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  • #1
    Donna Tartt
    “Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?”
    Donna Tartt, The Goldfinch

  • #2
    Donna Tartt
    “Forgive me, for all the things I did but mostly for the ones that I did not.”
    Donna Tartt, The Secret History

  • #3
    Donna Tartt
    “I am nothing in my soul if not obsessive.”
    Donna Tartt, The Secret History

  • #4
    Hanya Yanagihara
    “You won’t understand what I mean now, but someday you will: the only trick of friendship, I think, is to find people who are better than you are—not smarter, not cooler, but kinder, and more generous, and more forgiving—and then to appreciate them for what they can teach you, and to try to listen to them when they tell you something about yourself, no matter how bad—or good—it might be, and to trust them, which is the hardest thing of all. But the best, as well.”
    Hanya Yanagihara, A Little Life

  • #5
    Hanya Yanagihara
    “And so I try to be kind to everything I see, and in everything I see, I see him.”
    Hanya Yanagihara, A Little Life

  • #6
    Hanya Yanagihara
    “Wasn’t friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely?”
    Hanya Yanagihara, A Little Life

  • #7
    Hanya Yanagihara
    “What he knew, he knew from books, and books lied, they made things prettier.”
    Hanya Yanagihara, A Little Life

  • #8
    Hanya Yanagihara
    “He experienced the singular pleasure of watching people he loved fall in love with other people he loved.”
    Hanya Yanagihara, A Little Life

  • #9
    Hanya Yanagihara
    “Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?”
    And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs.
    “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen.
    “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way.
    “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it.
    “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again.
    “You were treated horribly. You came out on the other end. You were always you.”
    Hanya Yanagihara, A Little Life

  • #10
    Hanya Yanagihara
    “It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one's mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor's house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor's leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn't only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.”
    Hanya Yanagihara, A Little Life

  • #11
    Hanya Yanagihara
    “And he cries and cries, cries for everything he has been, for everything he might have been, for every old hurt, for every old happiness, cries for the shame and joy of finally getting to be a child, with all of a child's whims and wants and insecurities, for the privilege of behaving badly and being forgiven, for the luxury of tenderness, of fondness, of being served a meal and being made to eat it, for the ability, at last, at last, of believing a parent's reassurances, of believing that to someone he is special despite all his mistakes and hatefulness, because of all his mistakes and hatefulness.”
    Hanya Yanagihara, A Little Life

  • #12
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #13
    Madeline Miller
    “And perhaps it is the greater grief, after all, to be left on earth when another is gone.”
    Madeline Miller, The Song of Achilles

  • #14
    Madeline Miller
    “I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S.
    "Go," she says. "He waits for you."

    In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
    Madeline Miller, The Song of Achilles

  • #15
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #16
    Stephen Chbosky
    “Once on a yellow piece of paper with green lines
    he wrote a poem
    And he called it "Chops"
    because that was the name of his dog

    And that's what it was all about
    And his teacher gave him an A
    and a gold star
    And his mother hung it on the kitchen door
    and read it to his aunts
    That was the year Father Tracy
    took all the kids to the zoo

    And he let them sing on the bus
    And his little sister was born
    with tiny toenails and no hair
    And his mother and father kissed a lot
    And the girl around the corner sent him a
    Valentine signed with a row of X's

    and he had to ask his father what the X's meant
    And his father always tucked him in bed at night
    And was always there to do it

    Once on a piece of white paper with blue lines
    he wrote a poem
    And he called it "Autumn"

    because that was the name of the season
    And that's what it was all about
    And his teacher gave him an A
    and asked him to write more clearly
    And his mother never hung it on the kitchen door
    because of its new paint

    And the kids told him
    that Father Tracy smoked cigars
    And left butts on the pews
    And sometimes they would burn holes
    That was the year his sister got glasses
    with thick lenses and black frames
    And the girl around the corner laughed

    when he asked her to go see Santa Claus
    And the kids told him why
    his mother and father kissed a lot
    And his father never tucked him in bed at night
    And his father got mad
    when he cried for him to do it.


    Once on a paper torn from his notebook
    he wrote a poem
    And he called it "Innocence: A Question"
    because that was the question about his girl
    And that's what it was all about
    And his professor gave him an A

    and a strange steady look
    And his mother never hung it on the kitchen door
    because he never showed her
    That was the year that Father Tracy died
    And he forgot how the end
    of the Apostle's Creed went

    And he caught his sister
    making out on the back porch
    And his mother and father never kissed
    or even talked
    And the girl around the corner
    wore too much makeup
    That made him cough when he kissed her

    but he kissed her anyway
    because that was the thing to do
    And at three a.m. he tucked himself into bed
    his father snoring soundly

    That's why on the back of a brown paper bag
    he tried another poem

    And he called it "Absolutely Nothing"
    Because that's what it was really all about
    And he gave himself an A
    and a slash on each damned wrist
    And he hung it on the bathroom door
    because this time he didn't think

    he could reach the kitchen.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #17
    Stephen Chbosky
    “It's strange because sometimes, I read a book, and I think I am the people in the book.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #18
    Stephen Chbosky
    “He's a wallflower. You see things. You keep quiet about them. And you understand.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #19
    Stephen Chbosky
    “And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #20
    Stephen Chbosky
    “Sometimes people use thought to not participate in life.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #21
    Stephen Chbosky
    “You can't just sit there and put everyone's lives ahead of yours and think that counts as love. You just can't. You have to do things.”
    Stephen Chbosky

  • #22
    “He had never known two people could be simultaneously so angry with each other and so much in love.  

    And it was love. Without a doubt.”
    MsKingBean89, All the Young Dudes

  • #23
    “Didn’t I tell you, Moony? Didn’t I tell you?!” He whispered, feverishly.
    “You did,” Remus smiled, weakly. He lowered his voice, so that no one else could hear him, and looked at Sirius carefully, “Was it scary? Was I scary?” He had no idea what he looked like in wolf form.
    Sirius’s expression did not flicker.
    “No.” He said, firmly. “You were beautiful.”
    MsKingBean89, All the Young Dudes

  • #24
    “I've loved keeping your secret, Remus wanted to say, I'd keep a thousand more, for you.”
    MsKingBean89, All the Young Dudes
    tags: love

  • #25
    “Tell me a secret, a nice one.”
    MsKingBean89, All the Young Dudes



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