Mrlunch > Mrlunch's Quotes

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  • #1
    Frederick Exley
    “Bunny Sue was nineteen. She had honey-bobbed hair and candid, near-insolent green eyes. She had a snub, delightful nose, a cool, regal, and tapering neck, a fine, intelligent mouth that covered teeth so startling they might have been cleansed by sun gods. Without any makeup save lipstick, her complexion was as milk flecked with butter, the odor she cast as wholesome as bread. On my first breathless vision of her, I wanted to bury my teeth, Dracula-like, into her flanks, knowing that she would bleed pure butterscotch.”
    Frederick Exley, A Fan's Notes

  • #2
    Per Petterson
    “People like it when you tell them things, in suitable portions, in a modest, intimate tone, and they think they know you, but they do not, they know _about_ you, for what they are let in on are facts, not feelings, not what your opinion is about anything at all, not how what has happened to you and how all the decisions you have made have turned you into who you are. What they do is they fill in with their own feelings and opinions and assumptions, and they compose a new life which has precious little to do with yours, and that lets you off the hook. No-one can touch you unless you yourself want them to.”
    Per Petterson, Out Stealing Horses

  • #3
    Michael Chabon
    “Valetta," he said, thinking she still looked good, then abandoning his Spidey sense long enough to let her take him in her arms, the skin of her bare shoulder in a halter top cool against his shoulder, the lady most definitely giving off that heavy 1978 Spencer's smell of love candles and sandlewood incense but, laid over top of it, the stink of cigarette, the instant-potatoes smell you might find in the interior of a beat-to-shit Toronado. "Damn.”
    Michael Chabon, Telegraph Avenue

  • #4
    Clint   Smith
    “...I'm left wondering if we are all just patchworks of the stories we've been told. What would it take - what does it take - for you to confront a false history even if it means shattering the stories you have been told throughout your life? Even if it means having to fundamentally reexamine who you are and who your family has been? Just because something is difficult to accept doesn't mean you should refuse to accept it. Just because someone tells you a story doesn't make that story true.”
    Clint Smith, How the Word Is Passed: A Reckoning with the History of Slavery Across America

  • #5
    “I don't have the answers. Maybe depression's the natural reaction to a world full of cruelty and pain. But the thing I know about depression is if you want to survive it, you have to train yourself to hold on; when you can see no reason to keep going, you cannot imagine a future worth seeing, you keep moving anyway. That's not delusion. That's hope. It's a muscle you exercise so it's strong when you need it. You feed it with books and art and dogs who rest their head on your leg, and human connection with people who are genuinely interested and excited; you feed it with growing a tomato and baking sourdough and making a baby laugh and standing at the edge of oceans and feeling a horse's whiskers on your palm and bear hugs and late-night talks over whiskey and a warm happy sigh on your neck and the unexpected perfect song on the radio, and mushroom trips with a friend who giggles at the way the trees aren't acting right, and jumping in creeks, and lying in the grass under the stars, and driving with the windows down on a swirly two-lane road. You stock up like a fucking prepper buying tubs of chipped beef and powdered milk and ammo. You stock up so some part of you knows and remembers, even in the dark, all that's worth saving in this world.”
    Lauren Hough, Leaving Isn't the Hardest Thing Notebook: 5 x 8 Inch Blank College Ruled Notebook/Journal Soft Matte Cover With Aspiration, Motivation Quote For Writing Notes, School or Work

  • #6
    Sally Rooney
    “It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
    Sally Rooney, Normal People

  • #7
    Sally Rooney
    “It's funny the decisions you make because you like someone, he says, and then your whole life is different. I think we're at that weird age where life can change a lot from small decisions.”
    Sally Rooney, Normal People

  • #8
    Sally Rooney
    “Life offers up these moments of joy despite everything,”
    Sally Rooney, Normal People

  • #9
    Gabrielle Zevin
    “And what is love, in the end?" Alabaster said. "Except the irrational desire to put evolutionary competitiveness aside in order to ease someone else's journey through life?”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #10
    Colson Whitehead
    “What else was an ongoing criminal enterprise complicated by periodic violence for, but to make your wife happy?”
    Colson Whitehead, Crook Manifesto

  • #11
    Sally Rooney
    “Maybe we're just born to love and worry about the people we know, and to go on loving and worrying even when there are more important things we should be doing. And if that means the human species is going to die out, isn't it in a way a nice reason to die out, the nicest reason you can imagine? Because when we should have been reorganising the distribution of the world's resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much and found each other too interesting. And I love that about humanity, and in fact it's the very reason I root for us to survive - because we are so stupid about each other.”
    Sally Rooney, Beautiful World, Where Are You

  • #12
    Sally Rooney
    “I tell myself that I want to live a happy life, and that the circumstances for happiness just haven't arisen. But what if that's not true? What if I'm the one who can't let myself be happy? Because I'm scared, or I prefer to wallow in self-pity, or I don't believe I deserve good things, or some other reason. Whenever something good happens to me I always find myself thinking: I wonder how long it will be until this turns out badly. And I almost want the worst to happen sooner, sooner rather than later, and if possibile straight away, so at least I don't have to feel anxious about it anymore.”
    Sally Rooney, Beautiful World, Where Are You

  • #13
    Percival Everett
    “Folks be funny lak dat. Dey takes the lies dey want and throws away the truths dat scares ’em.”
    Percival Everett, James

  • #14
    Percival Everett
    “Dey takes the lies dey want and throws away the truths dat scares ’em.”
    Percival Everett, James

  • #15
    Percival Everett
    “Yes, but them people liked it, Jim. Did you see their faces? They had to know them was lies, but they wanted to believe. What do you make of that?”

    “Folks be funny lak dat. Dey takes the lies dey want and throws away the truths dat scares ’em.”
    Percival Everett, James

  • #16
    Elena Ferrante
    “I had never seen her naked, I was embarrassed. Today I can say that it was the embarrassment of gazing with pleasure at her body, of being the not impartial witness of her sixteen-year-old's beauty a few hours before Stefano touched her, penetrated her, disfigured her, perhaps, by making her pregnant. At the time it was just a tumultuous sensation of necessary awkwardness, a state in which you cannot avert the gaze or take away the hand without recognizing your own turmoil, without, by that retreat, declaring it, hence without coming into conflict with the undisturbed innocence of the one who is the cause of the turmoil, without expressing by that rejection the violent emotion that overwhelms you, so that it forces you to stay, to rest your gaze on the childish shoulders, on the breasts and stiffly cold nipples, on the narrow hips and the tense buttocks, on the black sex, on the long legs, on the tender knees, on the curved ankles, on the elegant feet; and to act as if it's nothing, when instead everything is there, present, in the poor dim room, amid the worn furniture, on the uneven, water-stained floor, and your heart is agitated, your veins inflamed.”
    Elena Ferrante, My Brilliant Friend

  • #17
    Abraham   Verghese
    “The key to your happiness is to own your slippers, own who you are, own how you look, own your family, own the talents you have, and own the ones you don't. If you keep saying your slippers aren't yours, then you'll die searching, you'll die bitter, always feeling you were promised more. Not only our actions, but also our omissions, become our destiny.”
    Abraham Verghese, Cutting for Stone

  • #18
    Honorée Fanonne Jeffers
    “How to explain what it was like to be Black to this white woman who wasn’t even southern? That a Black child didn’t have a right to hate their Black mama? Hatred was not allowed against your parents, no matter what had happened. You had to forgive your parents for whatever they had done even if they’d never apologized, because everybody had to stay together. So much had been lost already to Black folks.”
    Honorée Fanonne Jeffers, The Love Songs of W.E.B. Du Bois



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