Tassa > Tassa's Quotes

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  • #1
    Julian Barnes
    “History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.”
    Julian Barnes, The Sense of an Ending

  • #2
    J.D. Salinger
    “It's everybody, I mean. Everything everybody does is so — I don't know — not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and — sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way.”
    J.D. Salinger, Franny and Zooey
    tags: life

  • #3
    J.D. Salinger
    “I love you to pieces, distraction, etc.”
    J.D. Salinger, Franny and Zooey

  • #4
    Gary Shteyngart
    “Remember this... develop a sense of nostalgia for something, or you'll never figure out what's important.”
    Gary Shteyngart, Super Sad True Love Story

  • #5
    Haruki Murakami
    “Time is too conceptual. Not that it stops us from filling it in. So much so, we can't even tell whether our experiences belong to time or to the world of physical things.”
    Haruki Murakami, Hard-Boiled Wonderland and the End of the World

  • #6
    Jonathan Safran Foer
    “There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #7
    Jonathan Safran Foer
    “She wants to know if I love her, that's all anyone wants from anyone else, not love itself but the knowledge that love is there, like new batteries in the flashlight in the emergency kit in the hall closet.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #8
    Jonathan Safran Foer
    “I feel too much. That's what's going on.' 'Do you think one can feel too much? Or just feel in the wrong ways?' 'My insides don't match up with my outsides.' 'Do anyone's insides and outsides match up?' 'I don't know. I'm only me.' 'Maybe that's what a person's personality is: the difference between the inside and outside.' 'But it's worse for me.' 'I wonder if everyone thinks it's worse for him.' 'Probably. But it really is worse for me.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #9
    Jonathan Safran Foer
    “I took the world into me, rearranged it, and sent it back out as a question: "Do you like me?”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #10
    Jonathan Safran Foer
    “I missed you even when I was with you. That’s been my problem. I miss what I already have, and I surround myself with things that are missing.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #11
    Wisława Szymborska
    “When I pronounce the word Future,
    the first syllable already belongs to the past.

    When I pronounce the word Silence,
    I destroy it.”
    Wisława Szymborska, Poems New and Collected

  • #12
    Jonathan Franzen
    “This wasn't the person he'd thought he was, or would have chosen to be if he'd been free to choose, but there was something comforting and liberating about being an actual definite someone, rather than a collection of contradictory potential someones.”
    Jonathan Franzen, Freedom

  • #13
    Jonathan Franzen
    “Patty knew, in her heart, that he was wrong in his impression of her. And the mistake she went to go on to make, the really big life mistake, was to go along with Walter's version of her in spite of knowing that it wasn't right. He seemed so certain of her goodness that eventually he wore her down.”
    Jonathan Franzen, Freedom

  • #14
    Jonathan Franzen
    “But she was seventeen now and not actually dumb. She knew that you could love somebody more than anything and still not love the person all that much, if you were busy with other things.”
    Jonathan Franzen, Freedom

  • #15
    Jonathan Franzen
    “Everything he'd done with regard to her in the last three years had been calculated to foreclose the intensely personal sort of talks they'd had when he was younger: to get her to shut up, to train her to contain herself, to make her stop pestering him with her overfull heart and her uncensored self. And now that the training was complete and she was obediently trivial with him, he felt bereft of her and wanted to undo it.”
    Jonathan Franzen, Freedom

  • #16
    Jonathan Franzen
    “The truth is that nothing between Patty and Richard was ever going to last, because they couldn't help being disappointments to each other, because neither was as lovable to the other as Walter was to both of them. Every time Patty lay by herself after sex, she sank down into sadness and loneliness, because Richard was always going to be Richard, whereas with Walter, there had always been the possibility, however faint, and however slow in its realization, that their story would change and deepen.”
    Jonathan Franzen, Freedom

  • #17
    Jonathan Franzen
    “What he'd never understood about men in his position, in all the books he'd read and movies he'd seen about them, was clearer to him now: you couldn't keep expecting wholehearted love without, at some point, requiting it. There was no credit to be earned for simply being good.”
    Jonathan Franzen, Freedom

  • #18
    Jonathan Franzen
    “They gathered not in anger but in celebration of their having found, as a generation, a gentler and more respectful way of being. A way, not incidentally, more in harmony with consuming.”
    Jonathan Franzen, Freedom

  • #19
    Craig Thompson
    “Maybe I'm sad about wanting you. I'm not too comfortable with wanting someone.”
    Craig Thompson, Blankets

  • #20
    J.D. Salinger
    “What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
    J.D. Salinger, The Catcher in the Rye

  • #21
    Among other things, you'll find that you're not the first person who was ever confused
    “Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them—if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry.”
    J.D. Salinger, The Catcher in the Rye

  • #22
    J.D. Salinger
    “Certain things, they should stay the way they are. You ought to be able to stick them in one of those big glass cases and just leave them alone.”
    J.D. Salinger, The Catcher in the Rye

  • #23
    J.D. Salinger
    “The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way—I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.”
    J.D. Salinger, The Catcher in the Rye

  • #24
    J.D. Salinger
    “I was trying to feel some kind of good-bye. I mean I’ve left schools and places I didn’t even know I was leaving them. I hate that. I don’t care if it’s a sad good-bye or a bad good-bye, but when I leave a place I like to know I’m leaving it. If you don’t you feel even worse.”
    J.D. Salinger, The Catcher in the Rye

  • #25
    J.D. Salinger
    “And I hate to tell you... but I think that once you have a fair idea where you want to go, your first move will be to apply yourself in a school. You'll have to. You're a student—whether the idea appeals to you or not. You're in love with knowledge. And I think you'll find, once... you get past all the Mr. Vinsons, you're going to start getting closer and closer—that is, if you want to, and if you look for it and wait for it—to the kind of information that will be very, very dear to your heart. Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior... Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of thier troubles. You'll learn from them—if you want to. Just someday, if you have something to offer, someone will learn from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry... But I do say that educated and scholarly men, if they’re brilliant and creative to begin with—which, unfortunately, is rarely the case—tend to leave infinitely more valuable records behind them than men do who are merely brilliant and creative. They tend to express themselves more clearly, and they usually have a passion for following their thoughts through to the end. And—most important—nine times out of ten they have more humility than the unscholarly thinker.”
    J.D. Salinger, The Catcher in the Rye

  • #26
    Nicole Krauss
    “But see, the incredible thing about people is that we forget," Ray continued. "Time passes and somehow the hope creeps back and sooner or later someone else comes along all over again. We go through our lives like that, and either we just accept the lesser relationship -- it may not be total understanding, but it's pretty good -- or we keep trying for the perfect union, trying and failing, leaving behind us a trail of broken hearts, our own included. In the end, we die as alone as we were born, having struggled to understand others, to make ourselves understood, but having failed in what we once imagined was possible.”
    Nicole Krauss, Man Walks into a Room

  • #27
    Nicole Krauss
    “You fall in love, it's intoxicating, an for a little while you feel like you've actually become one with the other person. Merged souls, and so on. You think you'll never be lonely again. Only it doesn't last and soon you realize you can only get so close and you end up brutally disappointed, more alone than ever, because the illusion-the hope you'd held on to all those years-has been shattered.”
    Nicole Krauss, Man Walks into a Room

  • #28
    Nicole Krauss
    “Sometimes I get the feeling that we're just a bunch of habits. The gestures we repeat over and over, they're just our need to be recognized. Without them, we'd be unidentifiable. We have to reinvent ourselves every minute.”
    Nicole Krauss, Man Walks into a Room

  • #29
    Nicole Krauss
    “Because you can get free of everything except the space where things have been”
    Nicole Krauss, Man Walks into a Room

  • #30
    Lydia Davis
    “There seemed to be three choices: to give up trying to love anyone, to stop being selfish, or to learn to love a person while continuing to be selfish.”
    Lydia Davis



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