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  • #1
    Walter Isaacson
    “The juice goes out of Christianity when it becomes too based on faith rather than on living like Jesus or seeing the world as Jesus saw it,” he told me. “I think different religions are different doors to the same house. Sometimes I think the house exists, and sometimes I don’t. It’s the great mystery.”
    Walter Isaacson, Steve Jobs

  • #2
    Walter Isaacson
    “Paul Jobs was then working at Spectra-Physics, a company in nearby Santa Clara that made lasers for electronics and medical products. As a machinist, he crafted the prototypes of products that the engineers were devising.”
    Walter Isaacson, Steve Jobs

  • #3
    “92None of you [believers] will attain true piety unless you give out of what you cherish: whatever you give, God knows about it very well.”
    Anonymous, The Qur'an

  • #4
    “Unable to get snapshot. status=1”
    Anonymous

  • #5
    “and utilized is at least some small consolation.
    Thanks, first of all, to Tom Stone, whose enthusiasm for this book convinced me that it was worth doing, and who was the only publisher I talked to who understood why I was asking for so many of those expensive color plates! Thanks also to Tom's colleagues, Thomas Park and Julie Champagne, who hand-held me throughout the process.”
    Brinkmann, Ron, The Art and Science of Digital Compositing

  • #6
    “Acknowledgments
    This book would never have been completed without the help of a number of different people. Many of these people are listed here, but many, many others who gave”
    Brinkmann, Ron, The Art and Science of Digital Compositing

  • #7
    “his help in photographing many of the example images that are used throughout the book.
    Thanks to Alex, Aundrea, Alyssa, Rachel, Anna, and josh, because I would be a poor uncle indeed if I passed up the opportunity for them to see their names in print, and thanks to Mandy and Ace (Plate 28).
    A special note of thanks to my associates at Nothing Real, not only for the use of their fine compositing software to create many of the images in this book, but also”
    Brinkmann, Ron, The Art and Science of Digital Compositing

  • #8
    “Preface
    This book is about creating images. It will discuss a number of different”
    Brinkmann, Ron, The Art and Science of Digital Compositing

  • #9
    “something that people who have been in the business for a while will also find useful. Straddling the fence can be a somewhat uncomfortable position at times, but I hope the compromise proves worthwhile.
    Please feel free to send me feedback on the book, including any specific suggestions for improvements and corrections. I can be reached through my publisher, or e-mail me”
    Brinkmann, Ron, The Art and Science of Digital Compositing

  • #10
    “real object, yet it exists only within the computer. Even though the way we are interacting with the object is still based on a two-dimensional display device (the computer's monitor), the model itself is a mathematical simulation of a true three-dimensional object. This model can be lit, textured, and given the ability to move and change. Once a particular camera view is chosen and the color, lighting, and animation are acceptable, special software will render the scene to produce a sequence of images.
    While the 3D aspect of visual effects seems to get a great deal of recognition,”
    Brinkmann, Ron, The Art and Science of Digital Compositing

  • #11
    “CHAPTER ONE
    Introduction to Digital Compositing
    A massive spacecraft hovers over New York, throwing the entire city into shadow. A pair of lizards, sitting in the middle of a swamp, discuss their favorite beer. Dinosaurs, long extinct, live and breathe”
    Brinkmann, Ron, The Art and Science of Digital Compositing



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