt I’d been seen, and seen clearly, and discarded, dropped back into the undiscriminated pile like a shell upon the shore.”
    Claire Messud, The Woman Upstairs

  • #18
    Lionel Shriver
    “Cynics are spoiled romantics. They are always the ones who had the highest expectations at the start. They were once so naïve themselves that they despise naïvety more than any other quality. Alchemists, they turn grief to gold. They take quinine in their tonic, Campari with their soda—bitterness is an acquired taste. Cynics have learned to drink poison and like it. They are resourceful people, though the sad thing is, they know what’s happened to them. They remember what they wanted to be when they grew up, and not a single one of them dreamt of becoming a cynic.”
    Lionel Shriver, Game Control

  • #19
    Yiyun Li
    “His mother had always been a headstrong woman, and with her grayish-white mane and unsmiling face, she appeared as regal and intimidating as she had ever been. Still, seeing her through other people’s eyes, Hanfeng realized that all that made her who she was—the decades of solitude in her widowhood, her coldness to the prying eyes of people who tried to mask their nosiness with friendliness, and her faith in the notion of living one’s own life without having to go out of one’s way for other people—could be deemed pointless and laughable. Perhaps the same could be said of any living creature: a caterpillar chewing on a leaf, unaware of the beak of an approaching bird; an egret mesmerized by its reflection in a pond, as if it were the master of the universe; or Hanfeng’s own folly of repeating the same pattern of hope and heartbreak, hoping despite heartbreak.”
    Yiyun Li, Gold Boy, Emerald Girl

  • #20
    Yiyun Li
    “It saddened her that Luo insisted on holding on to her as if they had started to share some vital organs during their twenty years of marriage. She wondered if this was a sign of old age, of losing hope and the courage for changes. She herself could easily picture vanishing from their shared life, but then perhaps it was a sign of aging on her part, a desire for loneliness that would eventually make death a relief.”
    Yiyun Li, Gold Boy, Emerald Girl

  • #21
    Warsan Shire
    “later that night
    i held an atlas in my lap
    ran my fingers across the whole world
    and whispered
    where does it hurt?

    it answered
    everywhere
    everywhere
    everywhere.”
    Warsan Shire

  • #22
    David Whyte
    “Sometimes it takes darkness and the sweet
    confinement of your aloneness
    to learn

    anything or anyone
    that does not bring you alive

    is too small for you.”
    David Whyte, The House of Belonging

  • #23
    Lionel Shriver
    “Your honeybunch may not be able to make you feel all warm and gooey inside anymore," Deacon said. "But the ability to fuck you up, well--it's the last magic power to go.”
    Lionel Shriver, The Motion of the Body Through Space

  • #24
    Hanya Yanagihara
    “What he wouldn’t know until he was much older was that no one was ever free, that to know someone and to love them was to assume the task of remembering them, even if that person was still living. No one could escape that duty, and as you aged, you grew to crave that responsibility even as you sometimes resented it, that knowledge that your life was inextricable from another’s, that a person marked their existence in part by their association with you.”
    Hanya Yanagihara, To Paradise

  • #25
    Marlen Haushofer
    “I often look forward to a time when there won't be anything left to grow attached to. I'm tired of everything being taken away from me. Yet there's no escape, for as long as there's something for me to love in the forest, I shall love it; and if some day there is nothing, I shall stop living.”
    Marlen Haushofer, The Wall



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