“My one blunt eye—water sac and nerves, miracle itself, fine itself: light catcher. But the thing itself is not forest and light and dark, but something else scattered by my coarse gaze, by my dumb intention. The quilt of leaves and light and shadow and ruffling breezes might part and I'd be given a glimpse of what is on the other side; a stitch might work itself loose or be worked loose. The weaver might have made one bad loop in the foliage of a sugar maple by the road and that one loop of whatever the thread might be wound from—light, gravity, dark from stars—had somehow been worked loose by the wind and its constant worrying of white buds and green leaves and blood-and-orange leaves and bare branches and two of the pieces of whatever it is that this world is knit from had come loose from each other and there was maybe just a finger width's hole, which I was lucky enough to spot in the glittering leaves from this wagon of drawers and nimble enough to scale the silver trunk and brave enough to poke my finger into the tear, that might offer to the simple touch a measure of tranquility or reassurance.”
―
Paul Harding,
Tinkers