Hannah Cheng > Hannah's Quotes

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  • #1
    “You'd rather make up a fantasy version of somebody in your head than be with a real person.”
    Jenny Han, To All the Boys I've Loved Before

  • #2
    “Love is scary: it changes; it can go away. That's the part of the risk. I don't want to be scared anymore.”
    Jenny Han, To All the Boys I've Loved Before

  • #3
    Anthony Doerr
    “Seventy-six years old," she whispers, "and I can still feel like this? Like a little girl with stars in my eyes?”
    Anthony Doerr, All the Light We Cannot See

  • #4
    Anthony Doerr
    “Open your eyes and see what you can with them before they close forever.”
    Anthony Doerr, All the Light We Cannot See

  • #5
    Anthony Doerr
    “But it is not bravery; I have no choice. I wake up and live my life. Don't you do the same?”
    Anthony Doerr, All the Light We Cannot See

  • #6
    Anthony Doerr
    “Time is a slippery thing: lose hold of it once, and its string might sail out of your hands forever.”
    Anthony Doerr, All the Light We Cannot See
    tags: time

  • #7
    Anthony Doerr
    “So how, children, does the brain, which lives without a spark of light, build for us a world full of light?”
    Anthony Doerr, All the Light We Cannot See

  • #8
    Anthony Doerr
    “I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads.

    It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel.”
    Anthony Doerr, All the Light We Cannot See

  • #9
    Anthony Doerr
    “We all come into existence as a single cell, smaller than a speck of dust. Much smaller. Divide. Multiply. Add and subtract. Matter changes hands, atoms flow in and out, molecules pivot, proteins stitch together, mitochondria send out their oxidative dictates; we begin as a microscopic electrical swarm. The lungs the brain the heart. Forty weeks later, six trillion cells get crushed in the vise of our mother’s birth canal and we howl. Then the world starts in on us.”
    Anthony Doerr, All the Light We Cannot See

  • #10
    Anthony Doerr
    “What mazes there are in this world. The branches of trees, the filigree of roots, the matrix of crystals, the streets her father recreated in his models... None more complicated than the human brain, Etienne would say, what may be the most complex object in existence; one wet kilogram within which spin universes.”
    Anthony Doerr, All the Light We Cannot See

  • #11
    Anthony Doerr
    “...the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it.”
    Anthony Doerr, All the Light We Cannot See

  • #12
    Sarah J. Maas
    “Bryce's face crumpled as she lurched to her feet, sprinting to the Gate.
    She didn't care how it was possible as Danika said again, "Light it up"
    Then Bryce was laughing and sobbing as she screamed, "LIGHT IT UP, DANIKA! LIGHT IT UP, LIGHT IT UP, LIGHT IT UP!"
    Bryce slammed her palm onto the bronze disk of the Gate.
    And soul to soul with the friend whom she had not forgotten, the friend who had not forgotten her, even in death, Bryce made the Drop.”
    Sarah J. Maas, House of Earth and Blood

  • #13
    Tara Westover
    “Sitting across from me is my father, and as I look into his worn face it hits me, a truth so powerful I don’t know why I’ve never understood it before. The truth is this: that I am not a good daughter. I am a traitor, a wolf among sheep; there is something different about me and that difference is not good. I want to bellow, to weep into my father’s knees and promise never to do it again. But wolf that I am, I am still above lying, and anyway he would sniff the lie. We both know that if I ever again find Shawn on the highway, soaked in crimson, I will do exactly what I have just done. I am not sorry, merely ashamed.”
    Tara Westover, Educated

  • #14
    André Aciman
    “There is a law somewhere that says that when one person is thoroughly smitten with the other, the other must unavoidably be smitten as well. Amor ch’a null’amato amar perdona. Love, which exempts no one who’s loved from loving, Francesca’s words in the Inferno. Just wait and be hopeful. I was hopeful, though perhaps this was what I had wanted all along. To wait forever. ”
    André Aciman, Call Me by Your Name

  • #15
    André Aciman
    “I was treading water, trying neither to drown nor to swim to safety, just staying in place, because here was the truth - even if I couldn't speak the truth, or even hint at it, yet I could swear it lay around us, the way we say of a necklace we've just lost while swimming: I know it's down there somewhere. If he knew, if he only knew that I was giving him every chance to put two and two together and come up with a number bigger than infinity.”
    André Aciman, Call Me by Your Name

  • #16
    André Aciman
    “It never occurred to me that I had brought him here not just to show him my little world, but to ask my little world to let him in, so that the place where I came to be alone on summer afternoons would get to know him, judge him, see if he fitted in, take him in, so that I might come back here and remember. Here I would come to escape the known world and seek another of my own invention; I was basically introducing him to my launchpad.”
    André Aciman, Call Me by Your Name

  • #17
    André Aciman
    “Just take me and molt me and turn me inside out, till, like a character in Ovid, I become one with your lust, that’s what I wanted. Give me a blindfold, hold my hand, and don’t ask me to think—will you do that for me?”
    André Aciman, Call Me by Your Name

  • #18
    André Aciman
    “This felt special. Like showing someone your private chapel, your secret haunt, the place where, as with the berm, one comes to be alone, to dream of others. This is where I dreamed of you before you came into my life.”
    André Aciman, Call Me by Your Name

  • #19
    André Aciman
    “But I had heeded the warning, and as is said of juries who have heard inadmissible evidence before it is stricken from the record, suddenly realized that we were on borrowed time, that time is always borrowed, and that the lending agency exacts its premium precisely when we are least prepared to pay and need to borrow more. […] I squirreled away small things so that in the lean days ahead glimmers from the past might bring back the warmth. I began, reluctantly, to steal from the present to pay off debts I knew I’d incur in the future. This, I knew, was as much a crime as closing the shutters on sunny afternoons. But I also knew that in Mafalda’s superstitious world, anticipating the worst was as sure a way of preventing it from happening.
    When we went on a walk one night and he told me that he’d soon be heading back home, I realized how futile my alleged foresight had been. Bombs never fall on the same spot; this one, for all my premonitions, fell exactly in my hideaway.”
    André Aciman, Call Me by Your Name

  • #20
    André Aciman
    “I'm like you,' he said. 'I remember everything.'

    I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you’re just ready to shut the door of the taxi and have already said goodbye to everyone else and there’s not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name”
    André Aciman, Call Me by Your Name

  • #21
    André Aciman
    “He came. He left. Nothing else had changed. I had not changed. The world hadn't changed. Yet nothing would be the same. All that remains is dreammaking and strange remembrance.”
    André Aciman, Call Me by Your Name

  • #22
    André Aciman
    “how we move through time, how time moves through us, how we change and keep changing and come back to the same. One could even grow old and not learn a thing but this.”
    André Aciman, Call Me by Your Name

  • #23
    André Aciman
    “Finally his voice came through. 'Elio,' he said. I could hear my parents and the voices of children in the background. No one could say my name that way. 'Elio,' I repeated, to say it was I speaking but also to spark our old game and show I'd forgotten nothing. 'It's Oliver,' he said. He had forgotten.”
    André Aciman, Call Me by Your Name

  • #24
    André Aciman
    “Over the years I'd lodged him in the permanent past, my pluperfect lover, put him on ice, stuffed him with memories and mothballs like a hunted ornament confabulating with the ghost of all my evenings. I'd dust him off from time to time and then put him back on the mantelpiece. He no longer belonged to earth or to life. All I was likely to discover at this point wasn't just how distant were the paths we'd taken, it was the measure of loss that was going to strike me--a loss I didn't mind thinking about in abstract terms but which would hurt when stared at in the face, the way nostalgia hurts long after we've stopped thinking of things we lost and may never have cared for.”
    André Aciman, Call Me by Your Name

  • #25
    André Aciman
    “We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste!”
    Andre Aciman, Call Me by Your Name



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