Amar > Amar's Quotes

“The answer was obvious. Life had no meaning. On the earth, satellite of a star speeding through space, living things had arisen under the influence of conditions which were part of the planet's history; and as there had been a beginning of life upon it so, under the influence of other conditions, there would be an end: man, no more significant than other forms of life, had come not as the climax of creation but as a physical reaction to the environment. Philip remembered the story of the Eastern King who, desiring to know the history of man, was brought by a sage five hundred volumes; busy with affairs of state, he bade him go and condense it; in twenty years the sage returned and his history now was in no more than fifty volumes, but the King, too old then to read so many ponderous tomes, bade him go and shorten it once more; twenty years passed again and the sage, old and gray, brought a single book in which was the knowledge the King had sought; but the King lay on his death-bed, and he had no time to read even that; and then the sage gave him the history of man in a single line; it was this: he was born, he suffered, and he died. There was no meaning in life, and man by living served no end. It was immaterial whether he was born or not born, whether he lived or ceased to live. Life was insignificant and death without consequence. Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness.”
― W. Somerset Maugham, Of Human Bondage

“I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ...' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ...”
― David Mitchell, The Bone Clocks

“Being born's a hell of a lottery.”
― David Mitchell, The Bone Clocks

“My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops?”
― David Mitchell, Cloud Atlas

“Love's pure free joy when it works, but when it goes bad you pay for the good hours at loan-shark prices.”
― David Mitchell, The Bone Clocks

“This isn’t lust. Lust wants, does the obvious, and pads back into the forest. Love is greedier. Love wants round-the-clock care; protection; rings, vows, joint accounts; scented candles on birthdays; life insurance. Babies. Love’s a dictator.”
― David Mitchell, The Bone Clocks

“... Modesty is Vanity's craftier stepbrother.”
― David Mitchell, The Bone Clocks

“He was doing quite well until the last sentence, but if you bare your arse to a vengeful unicorn, the number of possible outcomes dwindles to one.”
― David Mitchell, The Bone Clocks

“I think about pinball, and how being a kid’s like being shot up the firing lane and there’s no veering left or right; or you’re just sort of propelled. But once you clear the top, like when you’re sixteen, seventeen, or eighteen, suddenly there’s a thousand different paths you can take, some amazing, others not. Tiny little differences in angles and speed’ll totally alter what happens to you later, so a fraction of an inch to the right, and the ball’ll just hit a pinger and a dinger and fly down between your flippers, no messing, a waste of 10 p. But a fraction to the left and it’s action in the play zone, bumpers and kickers, ramps and slingshots and fame on the high-score table.”
― David Mitchell, The Bone Clocks

“If an atrocity isn't written about, it stops existing when the last witnesses die. That's what I can't stand. If a mass shooting, a bomb, a whatever, is written about, then at least it's made a tiny dent in the world's memory. Someone, somewhere, some time, has a chance of learning what happened. And, just maybe, acting on it. Or not. But at least it's there.”
― David Mitchell, The Bone Clocks

“One moment you're carrying this loveable little tyke on your shoulders, the next she's off, and you realize what you suspected all along: However much you love them, your own children are only ever on loan.”
― David Mitchell, The Bone Clocks

“Adverbs are cholesterol in the veins of prose. Halve your adverbs and your prose pumps twice as well.”
― David Mitchell, The Bone Clocks

“Love is the anesthetic applied by Nature to extract babies.”
― David Mitchell, The Bone Clocks

“You only value something if you know it’ll end.”
― David Mitchell, The Bone Clocks

“But it’s the feeling of love that we love, not the person.”
― David Mitchell, The Bone Clocks

“Persuasion is not about force; it's about showing a person a door, and making him or her desperate to open it.”
― David Mitchell, The Bone Clocks

“I’d love to know how Dad saw me when I was a kid. I’d love to know a hundred things. When a parent dies, a filing cabinet full of all the fascinating stuff also ceases to exist. I never imagined how hungry I’d be one day to look inside it.”
― David Mitchell, The Bone Clocks

“Books’ll be back,” Esther-in-Unalaq predicts. “Wait till the power grids start failing in the 2030s and the datavats get erased. It’s not far away. The future looks a lot like the past.”
― David Mitchell, The Bone Clocks

“The world’s twenty-seven richest people own more wealth than the poorest five billion, and people accept that as normal.”
― David Mitchell, The Bone Clocks

“Adverbs are cholesterol in the veins of prose. Halve your adverbs and your prose pumps twice as well.” Pens scratch. “Oh, and beware of the verb ‘seem’; it’s a textual mumble. And grade every simile and metaphor from one star to five, and remove any threes or below. It hurts when you operate, but afterwards you feel much better.”
― David Mitchell, The Bone Clocks

“For most digital-age writers, writing is rewriting. We grope, cut, block, paste, and twitch, panning for gold onscreen by deleting bucketloads of crap. Our analog ancestors had to polish every line mentally before hammering it out mechanically. Rewrites cost them months, meters of ink ribbon, and pints of Tippex. Poor sods.”
― David Mitchell, The Bone Clocks

“If poor doomed Olly’s a Radio 4 play, what am I?””
“You, Hugo,” she kisses my earlobe, “are a sordid, low-budget French film. The sort you’d stumble across on TV at night. You know you’ll regret it in the morning, but you keep watching anyway.”
― David Mitchell, The Bone Clocks

“It’s diabolical.” “It doesn’t look all that bad to me.” “ ‘Diabolical’ means ‘satanic,’ sis.” “Why’s your maze so satanic, then?” “The Dusk follows you as you go through it. If it touches you, you cease to exist, so one wrong turn down a dead end, that’s the end of you. That’s why you have to learn the labyrinth by heart.”
― David Mitchell, The Bone Clocks

“Up the hill, sheep bleat, oblivious to human empires rising and falling.”
― David Mitchell, The Bone Clocks

“People ask you for criticism, but they only want praise.”
― W. Somerset Maugham, Of Human Bondage

“It was one of the queer things of life that you saw a person every day for months and were so intimate with him that you could not imagine existence without him; then separation came, and everything went on in the same way, and the companion who had seemed essential proved unnecessary.”
― W. Somerset Maugham, Of Human Bondage

“It's no good crying over spilt milk, because all the forces of the universe were bent on spilling it.”
― W. Somerset Maugham, Of Human Bondage

“This love was a torment, and he resented bitterly the subjugation in which it held him; he was a prisoner and he longed for freedom.

Sometimes he awoke in the morning and felt nothing; his soul leaped, for he thought he was free; he loved no longer; but in a little while, as he grew wide awake, the pain settled in his heart, and he knew that he was not cured yet.”
― W. Somerset Maugham, Of Human Bondage

“There was no meaning in life, and man by living served no end. It was immaterial whether he was born or not born, whether he lived or ceased to live. Life was insignificant and death without consequence. Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness. Thoughts came tumbling over one another in Philip's eager fancy, and he took long breaths of joyous satisfaction. He felt inclined to leap and sing. He had not been so happy for months.

'Oh, life,' he cried in his heart, 'Oh life, where is thy sting?”
― W. Somerset Maugham, Of Human Bondage

“Then he saw that the normal was the rarest thing in the world. Everyone had some defect, of body or of mind: he thought of all the people he had known (the whole world was like a sick-house, and there was no rhyme or reason in it), he saw a long procession, deformed in body and warped in mind, some with illness of the flesh, weak hearts or weak lungs, and some with illness of the spirit, languor of will, or a craving for liquor. At this moment he could feel a holy compassion for them all. They were the helpless instruments of blind chance. He could pardon Griffiths for his treachery and Mildred for the pain she had caused him. They could not help themselves. The only reasonable thing was to accept the good of men and be patient with their faults. The words of the dying God crossed his memory:

Forgive them, for they know not what they do.”
― W. Somerset Maugham, Of Human Bondage