Dan Hokstad > Dan's Quotes

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  • #1
    George Bernard Shaw
    “The power of accurate observation is commonly called cynicism by those who have not got it.”
    George Bernard Shaw

  • #2
    Mark Helprin
    “Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, the position of the electron, or the occurrence of one astonishing frigid winter after another. Even electrons, supposedly the paragons of unpredictability, are tame and obsequious little creatures that rush around at the speed of light, going precisely where they are supposed to go. They make faint whistling sounds that when apprehended in varying combinations are as pleasant as the wind flying through a forest, and they do exactly as they are told. Of this, one is certain.

    And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was is; everything that ever will be is - and so on, in all possible combinations. Though in perceiving it we image that it is in motion, and unfinished, it is quite finished and quite astonishingly beautiful. In the end, or rather, as things really are, any event, no matter how small, is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.”
    Mark Helprin, Winter's Tale

  • #3
    Mark Helprin
    “He moved like a dancer, which is not surprising; a horse is a beautiful animal, but it is perhaps most remarkable because it moves as if it always hears music.”
    Mark Helprin, Winter's Tale

  • #4
    Mark Helprin
    “If it weren't for music, I would think that love is mortal.”
    Mark Helprin, A Soldier of the Great War

  • #5
    Mark Helprin
    “As long as you have life and breath, believe. Believe for those who cannot. Believe even if you have stopped believing. Believe for the sake of the dead, for love, to keep your heart beating, believe. Never give up, never despair, let no mystery confound you into the conclusion that mystery cannot be yours.”
    Mark Helprin, A Soldier of the Great War

  • #6
    Mark Helprin
    “Justice can sleep for years and awaken when it is least expected. A miracle is nothing more than dormant justice from another time arriving to compensate those it has cruelly abandoned. Whoever knows this is willing to suffer, for he knows that nothing is in vain.”
    Mark Helprin, Winter's Tale

  • #7
    Mark Helprin
    “The shelf was filled with books that were hard to read, that could devastate and remake one's soul, and that, when they were finished, had a kick like a mule.”
    Mark Helprin, Winter's Tale

  • #8
    Mark Helprin
    “No one ever said that you would live to see the repercussions of everything you do, or that you have guarantees, or that you are not obliged to wander in the dark, or that everything will be proved to you and neatly verified like something in science. Nothing is: at least nothing that is worthwhile. I didn't bring you up only to move across sure ground. I didn't teach you to think that everything must be within our control or understanding. Did I? For, if I did, I was wrong. I fyou won't take a chance, then the powers you refuse because you cannot explain them, will, as they say, make a monkey out of you.”
    Mark Helprin, Winter's Tale

  • #9
    Mark Helprin
    “Lonely people have enthusiasms which cannot always be explained. When something strikes them as funny, the intensity and length of their laughter mirrors the depth of their loneliness, and they are capable of laughing like hyenas. When something touches their emotions, it runs through them like Paul Revere, awakening feelings that gather into great armies.”
    Mark Helprin, Winter's Tale

  • #10
    Mark Helprin
    “Reason excludes faith," Alessandro responded, watching the blood-red mite as it made a dash for the rim. "It's deliberately limited. It won't function with the materials of religion. You can come close to proving the existence of God by reason, but you can't do it absolutely. That's because you can't do anything absolutely by reason. That's because reason depends on postulates. Postulates defy proof and yet they are essential to reason. God is a postulate. I don't think God is interested in the verification of His existence, and, therefore, neither am I. Anyway, I have professional reasons to believe. Nature and art pivot faithfully around God. Even dogs know that.”
    Mark Helprin

  • #11
    Mark Helprin
    “To be mad is to feel with excruciating intensity the sadness and joy of a time which has not arrived or has already been. And to protect their delicate vision of that other time, madmen will justify their condition with touching loyalty, and surround it with a thousand distractive schemes. These schemes, in turn, drive them deeper and deeper into the darkness and light (which is their mortification and their reward), and confront them with a choice. They may either slacken and fall back, accepting the relief of a rational view and the approval of others, or they may push on, and, by falling, arise. When and if by their unforgivable stubbornness they finally burst through to worlds upon worlds of motionless light, they are no longer called afflicted or insane. They are called saints.”
    Mark Helprin, Winter's Tale

  • #12
    Mark Helprin
    “They gave themselves up to the stars the way swimmers can surrender to the waves, and the stars took them without resistance.”
    Mark Helprin, Winter's Tale

  • #13
    Mark Helprin
    “Winter then in its early and clear stages, was a purifying engine that ran unhindered over city and country, alerting the stars to sparkle violently and shower their silver light into the arms of bare upreaching trees. It was a mad and beautiful thing that scoured raw the souls of animals and man, driving them before it until they loved to run. And what it did to Northern forests can hardly be described, considering that it iced the branches of the sycamores on Chrystie Street and swept them back and forth until they rang like ranks of bells.”
    Mark Helprin, Winter's Tale

  • #14
    Mark Helprin
    “A lot of people hate heroes. I was criticized for portraying people who are brave, honest, loving, intelligent. That was called weak and sentimental. People who dismiss all real emotion as sentimentality are cowards. They’re afraid to commit themselves, and so they remain ‘cool’ for the rest of their lives, until they’re dead—then they’re really cool.”
    Mark Helprin

  • #15
    Mark Helprin
    “He could say nothing. He had no right to be there, he had already been profoundly changed, he was no good at small talk, she was half naked, it was dawn and he loved her.”
    Mark Helprin, Winter's Tale
    tags: love

  • #16
    Mark Helprin
    “Give me a night by the fire, with a book in my hand, not that flickering rectangular son of a bitch that sits screaming in every living room in the land.”
    Mark Helprin, Winter's Tale

  • #17
    Mark Helprin
    “Words were all he knew; they possessed and overwhelmed him, as if they were a thousand white cats with whom he shared a one-room apartment.”
    Mark Helprin

  • #18
    Mark Helprin
    “All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.”
    Mark Helprin, Winter's Tale

  • #19
    Mark Helprin
    “Perhaps he was a fool, but he thought that if a work were truly great you would only have to read it once and you would be stolen from yourself, desperately moved, changed forever.”
    Mark Helprin, A Soldier of the Great War

  • #20
    Mark Helprin
    “I'm not afraid," Rafi said.
    "Why not?"
    "If I die tomorrow it will have been useless to have been afraid today.”
    Mark Helprin, A Soldier of the Great War

  • #21
    Mark Helprin
    “To see the beauty of the world is to put your hands on lines that run uninterrupted through life and through death. Touching them is an act of hope, for perhaps someone on the other side, if there is another side, is touching them, too.”
    Mark Helprin, A Soldier of the Great War

  • #22
    Mark Helprin
    “Quite possibly there's nothing as fine as a big freight train starting across country in early summer, Hardesty thought. That's when you learn that the tragedy of plants is that they have roots.”
    Mark Helprin, Winter's Tale

  • #23
    Mark Helprin
    “She knew words no one had ever heard of, and she used words every day that had been mainly dead or sleeping for hundreds of years.”
    Mark Helprin

  • #24
    Mark Helprin
    “Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider, and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when, for want of connection, the world deepens and becomes art.”
    Mark Helprin, Ellis Island And Other Stories: Prize-Winning Short Stories and Novella – Literary Masterpiece

  • #26
    Mark Helprin
    “But you won’t abdicate."
    Of course not. It’s my duty to go on, to maintain the line. I can’t possibly fail in that. It’s as if you and I were throwing a ball back and forth to establish a record, and had been doing so for a millennium. You cannot drop a ball that has remained airborne through good effort for most of a thousand years. You cannot stop an unlikely heart that has been beating for so long. I would rather die than betray continuity, for its own sake if for nothing else. And Britain needs a king, just as it needs motormen and cooks and a prime minister. Just as it needs soldiers who will die for it if they must. It’s my job, or it will be, but you should know that I’ve never wanted it. I was only born to it, as if with a deformity, to which I hope I can respond with grace."
    Fredericka had been running her finger over the carpet, tracing a pattern in the way children do when they have learnt something overwhelming and are moved, but cannot say so. Freddy expected her to look up, with tears, and that in this moment she might have begun the long and arduous process of becoming a queen. She was so beautiful. To embrace her now, with high emotion flowing from her physical majesty, was all he wanted in the world. Her finger stopped moving, and she turned her eyes to him.
    Freddy?"
    Yes?" he answered.
    What’s raw egg? I read a recipe in She that called for a cup of raw egg. What is that?"
    After a long silence, Freddy asked, "Which part of the formulation escapes you? Egg? Raw? The link between the two?"
    The two what?"
    Fredericka?"
    Yes, Freddy?"
    Would you like to go dancing?"
    Oh, yes Freddy!"
    Come then. We will.”
    Mark Helprin, Freddy and Fredericka
    tags: funny

  • #27
    Mark Helprin
    “You believe in entropy, which postulates that all phenomena tend to sink to lower levels of organization and energy, and in evolution, which postulates that the history of life has been just the opposite. People like you credit both theories. It’s de rigueur. Is that reason rational? I say, f*ck off.”
    Mark Helprin, A Soldier of the Great War

  • #28
    Mark Helprin
    “and even when I was broken the way sometimes one can be broken, and even though I had fallen, I found upon arising that I was stronger than before, that the glories, if I may call them that, which I had loved so much and that had been darkened in my fall, were shinning even brighter and nearly everytime subsequently I have fallen and darkness has come over me, they have obstinately arisen, not as they were, but brighter.”
    Mark Helprin, A Soldier of the Great War

  • #29
    Mark Helprin
    “I am not a well educated man except that I have educated myself, and,
    because I have educated myself, what I say will not stand up, for lack of recognized authority. This in turn leaves me free to say what I will, in the hope that, like those small forces that do not threaten empires and are thus not fully pursued, the things in which I believe can survive in some high and forgotten place until the power of empire subsides.
    And although I know that few will listen to or credit this, I think we are in a lost age, in which holiness and charity have been traded for the victory and penetration of knowledge, though all the knowledge in the world has not brought us any further than where we can go without it even in the outermost halls of grace. I believe that more is to be known and apprehended from the beauty of a face than in delving, no
    matter how deep, simply into how things work, no matter how marvelous that may be. The greatest substance of the world is immaterial, the province of the heart, and its study cannot be forced or reasoned. Merely to touch upon the edge of things in parsing their mechanics is to forswear their fullness, for the entry to this fullness lies not in science but in art. I cannot prove this, for it cannot be proven, but I claim, assert, and have seen it.”
    Mark Helprin

  • #30
    Mark Helprin
    “For what can be imagined more beautiful than the sight of a perfectly just city rejoicing in justice alone.”
    Mark Helprin, Winter's Tale

  • #31
    Mark Helprin
    “When faced with something I fear, I tend to eat spaghetti.”
    Mark Helprin, Memoir from Antproof Case



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