Peter Boyle > Peter's Quotes

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  • #1
    David  Mitchell
    “My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops?”
    David Mitchell, Cloud Atlas

  • #2
    Paul Murray
    “Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg - that your future will not be the rollercoaster ride you'd imagined, that the world occupied by your parents, the world of washing the dishes, going to the dentist, weekend trips to the DIY superstore to buy floor tiles, is actually largely what people mean when they speak of 'life'.”
    Paul Murray, Skippy Dies

  • #3
    Lewis Carroll
    “Would you tell me, please, which way I ought to go from here?'
    'That depends a good deal on where you want to get to,' said the Cat.
    'I don't much care where -' said Alice.
    'Then it doesn't matter which way you go,' said the Cat.
    '- so long as I get SOMEWHERE,' Alice added as an explanation.
    'Oh, you're sure to do that,' said the Cat, 'if you only walk long enough.”
    Lewis Carroll, Alice in Wonderland

  • #4
    Dennis Lehane
    “He wanted to ask her what sound a heart made when it broke from pleasure, when just the sight of someone filled you the way food, blood, and air never could, when you felt as if you'd been born for only one moment and this, for whatever reason, was it.”
    Dennis Lehane, Shutter Island

  • #5
    Nora Ephron
    “Vera said: “Why do you feel you have to turn everything into a story?”
    So I told her why.
    Because if I tell the story, I control the version.
    Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me.
    Because if I tell the story, it doesn't hurt as much.
    Because if I tell the story, I can get on with it.”
    Nora Ephron, Heartburn

  • #6
    George Saunders
    “Somehow: Molly.
    He heard her in the entryway. Mol, Molly, oh boy. When they were first married they used to fight. Say the most insane things. Afterward, sometimes there would be tears. Tears in bed? And then they would - Molly pressing her hot wet face against his hot wet face. They were sorry, they were saying with their bodies, they were accepting each other back, and that feeling, that feeling of being accepted back again and again, of someone's affection for you expanding to encompass whatever new flawed thing had just manifested in you, that was the deepest, dearest thing he'd ever -
    She came in flustered and apologetic, a touch of anger in her face. He'd embarrassed her. He saw that. He'd embarrassed her by doing something that showed she hadn't sufficiently noticed him needing her. She'd been too busy nursing him to notice how scared he was. She was angry at him for pulling this stunt and ashamed of herself for feeling angry at him in his hour of need, and was trying to put the shame and anger behind her now so she could do what might be needed.
    All of this was in her face. He knew her so well.
    Also concern.
    Overriding everything else in that lovely face was concern.
    She came to him now, stumbling a bit on a swell in the floor of this stranger's house.”
    George Saunders, Tenth of December

  • #7
    David  Mitchell
    “I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ...' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ...”
    David Mitchell, The Bone Clocks

  • #8
    Miranda July
    “That day I carried the dream around like a full glass of water, moving gracefully so I would not lose any of it.”
    Miranda July, No One Belongs Here More Than You

  • #9
    Chimamanda Ngozi Adichie
    “She rested her head against his and felt, for the first time, what she would often feel with him: a self-affection. He made her like herself. With him, she was at ease; her skin felt as though it was her right size.. It seemed so natural, to talk to him about odd things. She had never done that before. The trust, so sudden and yet so complete, and the intimacy, frightened her.. But now she could think only of all the things she yet wanted to tell him, wanted to do with him.”
    Chimamanda Ngozi Adichie, Americanah

  • #10
    Miriam Toews
    “We drove down Corydon avenue towards my mother's apartment. How are you doing, she asked me? Fine, fine, I said. I wanted to tell her that I felt I was dying from rage and that I felt guilty about everything and that when I was a kid I woke up every morning singing, that I couldn't wait to leap out of bed and rush out of the house into the magical kingdom that was my world, that dust made visible in sunbeams gave me real authentic joy, that my sparkly golden banana-seated bike with the very high sissy bar took my breath away, the majesty of it, that it was mine, that there was no freer soul in the world than me at age nine, and that now I wake up every morning reminding myself that control is an illusion, taking deep breaths and counting to ten trying to ward off panic attacks and hoping that my own hands hadn't managed to strangle me while I slept.”
    Miriam Toews, All My Puny Sorrows

  • #11
    Michel Faber
    “Some people go through the heavy stuff. They fight in wars. They're in jail. They start a business and it gets shut down by gangsters. They end up hustling their ass in a foreign country. It's one long list of setbacks and humiliations. But it doesn't touch them, not really. They're having an adventure. It's like: What's next? And then there's other people who are just trying to live quietly, they stay out of trouble, they're maybe ten years old, or fourteen, and one Friday morning at 9:35 something happens to them, something private, something that breaks their heart. Forever.”
    Michel Faber, The Book of Strange New Things

  • #12
    Mark Haddon
    “Snow... blots and softens the top of every object like ice on a plum pudding. Hedges, telegraph wires, cars, postboxes, recycling bins. The world is losing its edges. Look upwards and it seems as if the stars themselves are being poured from the sky and turn out not to be vast and fiery globes after all but tiny, frozen things which melt in the palm of your hand.”
    Mark Haddon, The Pier Falls: And Other Stories

  • #13
    Max Porter
    “And the boys were behind me, a tide-wall of laughter and yelling, hugging my legs, tripping and grabbing, leaping, spinning, stumbling, roaring, shrieking and the boys shouted I LOVE YOU I LOVE YOU I LOVE YOU and their voice was the life and song of their mother. Unfinished. Beautiful. Everything.”
    Max Porter, Grief Is the Thing with Feathers

  • #14
    David  Mitchell
    “...it’s not just the person who fills a house, it’s their I’ll be back later!s, their toothbrushes and unused hats and coats, their belongingnesses.”
    David Mitchell, Black Swan Green

  • #15
    Han Kang
    “The more she laughs, the more he ups the ante with his clowning. By the time he finishes he will have run through all the secret mysteries of laughter that human beings have ever understood, mobilizing everything at his disposal. There is no way for him to know how guilty it makes his mother feel, seeing such a young child go to such lengths just to wring a bit of apparent happiness from her, or that her laughter will all eventually run out.”
    Han Kang, The Vegetarian

  • #16
    Cynthia D'Aprix Sweeney
    “This was the part she hated, the part of a relationship that always nudged her to bail, the part where someone else’s misery or expectations or neediness crept into her carefully prescribed world. It was such a burden, other people’s lives. She did love Leo. She’d loved him in a host of different ways at different times in their lives, and she did want whatever their current thing was to continue. Probably. But she always came back to this: She was so much better at being alone; being alone came more naturally to her. She led a life of deliberate solitude, and if occasional loneliness crept in, she knew how to work her way out of that particular divot.”
    Cynthia D'Aprix Sweeney, The Nest

  • #17
    George Saunders
    “Only then (nearly out the door, so to speak) did I realize how unspeakably beautiful all of this was, how precisely engineered for our pleasure, and saw that I was on the brink of squandering a wondrous gift, the gift of being allowed, every day, to wander this vast sensual paradise, this grand marketplace lovingly stocked with every sublime thing.”
    George Saunders, Lincoln in the Bardo

  • #18
    George Saunders
    “What I mean to say is, we had been considerable. Had been loved. Not lonely, not lost, not freakish, but wise, each in his or her own way. Our departures caused pain. Those who had loved us sat upon their beds, heads in hand; lowered their faces to tabletops, making animal noises. We had been loved, I say, and remembering us, even many years later, people would smile, briefly gladdened at the memory.”
    George Saunders, Lincoln in the Bardo

  • #19
    George Saunders
    “And there was nothing left for me to do, but go.
    Though the things of the world were strong with me still.
    Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-tilted streetlight; a frozen clock, bird-visited within its high tower; cold water from a tin jug; toweling off one’s clinging shirt post–June rain.
    Pearls, rags, buttons, rug-tuft, beer-froth.
    Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.”
    George Saunders, Lincoln in the Bardo

  • #20
    Elizabeth Strout
    “Annie, who up until this very day had always felt like a child--which is why she could not marry, she could not be a wife--now felt quietly ancient. She thought how for years onstage she had used the image of walking up the dirt road holding her father's hand, the snow-covered fields spread around them, the woods in the distance, joy spilling through her--how she had used this scene to have tears immediately come to her eyes, for the happiness of it, and the loss of it. And now she wondered if it had even happened, if the road had ever been narrow and dirt, if her father had ever held her hand and said that his family was the most important thing to him.”
    Elizabeth Strout, Anything Is Possible

  • #21
    Zadie Smith
    “You are never stronger...than when you land on the other side of despair.”
    Zadie Smith, White Teeth

  • #22
    Elizabeth Strout
    “Olive's private view is that life depends on what she thinks of as "big bursts" and "little bursts." Big bursts are things like marriage or children, intimacies that keep you afloat, but these big bursts hold dangerous, unseen currents. Which is why you need the little bursts as well: a friendly clerk at Bradlee's, let's say, or the waitress at Dunkin' Donuts who knows how you like your coffee. Tricky business, really.”
    Elizabeth Strout, Olive Kitteridge

  • #23
    Elizabeth Strout
    “There were days - she could remember this - when Henry would hold her hand as they walked home, middle-aged people, in their prime. Had they known at these moments to be quietly joyful? Most likely not. People mostly did not know enough when they were living life that they were living it. But she had that memory now, of something healthy and pure.”
    Elizabeth Strout, Olive Kitteridge

  • #24
    Sebastian Faulks
    “As she made coffee in the kitchen and tried to spoon the frozen ice-cream from its carton without snapping the shaft off the spoon, Elizabeth was struck, not for the first time, by the thought that her life was entirely frivolous.
    It was a rush and slither of trivial crises; of uncertain cash-flow, small triumphs, occasional sex and too many cigarettes; of missed deadlines that turned out not to matter; of arguments, new clothes, bursts of altruism and sincere resolutions to address the important things. Of all these and the other experiences that made up her life, the most significant aspect was the one suggested by the words 'turned out not to matter'. Although she was happy enough with what she had become, it was this continued sense of the easy, the inessential nature of what she did, that most irritated her. She thought of Tom Brennan, who had known only life or death, then death in life. In her generation there was no intensity.”
    Sebastian Faulks, Birdsong

  • #25
    Alice Munro
    “A fight like this was stunning, revealing not just how much he was on the lookout for enemies, but how she too was unable to abandon argument which escalated into rage. Neither of them would back off, they held bitterly to principles.

    Can't you tolerate people being different, why is this so important?
    If this isn't important, nothing is.

    The air seemed to grow thick with loathing. All over a matter that could never be resolved. They went to bed speechless, parted speechless the next morning, and during the day were overtaken by fear - hers that he would never come home, his that when he did she would not be there. Their luck held, however. They came together in the late afternoon pale with contrition, shaking with love, like people who had narrowly escaped an earthquake and had been walking around in naked desolation.”
    Alice Munro, Hateship, Friendship, Courtship, Loveship, Marriage: Stories

  • #26
    Nora Ephron
    “Sometimes I wonder about my life. I lead a small life - well, valuable, but small - and sometimes I wonder, do I do it because I like it, or because I haven't been brave? So much of what I see reminds me of something I read in a book, when shouldn't it be the other way around? I don't really want an answer. I just want to send this cosmic question out into the void. So good night, dear void.
    - You've Got Mail”
    Nora Ephron

  • #27
    “Solitude and peace lose their specialness when they no longer stand in contrast to anything. In a busy—or at least busier—life, quiet reflection provides resonance to experience. But to deprive life of experiences deliberately and to hide from its realities was not special. It was just another form of fear that led to a life-limiting loneliness that accumulated and accumulated until it became so big that it blocked up the front door, drowned out conversations and put other people behind soundproof glass.”
    Ronan Hession, Leonard and Hungry Paul

  • #28
    Hernan Diaz
    “Intimacy can be an unbearable burden for those who, first experiencing it after a lifetime of proud self-sufficiency, suddenly realize it makes their world complete. Finding bliss becomes one with the fear of losing it. They doubt their right to hold someone else accountable for their happiness; they worry that their loved one may find their reverence tedious; they fear their yearning may have distorted their features in ways they cannot see. Thus, as the weight of all these questions and concerns bends them inward, their newfound joy in companionship turns into a deeper expression of the solitude they thought they had left behind.”
    Hernan Diaz, Trust

  • #29
    David Nicholls
    “Live each day as if it's your last', that was the conventional advice, but really, who had the energy for that? What if it rained or you felt a bit glandy? It just wasn't practical. Better by far to simply try and be good and courageous and bold and to make a difference. Not change the world exactly, but the bit around you. Go out there with your passion and your electric typewriter and work hard at...something. Change lives through art maybe. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved, if you ever get the chance.”
    David Nicholls, One Day

  • #30
    Dennis Lehane
    “Bobby walks Carmen toward her car. He glances sideways once, catches her glancing sideways right back at him with a secretive smile, and he considers the possibility that maybe the opposite of hate is not love. It’s hope. Because hate takes years to build, but hope can come sliding around the corner when you’re not even looking.”
    Dennis Lehane, Small Mercies
    tags: hope



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