Barbara > Barbara's Quotes

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  • #1
    “I don't care if you're black, white, straight, bisexual, gay, lesbian, short, tall, fat, skinny, rich or poor. If you're nice to me, I'll be nice to you. Simple as that.”
    Robert Michaels MD - 2007 - Graduation Speaker

  • #2
    Pamela Redmond Satran
    “A WOMAN SHOULD HAVE ....
    enough money within her control to move out
    and rent a place of her own even if she never wants
    to or needs to...
    A WOMAN SHOULD HAVE ....
    something perfect to wear if the employer or date of her
    dreams wants to see her in an hour...
    A WOMAN SHOULD HAVE ...
    a youth she's content to leave behind....
    A WOMAN SHOULD HAVE ....
    a past juicy enough that she's looking forward to
    retelling it in her old age....
    A WOMAN SHOULD HAVE .....
    a set of screwdrivers, a cordless drill, and a black
    lace bra...
    A WOMAN SHOULD HAVE ....
    one friend who always makes her laugh... and one who
    lets her cry...
    A WOMAN SHOULD HAVE ....
    a good piece of furniture not previously owned by anyone
    else in her family...
    A WOMAN SHOULD HAVE ....
    eight matching plates, wine glasses with stems, and a
    recipe for a meal that will make her guests feel honored...
    A WOMAN SHOULD HAVE ....
    a feeling of control over her destiny...
    EVERY WOMAN SHOULD KNOW...
    how to fall in love without losing herself..
    EVERY WOMAN SHOULD KNOW...
    HOW TO QUIT A JOB,
    BREAK UP WITH A LOVER,
    AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP...
    EVERY WOMAN SHOULD KNOW...
    when to try harder... and WHEN TO WALK AWAY...
    EVERY WOMAN SHOULD KNOW...
    that she can't change the length of her calves,
    the width of her hips, or the nature of her parents..
    EVERY WOMAN SHOULD KNOW...
    that her childhood may not have been perfect...but it's over...
    EVERY WOMAN SHOULD KNOW...
    what she would and wouldn't do for love or more...
    EVERY WOMAN SHOULD KNOW...
    how to live alone... even if she doesn't like it...
    EVERY WOMAN SHOULD KNOW...
    whom she can trust,
    whom she can't,
    and why she shouldn't
    take it personally...
    EVERY WOMAN SHOULD KNOW...
    where to go...
    be it to her best friend's kitchen table...
    or a charming inn in the woods...
    when her soul needs soothing...
    EVERY WOMAN SHOULD KNOW...
    what she can and can't accomplish in a day...
    a month...and a year...”
    Pamela Redmond Satran

  • #3
    Samuel Beckett
    “I'm all these words, all these strangers, this dust of words, with no ground for their settling, no sky for their dispersing, coming together to say, fleeing one another to say, that I am they, all of them, those that merge, those that part, those that never meet, and nothing else, yes, something else, that I'm something quite different, a quite different thing, a wordless thing in an empty place, a hard shut dry cold black place, where nothing stirs, nothing speaks, and that I listen, and that I seek, like a caged beast born of caged beasts born of caged beasts born of caged beasts born in a cage and dead in a cage, born and then dead, born in a cage and then dead in a cage, in a word like a beast, in one of their words, like such a beast, and that I seek, like such a beast, with my little strength, such a beast, with nothing of its species left but fear and fury, no, the fury is past, nothing but fear, nothing of all its due but fear centupled, fear of its shadow, no, blind from birth, of sound then, if you like, we'll have that, one must have something, it's a pity, but there it is, fear of sound, fear of sounds, the sounds of beasts, the sounds of men, sounds in the daytime and sounds at night, that's enough, fear of sounds all sounds, more or less, more or less fear, all sounds, there's only one, continuous, day and night, what is it, it's steps coming and going, it's voices speaking for a moment, it's bodies groping their way, it's the air, it's things, it's the air among the things, that's enough, that I seek, like it, no, not like it, like me, in my own way, what am I saying, after my fashion, that I seek, what do I seek now, what it is, it must be that, it can only be that, what it is, what it can be, what what can be, what I seek, no, what I hear, I hear them, now it comes back to me, they say I seek what it is I hear, I hear them, now it comes back to me, what it can possibly be, and where it can possibly come from, since all is silent here, and the walls thick, and how I manage, without feeling an ear on me, or a head, or a body, or a soul, how I manage, to do what, how I manage, it's not clear, dear dear, you say it's not clear, something is wanting to make it clear, I'll seek, what is wanting, to make everything clear, I'm always seeking something, it's tiring in the end, and it's only the beginning.”
    Samuel Beckett, The Unnamable

  • #4
    James Joyce
    “‎I've put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant, and that is the only way of insuring one's immortality.”
    James Joyce

  • #5
    E.E. Cummings
    “listen: there’s a hell
    of a good universe next door; let’s go”
    E.E. Cummings

  • #6
    “So it is with the places preparing to teach us. It's only when the heart begins to beat wildly and without pattern—when it begins to realize its boundlessness—that its newly adamant pulse bangs on the walls of its cage and is bruised by its enclosure... To feel the heart pound is only the beginning. Next is to feel the hurt—the tearing of the psyche—the prelude of entry into the place one has always feared. One fears that place because of being drawn to it, loving it, and wanting to be taught by it. Without the need to be taught, who would feel the psyche rip? Without the bruise, who would know where the walls are?”
    Kay Larson, Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists

  • #7
    Anne  Michaels
    “Reading a poem in translation," wrote Bialek, "is like kissing a woman through a veil"; and reading Greek poems, with a mixture of katharevousa and the demotic, is like kissing two women. Translation is a kind of transubstantiation; one poem becomes another. You choose your philosophy of translation just as you choose how to live: the free adaptation that sacrifices detail to meaning, the strict crib that sacrifices meaning to exactitude. The poet moves from life to language, the translator moves from language to life; both like the immigrant, try to identify the invisible, what's between the lines, the mysterious implications.”
    Anne Michaels, Fugitive Pieces

  • #8
    Aldous Huxley
    “It isn't a matter of forgetting. What one has to learn is how to remember and yet be free of the past.”
    Aldous Huxley, Island



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