Dbady > Dbady's Quotes

“For I am—or I was—one of those people who pride themselves in on their willpower, on their ability to make a decision and carry it through. This virtue, like most virtues, is ambiguity itself. People who believe that they are strong-willed and the masters of their destiny can only continue to believe this by becoming specialists in self-deception. Their decisions are not really decisions at all—a real decision makes one humble, one knows that it is at the mercy of more things than can be named—but elaborate systems of evasion, of illusion, designed to make themselves and the world appear to be what they and the world are not. This is certainly what my decision, made so long ago in Joey’s bed, came to. I had decided to allow no room in the universe for something which shamed and frightened me. I succeeded very well—by not looking at the universe, by not looking at myself, by remaining, in effect, in constant motion.”
― James Baldwin, Giovanni’s Room

“If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;

If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise

If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;

If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;

If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the will which says to them: 'Hold on!'

If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;

If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!”
― Rudyard Kipling, If: A Father's Advice to His Son

“I pondered all these things, and how men fight and lose the battle, and the thing that they fought for comes about in spite of their defeat, and when it comes turns out not to be what they meant, and other men have to fight for what they meant under another name.”
― William Morris

“Without new visions, we don’t know what to build, only what to knock down. We not only end up confused, rudderless, and cynical, but we forget that making a revolution is not a series of clever maneuvers and tactics, but a process that can and must transform us”
― Robin D.G. Kelley, Freedom Dreams: The Black Radical Imagination

“Too often, our standards for evaluating social movements pivot around whether or not they "succeeded" in realizing their visions rather than on the merits or power of the visions themselves. By such a measure, virtually every radical movement failed because the basic power relations they sought to change remained pretty much intact. And yet it is precisely these alternative visions and dreams that inspire new generations to struggle for change.”
― Robin D.G. Kelley, Freedom Dreams: The Black Radical Imagination

“The lessons are clear: changing white hearts or training more cops won’t do. To put out the fire this time requires dismantling the entire state and corporate machinery of violence.”
― Robin D.G. Kelley

“I could hear something so I realized, of course, what he was trying to tell me was first of all, don’t be judgmental of anybody else, just listen and pay attention and look for the beauty. And then when you find the beauty, study that and don’t bother with the rest of it.53”
― Robin D.G. Kelley, Thelonious Monk: The Life and Times of an American Original

“Dr. King constantly warned us that we would not be able to build a truly liberatory movement without the “strength to love.” In his 1963 book of the same title, he wrote: We Negroes have long dreamed of freedom, but still we are confined in an oppressive prison of segregation and discrimination. Must we respond with bitterness and cynicism? Certainly not, for this will destroy and poison our personalities…. To guard ourselves from bitterness, we need the vision to see in this generation’s ordeals the opportunity to transfigure both ourselves and American society. Our present suffering and our nonviolent struggle to be free may well offer to Western civilization the kind of spiritual dynamic so desperately needed for survival.”
― Robin D.G. Kelley, Freedom Dreams: The Black Radical Imagination

“how we proceed with repair depends on how we remember”
― Robin D. G. Kelley

“You cannot have a non-political African American Studies course because its whole invention, its raison d’être came out of political struggle.”
― Robin D.G. Kelley

“Thelonious Monk had much to celebrate on October 10, 1957. It was his fortieth birthday, and after more than two decades of scuffling his career was on an upswing.”
― Robin D.G. Kelley, Thelonious Monk: The Life and Times of an American Original

“Thelonious had been born into extreme poverty. His mother and grandmother spent their lives scrubbing floors for a living, and his father, Thelonious, Sr., cobbled together work as an unskilled day laborer in the railroad town of Rocky Mount. His grandfathers had lived a life of debt peonage, share-cropping for ex-slave masters and surviving pretty much from meal to meal.”
― Robin D.G. Kelley, Thelonious Monk: The Life and Times of an American Original

“Hawkins sought out the freshest, most original musicians, and had little patience for those who would quibble over the difference between “modern” or “progressive,” “swing” or “bebop.” “I don’t think about music as being new, or modern, or anything of the type,” he mused. “Music doesn’t go seasonable to me.”44”
― Robin D.G. Kelley, Thelonious Monk: The Life and Times of an American Original

“Introspection,” which took four takes to produce an acceptable version, was unlike anything that came before it. It embodied the most radical elements of Monk’s approach to composition and improvisation.36”
― Robin D.G. Kelley, Thelonious Monk: The Life and Times of an American Original

“Adoring fans, hipsters, bohemians, and wannabes lined up outside the narrow storefront club at 5 Cooper Square, hoping to catch Monk and his legendary quartet—John Coltrane, bassist Ahmed Abdul-Malik, and drummer Shadow Wilson. That night, Monk wanted to celebrate. Friends, family, and enthusiastic fans surrounded him. His “‘un’ years,” as his wife Nellie used to call them, were about to end.”
― Robin D.G. Kelley, Thelonious Monk: The Life and Times of an American Original

“Césaires (Aimé and Suzanne) were creative innovators of surrealism—that they actually introduced fresh surrealist ideas to Breton and his colleagues. I don’t think it is too much to argue that the Césaires not only embraced surrealism—independently of the Paris Group, I might add—but also expanded it, enlarged its perspectives, and contributed enormously to theorizing the “domain of the Marvelous.” Aimé Césaire, after all, has never denied his surrealist leanings. As he explains: “Surrealism provided me with what I had been confusedly searching for. I have accepted it joyfully because in it I have found more of a confirmation than a revelation.” Surrealism, he explained, helped him to summon up powerful unconscious forces. “This, for”
― Robin D.G. Kelley, Freedom Dreams: The Black Radical Imagination

“Thelonious suffered from bipolar disorder, the signs of which are evident as early as the 1940s. But by the early 1960s, just as he began to earn the fame and recognition that had eluded him for the first two decades of his career, various mental and physical ailments began to take an even greater toll, exacerbated by poor medical treatment, an unhealthy lifestyle, the daily stresses of a working jazz musician, and an unending financial and creative battle with the music industry.”
― Robin D.G. Kelley, Thelonious Monk: The Life and Times of an American Original

“Such legislation never considers the psychological distress Black, brown, and Indigenous students frequently endure as a result of whitewashed curricula, tracking, suspensions and expulsions on the slightest pretext, even abuses by law enforcement inside their own classrooms.”
― Robin D.G. Kelley

“Thelonious Monk’s music is essentially about freedom.”
― Robin D.G. Kelley, Thelonious Monk: The Life and Times of an American Original

“In Richmond, for instance, free blacks petitioned the city council to repeal the city’s repressive Black Code, and in New York City there was the stunning behavior of Elizabeth Jennings. On a Sunday morning in 1854 she was pulled out of a horse-drawn trolley car and wrestled to the ground by a white conductor and driver who sought to keep her from sitting in the white section. With the same conviction and audacity shown by the free blacks of Richmond, Jennings took her case to court. Her victory there broke the back of segregation on public conveyances in New York.”
― Robin D.G. Kelley, To Make Our World Anew: Volume I: A History of African Americans to 1880