Olivia > Olivia's Quotes

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  • #1
    Thomas Merton
    “What is serious to men is often very trivial in the sight of God. What in God might appear to us as "play" is perhaps what he Himself takes most seriously. At any rate, the Lord plays and diverts Himself in the garden of His creation, and if we could let go of our own obsession with what we think is the meaning of it all, we might be able to hear His call and follow Him in His mysterious, cosmic dance. We do not have to go very far to catch echoes of that game, and of that dancing. When we are alone on a starlit night; when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children; when we know love in our own hearts; or when, like the Japanese poet Bashō we hear an old frog land in a quiet pond with a solitary splash--at such times the awakening, the turning inside out of all values, the "newness," the emptiness and the purity of vision that make themselves evident, provide a glimpse of the cosmic dance.

    For the world and time are the dance of the Lord in emptiness. The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into strange finalities and complex purposes of our own, the more we involve ourselves in sadness, absurdity and despair. But it does not matter much, because no despair of ours can alter the reality of things; or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not.

    Yet the fact remains that we are invited to forget ourselves on purpose, cast our awful solemnity to the winds and join in the general dance.”
    Thomas Merton, New Seeds of Contemplation

  • #2
    Tayeb Salih
    “Now I'm making a decision. I choose life. I shall live because there are few people I want to stay with for the longest possible time and because I have duties to discharge. It is not my concern whether or not life has meaning. If I am unable to forgive, then I shall try to forget. I shall live by force and cunning."­”
    Tayeb Saleh, Season of Migration to the North

  • #3
    Franz Kafka
    “I think we ought to read only the kind of books that wound or stab us. If the book we're reading doesn't wake us up with a blow to the head, what are we reading for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us. That is my belief.”
    Franz Kafka

  • #4
    George Eliot
    “Is not this a true autumn day? Just the still melancholy that I love - that makes life and nature harmonise. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one's very footsteps may not disturb the repose of earth and air, while they give us a scent that is a perfect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns."

    [Letter to Miss Lewis, Oct. 1, 1841]”
    George Eliot, George Eliot’s Life, as Related in her Letters and Journals

  • #5
    George Eliot
    “What greater thing is there for two human souls, than to feel that they are joined for life--to strengthen each other in all labor, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?”
    George Eliot, Adam Bede

  • #6
    George Eliot
    “If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence.”
    George Eliot, Middlemarch

  • #7
    George Eliot
    “We could never have loved the earth so well if we had had no childhood in it, if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass, the same hips and haws on the autumn hedgerows, the same redbreasts that we used to call ‘God’s birds’ because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known and loved because it is known?”
    George Eliot, The Mill on the Floss

  • #8
    Francis A. Schaeffer
    “The Christian is the one whose imagination should fly beyond the stars.”
    Francis A. Schaeffer, Art and the Bible: Two Essays

  • #9
    Francis A. Schaeffer
    “A Christian should use these arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God. An art work can be a doxology in itself.”
    Francis Schaeffer, Art and the Bible: Two Essays

  • #10
    Francis A. Schaeffer
    “Christians . . . ought not to be threatened by fantasy and imagination. Great painting is not "photographic": think of the Old Testament art commanded by God. There were blue pomegranates on the robes of the priest who went into the Holy of Holies. In nature there are no blue pomegranates. Christian artists do not need to be threatened by fantasy and imagination, for they have a basis for knowing the difference between them and the real world "out there." The Christian is the really free person--he is free to have imagination. This too is our heritage. The Christian is the one whose imagination should fly beyond the stars.”
    Francis A. Schaeffer, Art and the Bible: Two Essays

  • #11
    George Eliot
    “Those bitter sorrows of childhood!-- when sorrow is all new and strange, when hope has not yet got wings to fly beyond the days and weeks, and the space from summer to summer seems measureless.”
    George Eliot, The Mill on the Floss

  • #12
    George Eliot
    “What novelty is worth that sweet monotony where everything is known and loved because it is known?”
    George Eliot, The Mill on the Floss

  • #13
    Ernest Hemingway
    “You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintery light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person died for no reason.”
    Ernest Hemingway, A Moveable Feast

  • #14
    Jane Austen
    “Her pleasure in the walk must arise from the exercise and the day, from the view of the last smiles of the year upon the tawny leaves and withered hedges, and from repeating to herself some few of the thousand poetical descriptions extant of autumn--that season of peculiar and inexhaustible influence on the mind of taste and tenderness--that season which has drawn from every poet worthy of being read some attempt at description, or some lines of feeling.”
    Jane Austen, Persuasion

  • #15
    Sylvia Plath
    “August rain: the best of the summer gone, and the new fall not yet born. The odd uneven time.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #16
    Ray Bradbury
    “That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain.”
    Ray Bradbury

  • #17
    C.S. Lewis
    “The world does not need more Christian literature. What it needs is more Christians writing good literature.”
    C.S. Lewis

  • #18
    Carlo Rovelli
    “Perhaps the rivers of ink that have been expended discussing the nature of the “continuous” over the centuries, from Aristotle to Heidegger, have been wasted. Continuity is only a mathematical technique for approximating very finely grained things. The world is subtly discrete, not continuous. The good Lord has not drawn the world with continuous lines: with a light hand, he has sketched it in dots, like the painter Georges Seurat.”
    Carlo Rovelli, The Order of Time

  • #19
    Bodil Malmsten
    “Nothing must happen to you No, what am I saying Everything must happen to you And it must be wonderful.”
    Bodil Malmsten



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