Bailey > Bailey's Quotes

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  • #1
    Marguerite Duras
    “I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.”
    Marguerite Duras, Hiroshima mon amour

  • #2
    Jacqueline Susann
    “Love shouldn't make a beggar of one. I wouldn't want love if I had to beg for it, to barter or qualify it. And I should despise it if anyone ever begged for my love. Love is something that must be given -- it can't be bought with words or pity, or even reason.”
    Jacqueline Susann, Valley of the Dolls

  • #3
    Marguerite Duras
    “Suddenly, all at once, she knows, knows that he doesn't understand her, that he never will, that he lacks the power to understand such perverseness. And that he can never move fast enough to catch her.”
    Marguerite Duras, The Lover

  • #4
    Susanna Kaysen
    “It's one of the reasons I became a writer, to be able to smoke in peace.”
    Susanna Kaysen, Girl, Interrupted

  • #5
    Sarahbeth Purcell
    “Mental imbalance is about as acceptable as herpes. It’s never going to be accepted. But really, it’s a disease just like cancer. It just happens, and eats away all the good parts of your brain, like judgment and happiness and perception and memory and life. And you can die from depression just like any other disease. And it’s not as if people choose it. So why is it still a joke of medicine? “She died of cancer.” is a lot more socially acceptable to people than “She committed suicide.”
    Sarahbeth Purcell, Love Is the Drug

  • #6
    Susanna Kaysen
    “I can honestly say that my misery had been transformed into common unhappiness, so by Freud's definition I have achieved mental health.”
    Susanna Kaysen, Girl, Interrupted

  • #7
    Sylvia Plath
    “If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days.”
    Sylvia Plath, The Bell Jar

  • #8
    Marguerite Duras
    “Oh, I'd like to show you my gratitude, show you how ugly I am, how impossible it is to love me. I'd like to offer you that.”
    Marguerite Duras

  • #9
    Gillian Flynn
    “Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.

    Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)”
    Gillian Flynn, Gone Girl

  • #10
    Marguerite Duras
    “Women must find their own answer. That’s the important thing. I’m no longer interested in books about women written by men. Even if I could believe in their objectivity, I just can’t find their opinions relevant. Now I will only believe what a woman has to say about women, because even if it’s not entirely true, it’s her struggle and she’s on the way to the answer.

    Many of you seek masculine approval. Even though you have inside you your way of talking and writing, you have mountains of it inside you, and even though it is enough to begin expressing yourselves so long as it is with your vocabulary, your abstractions, and your own conceptualization, I think you are still afraid of the master: men. Of their judgment. As long as you have this fear, you will not progress. I think the future belongs to women. Men have been completely dethroned. Their rhetoric is stale, used up. We must move on the rhetoric of women, one that is anchored in the organism, in the body.”
    Marguerite Duras

  • #11
    Marguerite Duras
    “I feel a sadness I expected and which comes only from myself. I say I’ve always been sad. That I can see the same sadness in photos of myself when I was small. That today, recognizing it as the sadness I’ve always had, I could almost call it by my own name, it’s so like me.”
    Marguerite Duras, The Lover

  • #12
    “Whenever I’m home for a few days, I start to feel this despair at being back in the place where I had spent so many afternoons dreaming of getting away, so many late nights fantasizing about who I would be once I was allowed to be someone apart from my family, once I was free to commit mistakes on my own. How strange it is to return to a place where my childish notions of freedom are everywhere to be found—in my journals and my doodles and the corners of the room where I sat fuming for hours, counting down the days until I could leave this place and start my real life. But now that trying to become someone on my own is no longer something to dream about but just my ever-present reality, now that my former conviction that I had been burdened with the responsibility of taking care of this household has been revealed to be untrue, that all along, my responsibilities had been negligible, illusory even, that all along, our parents had been the ones watching over us—me and my brother—and now that I am on my own, the days of resenting my parents for loving me too much and my brother for needing me too intensely have been replaced with the days of feeling bewildered by the prospect of finding some other identity besides “daughter” or “sister.” It turns out this, too, is terrifying, all of it is terrifying. Being someone is terrifying. I long to come home, but now, I will always come home to my family as a visitor, and that weighs on me, reverts me back into the teenager I was, but instead of insisting that I want everyone to leave me alone, what I want now is for someone to beg me to stay. Me again. Mememememememe.”
    Jenny Zhang, Sour Heart

  • #13
    Luce Irigaray
    “Each sex has a relation to madness. Every desire has a relation to madness. But it would seem that one desire has been taken as wisdom, moderation, truth, leaving to the other sex the weight of a madness that cannot be acknowledged or accommodated.”
    Luce Irigaray

  • #14
    Philip Roth
    “Because that is when you love somebody - when you see them being game in the face of the worst. Not courageous. Not heroic. Just game.”
    Philip Roth, The Human Stain
    tags: love

  • #15
    Susanna Kaysen
    GoodReads: Do people still ask you about your mental health?

    Susanna Kaysen: Well, they used to a lot. "Are you still crazy?" was how people put it. And I would say, "Yes, but I'm older, so I'm more used to it." It's familiar. You've been there, you've done that, and it's gone away. I think the fact that you can feel like it's the end of the world and you're going to kill yourself and yet there's some part of you that says "this has happened before." And by the time you get to the point where you can say "this has happened 137 times before," it's better than saying "this has happened four times before." So as you get older, there's a little ironist or cynic or somebody inside you who says, "Yeah, uh-huh. Right, OK, I've heard that, I've heard that.”
    Susanna Kaysen

  • #16
    Renée Knight
    “There weren't as many layers between her and the world as there were with the rest of us.”
    Renée Knight, Disclaimer

  • #17
    “And you’ll smile at this man and wonder if he too, like all those who came before him, will someday be a bittersweet memory, will someday be felled by the same foolish blunder of knowing you a little too well and yet also somehow not enough.”
    Raphael Bob-Waksberg, Someone Who Will Love You in All Your Damaged Glory

  • #18
    Carrie Fisher
    “What worries me is, what if this guy is really the one for me and I just haven't had enough therapy yet for me to be comfortable with having found him.”
    Carrie Fisher, Postcards from the Edge

  • #19
    Myriam Gurba
    “Every pretty woman who lives a long life gets to perform an art project called “watch my beauty disintegrate.” It’s not revolutionary. It just happens.”
    Myriam Gurba, Mean

  • #20
    W. Somerset Maugham
    “The common idea that success spoils people by making them vain, egotistical and self-complacent is erroneous; on the contrary, it makes them , for the most part, humble, tolerant and kind. Failure makes people bitter and cruel.”
    W. Somerset Maugham, The Razor’s Edge



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