Susannah Champlin > Susannah's Quotes

“The white fathers told us: I think, therefore I am. The Black mother within each of us — the poet — whispers in our dreams: I feel, therefore I can be free. Poetry coins the language to express and charter this revolutionary demand, the implementation of that freedom.”
― Audre Lorde, Sister Outsider: Essays and Speeches

“Human rights violations are not accidents; they are not random in distribution or effect. Rights violations are, rather, symptoms of deeper pathologies of power and are linked intimately to the social conditions that so often determine who will suffer abuse and who will be shielded from harm”
― Paul Farmer, Pathologies of Power: Health, Human Rights, and the New War on the Poor

“I was cold, I’ve been told. I often write stories about women who are perceived as cold and resent that perception. I write these women because I know what it’s like to have so much warmth roiling beneath the skin’s surface, ready to be found. I am not cold. I wasn’t ever cold. My warmth was hidden far away from anything that could bring hurt because I knew I didn’t have the inner scaffolding to endure any more hurt in those protected places.”
― Roxane Gay, Hunger: A Memoir of (My) Body

“what i miss most is how you loved me. but what i didn't know was how you loved me had so much to do with the person i was. it was a reflection of everything i gave you. coming back to me. how did i not see that. how. did i sit here soaking in the idea that no one else would love me that way. when it was i that taught you. when it was i that showed you how to fill. the way i needed to be filled. how cruel i was to myself. giving you credit for my warmth simply because you had felt it. thinking it was you who gave me strength. wit. beauty. simply because you recognized it. as if i was already not these things before i met you. as if i did not remain all these things after you left.”
― Rupi Kaur, Milk and honey

“Artmaking has been, at least since bohemia and modernism appeared in 19th century Paris, largely an urban enterprise: the closer to museums, publishers, audiences, patrons, politicians, other enemies, and each other, the better for artists and for art. For if cities have been essential to artists, artists have been essential to cities...Being an artist was one way of being a participant in the debate about meaning and value, and the closer to the center of things is the more one can participate. This is part of what makes urbanity worth celebrating, this braiding together of disparate lives, but the new gentrification threatens to yank out some strands together, diminishing urbanism itself. Perhaps the new urbanism will result in old cities that function like suburbs as those who were suburbia's blandly privileged take them over.”
― Rebecca Solnit, Hollow City: The Siege of San Francisco and the Crisis of American Urbanism

“The quality of light by which we scrutinize our lives has direct bearing upon the product which we live, and upon the changes which we hope to bring about through those lives. It is within this light that we form those ideas by which we pursue our magic and make it realized. This is poetry as illumination, for it is through poetry that we give name to those ideas which are — until the poem — nameless and formless, about to be birthed, but already felt.”
― Audre Lorde, Sister Outsider: Essays and Speeches

“Any critical engagement with racism requires us to understand the tyranny of the universal. For most of our history, the very category "human" has not embraced Black people and people of color. Its abstractness has been colored white and gendered male...If indeed all lives mattered, we would not need to emphatically proclaim Black Lives Matter.”
― Angela Davis

“All freedom is relative—you know too well—and sometimes it’s no freedom at all, but simply the cage widening far away from you, the bars abstracted with distance but still there, as when they “free” wild animals into nature preserves only to contain them yet again by larger borders. But I took it anyway, that widening. Because sometimes not seeing the bars is enough”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“My mother says that pain is hidden in everyone you see. She says try to imagine it like big bunches of flowers that everyone is carrying around with them. Think of your pain like a big bunch of red roses, a beautiful thorn necklace. Everyone has one.”
― Francesca Lia Block, Witch Baby

“The best way to instill social values is to eroticize them...We can decode social priorities through looking at what's most commonly eroticized: male power and female submission, male violence and female pain. The most generically sexual images of women involve silence, performance, and artificiality: traits that leave male power intact and strengthened, by draining women's energy and wasting our time. Women are definitionally powerless in any of these situations, and certainly women have subverted and diversified sexual archetypes to far more aesthetically interesting ends. But still, it's worth paying attention to whatever cultural products draw straightforwardly on sex to gain position, even and especially if women are driving that concept.”
― Jia Tolentino, Trick Mirror: Reflections on Self-Delusion

“Hope is not a lottery ticket you can sit on the sofa and clutch, feeling lucky. It is an axe you break down doors with in an emergency. Hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth's treasures and the grinding down of the poor and marginal... To hope is to give yourself to the future - and that commitment to the future is what makes the present inhabitable.”
― Rebecca Solnit, Hope in the Dark: The Untold History of People Power

“Joy doesn't betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated and isolated, joy is a fine act of insurrection.”
― Rebecca Solnit, Hope in the Dark: The Untold History of People Power

“Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension. Sometimes one person inspires a movement, or her words do decades later, sometimes a few passionate people change the world; sometimes they start a mass movement and millions do; sometimes those millions are stirred by the same outrage or the same ideal, and change comes upon us like a change of weather. All that these transformations have in common is that they begin in the imagination, in hope.”
― Rebecca Solnit, Hope in the Dark: The Untold History of People Power