Norma > Norma's Quotes

“Sospecho que todo lo ocurrido no es fortuito, sino que corresponde a un destino dibujado antes de mi nacimiento y Esteban García es parte de ese dibujo. Es un trazo tosco y torcido, pero ninguna pincelada es inútil.”
― Isabel Allende, La casa de los espíritus

“We are just an advanced breed of monkeys on a minor planet of a very average star. But we can understand the Universe. That makes us something very special.”
― Stephen Hawking

“When he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.”
― William Shakespeare, Romeo and Juliet

“These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume. The sweetest honey
Is loathsome in his own deliciousness
And in the taste confounds the appetite.
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.”
― William Shakespeare, Romeo and Juliet

“If I profane with my unworthiest hand
This holy shrine, the gentle fine is this:
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.

Juliet:
Good pilgrim, you do wrong your hand too much,
Which mannerly devotion shows in this;
For saints have hands that pilgrims' hands do touch,
And palm to palm is holy palmers' kiss.

Romeo:
Have not saints lips, and holy palmers too?

Juliet:
Ay, pilgrim, lips that they must use in prayer.

Romeo:
O, then, dear saint, let lips do what hands do;
They pray, grant thou, lest faith turn to despair.

Juliet:
Saints do not move, though grant for prayers' sake.

Romeo:
Then move not, while my prayer's effect I take.
Thus from my lips, by yours, my sin is purged.

Juliet:
Then have my lips the sin that they have took.

Romeo:
Sin from thy lips? O trespass sweetly urged!
Give me my sin again.

Juliet:
You kiss by the book.”
― William Shakespeare, Romeo and Juliet

“When he died, all things soft and beautiful and bright would be buried with him.”
― Madeline Miller, The Song of Achilles

“And perhaps it is the greater grief, after all, to be left on earth when another is gone.”
― Madeline Miller, The Song of Achilles

“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
― Madeline Miller, The Song of Achilles

“I will never leave him. It will be this, always, for as long as he will let me.
If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
“Patroclus,” he said. He was always better with words than I.”
― Madeline Miller, The Song of Achilles

“He smiled, and his face was like the sun.”
― Madeline Miller, The Song of Achilles

“Chiron had said once that nations were the most foolish of mortal inventions. "No man is worth more than another, wherever he is from.”
― Madeline Miller, The Song of Achilles

“I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S.
"Go," she says. "He waits for you."

In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
― Madeline Miller, The Song of Achilles

“I would still be with you. But I could sleep outside, so it would not be so obvious. I do not need to attend your councils. I—'
'No. The Phthians will not care. And the others can talk all they like. I will still be Aristos Achaion.' Best of the Greeks.
'Your honor could be darkened by it."
'Then it is darkened.' His jaw shot forward, stubborn. 'They are fools if they let my glory rise or fall on this.”
― Madeline Miller, The Song of Achilles

“A surety rose in me, lodged in my throat. I will never leave him. It will be this, always, for as long as he will let me.”
― Madeline Miller, The Song of Achilles

“This is what Achilles will feel like when he is old. And then I remembered: he will never be old.”
― Madeline Miller, The Song of Achilles

“If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth. As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong. “Patroclus,” he said. He was always better with words than I.”
― Madeline Miller, The Song of Achilles

“Certain thoughts are prayers. There are moments when, whatever be the attitude of the body, the soul is on its knees.”
― Victor Hugo

“I was only going to say that abused people cling to their abusers, don’t they? They’ve been brainwashed to believe there’s no alternative.” I was the bloody alternative, standing there, right in front of her!”
― Robert Galbraith, Career of Evil

“Fiyero: "Why is it that every time I see you, you're causing some sort of commotion?"
Elphaba: "I don't cause commotions, I am one."
Fiyero: "That's for sure."
Elphaba: "Oh! So you think I should just keep my mouth shut! Is that what you're saying?"
Fiyero: "No, I'm ..."
Elphaba: "Do you think I want to be this way? Do you think I want to care this much? Don't you know how much easier my life would be if I didn't?"
Fiyero: "Do you ever let anyone else talk?"
Elphaba: "Oh, sorry ... But can I just say one more thing? You could have just walked away back there."
Fiyero: "So?"
Elphaba: "So, no matter how shallow and self-absorbed you tend to be ..."
Fiyero: "Excuse me, there's no pretense here. I happen to be genuinely self-absorbed and deeply shallow."
Elphaba: "No you're not. Or you wouldn't be so unhappy.”
― Stephen Schwartz, Wicked: The Complete Book and Lyrics of the Broadway Musical

“There are some men who, living with the one object of enriching themselves, no matter by what means, and being perfectly conscious of the baseness and rascality of the means which they will use every day towards this end, affect nevertheless—even to themselves—a high tone of moral rectitude, and shake their heads and sigh over the depravity of the world. Some of the craftiest scoundrels that ever walked this earth, or rather—for walking implies, at least, an erect position and the bearing of a man—that ever crawled and crept through life by its dirtiest and narrowest ways, will gravely jot down in diaries the events of every day, and keep a regular debtor and creditor account with Heaven, which shall always show a floating balance in their own favour. Whether this is a gratuitous (the only gratuitous) part of the falsehood and trickery of such men's lives, or whether they really hope to cheat Heaven itself, and lay up treasure in the next world by the same process which has enabled them to lay up treasure in this—not to question how it is, so it is. And, doubtless, such book-keeping (like certain autobiographies which have enlightened the world) cannot fail to prove serviceable, in the one respect of sparing the recording Angel some time and labour.”
― Charles Dickens, Nicholas Nickleby

“And, even now, as he paced the streets, and listlessly looked round on the gradually increasing bustle and preparation for the day, everything appeared to yield him some new occasion for despondency. Last night, the sacrifice of a young, affectionate, and beautiful creature, to such a wretch, and in such a cause, had seemed a thing too monstrous to succeed; and the warmer he grew, the more confident he felt that some interposition must save her from his clutches. But now, when he thought how regularly things went on, from day to day, in the same unvarying round; how youth and beauty died, and ugly griping age lived tottering on; how crafty avarice grew rich, and manly honest hearts were poor and sad; how few they were who tenanted the stately houses, and how many of those who lay in noisome pens, or rose each day and laid them down each night, and lived and died, father and son, mother and child, race upon race, and generation upon generation, without a home to shelter them or the energies of one single man directed to their aid; how, in seeking, not a luxurious and splendid life, but the bare means of a most wretched and inadequate subsistence, there were women and children in that one town, divided into classes, numbered and estimated as regularly as the noble families and folks of great degree, and reared from infancy to drive most criminal and dreadful trades; how ignorance was punished and never taught; how jail-doors gaped, and gallows loomed, for thousands urged towards them by circumstances darkly curtaining their very cradles' heads, and but for which they might have earned their honest bread and lived in peace; how many died in soul, and had no chance of life; how many who could scarcely go astray, be they vicious as they would, turned haughtily from the crushed and stricken wretch who could scarce do otherwise, and who would have been a greater wonder had he or she done well, than even they had they done ill; how much injustice, misery, and wrong, there was, and yet how the world rolled on, from year to year, alike careless and indifferent, and no man seeking to remedy or redress it; when he thought of all this, and selected from the mass the one slight case on which his thoughts were bent, he felt, indeed, that there was little ground for hope, and little reason why it should not form an atom in the huge aggregate of distress and sorrow, and add one small and unimportant unit to swell the great amount.”
― Charles Dickens, Nicholas Nickleby

“That was pure, dumb Cool Girl bullshit. What a cunt. Again, I don’t get it: If you let a man cancel plans or decline to do things for you, you lose. You don’t get what you want. It’s pretty clear. Sure, he may be happy, he may say you’re the coolest girl ever, but he’s saying it because he got his way. He’s calling you a Cool Girl to fool you! That’s what men do: They try to make it sound like you are the Cool Girl so you will bow to their wishes. Like a car salesman saying, How much do you want to pay for this beauty? when you didn’t agree to buy it yet. That awful phrase men use: “I mean, I know you wouldn’t mind if I …” Yes, I do mind. Just say it. Don’t lose, you dumb little twat.”
― Gillian Flynn, Gone Girl

“My gosh, Nick, why are you so wonderful to me?'

He was supposed to say: You deserve it. I love you.

But he said, 'Because I feel sorry for you.'

'Why?'

'Because every morning you have to wake up and be you.”
― Gillian Flynn, Gone Girl

“Into the eternal darkness, into fire and into ice. ”
― Dante Alighieri, The Divine Comedy: The Inferno, the Purgatorio and the Paradiso

“Rejoice, Florence, seeing you are so great that over sea and land you flap your wings, and your name is widely known in Hell!”
― Dante Alighieri, The Divine Comedy: Inferno - Purgatorio - Paradiso

“You are in difficulty,” she observed. “He will not come,” Kraznys said. “There is a reason. A dragon is no slave.” And Dany swept the lash down as hard as she could across the slaver’s face. Kraznys screamed and staggered back, the blood running red down his cheeks into his perfumed beard. The harpy’s fingers had torn his features half to pieces with one slash, but she did not pause to contemplate the ruin. “Drogon,” she sang out loudly, sweetly, all her fear forgotten. “Dracarys.” The black dragon spread his wings and roared.”
― George R.R. Martin, A Storm of Swords

“Happy endings are best achieved by keeping the right doors locked”
― Margaret Atwood, The Penelopiad

“Children were vehicles for passing things along. These things could be kingdoms, rich wedding gifts, stories, grudges, blood feuds. Through children, alliances were forged; through children, wrongs were avenged. To have a child was to set loose a force in the world.”
― Margaret Atwood, The Penelopiad

“Also, if a man takes pride in his disguise skills, it would be a foolish wife who would claim to recognise him: it's always an imprudence to step between a man and the reflection of his own cleverness.”
― Margaret Atwood, The Penelopiad

“Cleverness is a quality a man likes to have in his wife as long as she is some distance away from him. Up close, he'll take kindness any day of the week, if there's nothing more alluring to be had.”
― Margaret Atwood, The Penelopiad