devilfish > devilfish's Quotes

“Kiss me again,” he says, drunk and foolish. “Kiss me until I am sick of it.”
― Holly Black, The Wicked King

“If you’re the sickness, I suppose you can’t also be the cure.”
― Holly Black, The Wicked King

“Tell me again what you said at the revel,” he says, climbing over me, his body against mine.

“What?” I can barely think.

“That you hate me,” he says, his voice hoarse. “Tell me that you hate me.”

“I hate you,” I say, the words coming out like a caress. I say it again, over and over. A litany. An enchantment. A ward against what I really feel. “I hate you. I hate you. I hate you.”

He kisses me harder.

“I hate you,” I breathe into his mouth. “I hate you so much that sometimes I can’t think of anything else.”
― Holly Black, The Wicked King

“Many boys will bring you flowers. But someday you'll meet a boy who will learn your favorite flower, your favorite song, your favorite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.”
― Leigh Bardugo, Six of Crows

“I will have you without armor, Kaz Brekker. Or I will not have you at all.”
― Leigh Bardugo, Six of Crows

“Please, my darling Inej, treasure of my heart, won’t you do me the honor of acquiring me a new hat?”
― Leigh Bardugo, Six of Crows

“I have been made to protect you. Only in death will I be kept from this oath.”
― Leigh Bardugo, Six of Crows

“I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting.”
― Leigh Bardugo, Crooked Kingdom

“Crows remember human faces. They remember the people who feed them, who are kind to them. And the people who wrong them too. They don’t forget. They tell each other who to look after and who to watch out for.”
― Leigh Bardugo, Crooked Kingdom

“I promise, Matthias. I'll take you home."
"Nina," he said, pressing her hand to his heart. "I am already home.”
― Leigh Bardugo, Crooked Kingdom

“Are you happy here?" I said at last.
He considered this for a moment. "Not particularly," he said. "But you're not very happy where you are, either.”
― Donna Tartt, The Secret History

“It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
― Donna Tartt, The Secret History

“Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.”
― Donna Tartt, The Secret History

“It is is better to know one book intimately than a hundred superficially.”
― Donna Tartt, The Secret History

“Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified.”
― Hanya Yanagihara, A Little Life

“He experienced the singular pleasure of watching people he loved fall in love with other people he loved.”
― Hanya Yanagihara, A Little Life

“The axiom of equality states that x always equals x: it assumes that if you have a conceptual thing named x, that it must always be equivalent to itself, that it has a uniqueness about it, that it is in possession of something so irreducible that we must assume it is absolutely, unchangeably equivalent to itself for all time, that its very elementalness can never be altered. But it is impossible to prove. Always, absolutes, nevers: these are the words, as much as numbers, that make up the world of mathematics. Not everyone liked the axiom of equality––Dr. Li had once called it coy and twee, a fan dance of an axiom––but he had always appreciated how elusive it was, how the beauty of the equation itself would always be frustrated by the attempts to prove it. It was the kind of axiom that could drive you mad, that could consume you, that could easily become an entire life.

But now he knows for certain how true the axiom is, because he himself––his very life––has proven it. The person I was will always be the person I am, he realizes. The context may have changed: he may be in this apartment, and he may have a job that he enjoys and that pays him well, and he may have parents and friends he loves. He may be respected; in court, he may even be feared. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated.”
― Hanya Yanagihara, A Little Life