“Provided that a writer of almanacs has already gained enough authority for people to bother to read his books, examining his words for implications and shades of meaning, he can be made to say anything whatever – like Sybils. There are so many ways of taking anything, that it is hard for a clever mind not to find in almost any subject something or other which appears to serve his point, directly or indirectly. [C] That explains why an opaque, ambiguous style has been so long in vogue. All an author needs to do is to attract the concern and attention of posterity. (He may achieve that not so much by merit as by some chance interest in his subject-matter.) Then, whether out of subtlety or stupidity, he can contradict himself or express himself obscurely: no matter! Numerous minds will get out their sieves, sifting and forcing any number of ideas through them, some of them relevant, some off the point, some flat contradictory to his intentions, but all of them doing him honour. He will grow rich out of his students’ resources – like dons being paid their midsummer fees at the Lendit fair.”
―
Michel de Montaigne,
The Complete Essays
