Devon Martinez > Devon's Quotes

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  • #1
    Ernest Hemingway
    “But man is not made for defeat," he said. "A man can be destroyed but not defeated.”
    Ernest Hemingway, The Old Man and the Sea

  • #2
    William Shakespeare
    “Exit, pursued by a bear.”
    William Shakespeare, The Winter's Tale

  • #3
    Joë Bousquet
    “An immense body, encircling my delirium, a body made of wind and sunlight, crouching and stretching, encompassed the existence of the slightest human echo.

    Joe Bousquet

  • #4
    John Steinbeck
    “...and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.”
    John Steinbeck, The Grapes of Wrath

  • #5
    John Steinbeck
    “Up ahead they's a thousan' lives we might live, but when it comes it'll on'y be one.”
    John Steinbeck, The Grapes of Wrath

  • #6
    Raymond Carver
    “Close your eyes now,' the blind man said to me. I did it. I closed them just like he said.

    'Are they closed?' he said. 'Don't fudge.'

    'They're closed,' I said.

    'Keep them that way,' he said. He said, 'Don't stop now. Draw.'

    So we kept on with it. His fingers rode my fingers as my hand went over the paper. It was like nothing else in my life up to now.

    Then he said, 'I think that's it. I think you got it,' he said. 'Take a look. What do you think?'

    But I had my eyes closed. I thought I'd keep them that way for a little longer. I thought it was something I ought to do.

    'Well?" he said. 'Are you looking?'

    My eyes were still closed. I was in my house. I knew that. But I didn't feel like I was inside anything.

    'It's really something,' I said.”
    Raymond Carver, Cathedral

  • #7
    Raymond Carver
    “In those olden days, when they built cathedrals, men wanted to be close to God”
    Raymond Carver, Cathedral

  • #8
    “That is why my first and most pressing question seems like such an outright act of mutiny. What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself? Isn’t the art itself my intimate communication with others, with the world, with the unfolding spectacle of the human struggle as we live and coexist on this earth?”
    Meghan Tifft

  • #9
    Norm Macdonald
    “When it's unexpected, death comes fast like a ravenous wolf and tears open your throat with a merciful fury. But when it's expected, it comes slow and patient like a snake, and the doctor tells you how far away it is and when, exactly it will be at your door. And when it will be at the foot of your bed. And when it will be on your flesh. It's all right there on the clipboards.”
    Norm Macdonald, Based on a True Story: A Memoir

  • #10
    Norm Macdonald
    “Death is a funny thing. Not funny haha, like a Woody Allen movie, but funny strange, like a Woody Allen marriage.”
    Norm Macdonald, Based on a True Story

  • #11
    John Steinbeck
    “The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit- and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth.

    There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate- died of malnutrition- because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.”
    John Steinbeck, The Grapes of Wrath

  • #12
    “Since when did the community become our moral compass—our viability and ethics as writers determined so much by our team spirit? ... What if all this communing actually hurts the primary means by which I set out to participate and communicate—my writing itself?”
    Meghan Tifft

  • #13
    David Foster Wallace
    “This story ["The Depressed Person"] was the most painful thing I ever wrote. It's about narcissism, which is a part of depression. The character has traits of myself. I really lost friends while writing on that story, I became ugly and unhappy and just yelled at people. The cruel thing with depression is that it's such a self-centered illness - Dostoevsky shows that pretty good in his "Notes from Underground". The depression is painful, you're sapped/consumed by yourself; the worse the depression, the more you just think about yourself and the stranger and repellent you appear to others.”
    David Foster Wallace

  • #14
    Jenny Offill
    “What Keats said: No such thing as the world becoming an easy place to save your soul in.”
    Jenny Offill, Dept. of Speculation



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