Ginger > Ginger's Quotes

“On any given day, something claims our attention. Anything at all, inconsequential things. A rosebud, a misplaced hat, that sweater we liked as a child, an old Gene Pitney record. A parade of trivia with no place to go. Things that bump around in our consciousness for two or three days then go back to wherever they came from... to darkness. We've got all these wells dug in our hearts. While above the wells, birds flit back and forth.”
― Haruki Murakami, Pinball, 1973

“I decided to make spaghetti for lunch again. Not that I was the least bit hungry. But I couldn't just go on sitting on the sofa, waiting for the phone to ring. I had to move my body, to begin working toward some goal. I put water in a pot, turned on the gas, and until it boiled I would make tomato sauce while listening to an FM broadcast. The radio was playing an unaccompanied violin sonata by Bach. The performance itself was excellent, but there was something annoying about it. I didn't know whether this was the fault of the violinist or of my own present state of mind, but I turned off the music and went on cooking in silence. I heated the olive oil, put garlic in the pan, and added minced onions. When these began to brown, I added the tomatoes that I had chopped and strained. It was good to be cutting things and frying things like this. It gave me a sense of accomplishment that I could feel in my hands. I liked the sounds and the smells.”
― Haruki Murakami, The Wind-Up Bird Chronicle

“Between the end of that strange summer and the approach of winter, my life went on without change. Each day would dawn without incident and end as it had begun. It rained a lot in September. October had several warm, sweaty days. Aside from the weather, there was hardly anything to distinguish one day from the next. I worked at concentrating my attention on the real and useful. I would go to the pool almost every day for a long swim, take walks, make myself three meals.

But even so, every now and then I would feel a violent stab of loneliness. The very water I drank, the very air I breathed, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.”
― Haruki Murakami, The Wind-Up Bird Chronicle

“Outside I saw her sitting in the wheelchair, hands folded on her lap, and I knew I was living the moment that says nothing, that will allow nothing said of consequence.”
― Gerard Donovan, Young Irelanders: Stories

“It is useless for me to describe to you how terrible Violet, Klaus, and even Sunny felt in the time that followed. If you have ever lost someone very important to you, then you already know how it feels, and if you haven't, you cannot possibly imagine it.”
― Lemony Snicket, The Bad Beginning

“Never trust anyone who has not brought a book with them.”
― Lemony Snicket, Horseradish: Bitter Truths You Can't Avoid

“People aren't either wicked or noble. They're like chef's salads, with good things and bad things chopped and mixed together in a vinaigrette of confusion and conflict.”
― Lemony Snicket, The Grim Grotto

“Wicked people never have time for reading. It's one of the reasons for their wickedness.”
― Lemony Snicket

“The world is quiet here.”
― Lemony Snicket

“Where's your dad now?" Thomas asked.
"He's gone."
The word gone echoed all over the reservation. The reservation was gone itself, just a shell of its former self, just a fragment of the whole. But the reservation still possessed the power and rage, magic and loss, joys and jealousy. The reservation tugged at the lives of its Indians, stole from them in the middle of the night, watched impassively as the horses and salmon disappeared. But the reservation forgave, too. Sam Bone vanished between foot falls on the way to the Trading Post one summer day and reappeared years later to finish his walk. Thomas, Chess, and Checkers heard the word gone shake the foundation of the house.”
― Sherman Alexie, Reservation Blues

“Thomas," Chess said, "if you don't want to be famous and have your stories heard, then why'd you start the band up?"
"I heard voices," Thomas said. "I guess I heard voices. I mean, I'm sort of a liar, enit? I like the attention. I want strangers to love me. I don't even know why. But I want all kids of strangers to love me."
The Indian horses screamed.”
― Sherman Alexie, Reservation Blues

“Father Arnold finished the ceremony and asked if anybody had any final words for the dearly departed.
"Final words?" Chess asked, "I don't know if I'll ever be able to stop talking about this.”
― Sherman Alexie, Reservation Blues

“He'd been just like all of the other performers in the world. He'd wanted to be universally loved. He wasn't all that different from Victor, Thomas, or even Junior. They all got onstage and wanted the audience to believe in them. They all wanted the audience to throw their room keys, panties, confessions, flowers, and songs onstage. They wanted the audience to trust them with their secrets.”
― Sherman Alexie, Reservation Blues

“A few days earlier, Chess and Thomas had driven to Spokane for a cheap hamburger. They walked in downtown Spokane and stumbled onto a drunk couple arguing.
"Get the fuck away from me!" the drunk woman yelled at her drunk husband, who squeezed his hand into a fist like he meant to hit her.
Thomas and Chess flinched, then froze, transported back to all of those drunken arguments they'd witnessed and survived.
The drunk couple in downtown Spokane pulled at each other's clothes and hearts, but they were white people. Chess and Thomas knew that white people hurt each other, too. Chess knew that white people felt pain just like Indians, Nerve endings, messages to the brain, reflexes. The doctor swung hammer against knee, and the world collapsed.
"You fucker!" the white woman yelled at her husband, who opened his hands and held them out to his wife. An offering. That hand would not strike her. He pleaded with his wife until she fell back into his arms. That white woman and man held each other while Chess and Thomas watched. A hundred strangers walked by and never noticed any of it.
After that, Chess and Thomas had sat in the van in a downtown parking lot. Thomas began to weep, deep ragged tears that rose along his rib cage, filled his mouth and nose, and exploded out.”
― Sherman Alexie, Reservation Blues

“As I helped him up, I felt him shake all over, so I asked him to forgive me, without knowing what for, but that was my lot, asking forgiveness, I even asked forgiveness of myself for being what I was, what it was my nature to be.”
― Bohumil Hrabal, Too Loud a Solitude

“Everything in the world exists in order to end up as a book.”
― Stéphane Mallarmé

“I always loved twilight: it was the only time of day I had the feeling that something important could happen. All things were more beautiful bathed in twilight, all streets, all squares, and all the people walking through them; I even had the feeling that I was a handsome young man, and I liked looking at myself in the mirror, watching myself in the shop windows as I strode along, and even when I touched my face, I felt no wrinkles at my mouth or forehead.”
― Bohumil Hrabal, Too Loud a Solitude

“Today's Gypsies, who have lived in Prague for only two generations, light a ritual fire wherever they work, a nomads' fire crackling only for the joy of it, a blaze of rough-hewn wood like a child's laugh, a symbol of the eternity that preceded human thought, a free fire, a gift from heaven, a living sign of the elements unnoticed by the world-weary pedestrian, a fire in the ditches of Prague warming the wanderer's eye and soul.”
― Bohumil Hrabal, Too Loud a Solitude

“Missing what most of the time? The babbling faceless agora, the fame, the parties, the pop of flash bulbs? The lovers, the gaiety, the champagne? The solitude carved out of celebrity, poring over charts by a single lamp on a wide desk in a venerable hotel? Room service, coffee before dawn? The company of one friend, two? The choice: All of it or not? Some or none? Now, not now, maybe later?”
― Peter Heller, The Dog Stars

“If there is nothing else there is this: to be inundated, consumed.”
― Peter Heller, The Dog Stars

“Also I wonder how Bangley is built inside and everyone like him. He is at home with his solitude as the note reverberating inside a bell. Prefers it. Will protect it to the death. Lives for protecting it the way a peregrine lives for killing other birds midflight. Does not want to communicate what the death and the beauty do to each other inside him.”
― Peter Heller, The Dog Stars

“It’s a funny thing because Britain was in a terrible state in those days. It limped from crisis to crisis. It was known as the Sick Man of Europe. It was in every way poorer than now. Yet there were flower beds in roundabouts, libraries and post offices in every village, cottage hospitals in abundance, council housing for all who needed it. It was a country so comfortable and enlightened that hospitals maintained cricket pitches for their staff and mental patients lived in Victorian palaces. If we could afford it then, why not now? Someone needs to explain to me how it is that the richer Britain gets, the poorer it thinks itself.”
― Bill Bryson, The Road to Little Dribbling: More Notes from a Small Island

“But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.”
― Donna Tartt, The Goldfinch

“And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.”
― Donna Tartt, The Goldfinch

“But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.”
― Donna Tartt, The Goldfinch