Emma > Emma's Quotes

“I am only responsible for my own heart, you offered yours up for the smashing my darling. Only a fool would give out such a vital organ”
― Anais Nin

“I am lonely, yet not everybody will do. I don't know why, some people fill the gaps and others emphasize my loneliness. In reality those who satisfy me are those who simply allow me to live with my ''idea of them.”
― Anais Nin

“But why should we have to be useful and for what reason? Who divided the world into useless and useful, and by what right? Does a thistle have no right to life, or a Mouse that eats the grain in a warehouse? What about Bees and Drones, weeds and roses? Whose intellect can have had the audacity to judge who is better, and who worse? A large tree, crooked and full of holes, survives for centuries without being cut down, because nothing could possibly be made out of it. This example should raise the spirits of people like us. Everyone knows the profit to be reaped from the useful, but nobody knows the benefit to be gained from the useless.”
― Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

“In a way, people like her, those who wield a pen, can be dangerous. At once a suspicion of fakery springs to mind – that such a Person is not him or herself, but an eye that’s constantly watching, and whatever it sees it changes into sentences: in the process it strips reality of its most essential quality – its inexpressibility.”
― Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

“It's clear that the largest things are contained in the smallest. There can be no doubt about it. At this very moment, as I write, there's a planetary configuration on the table, the entire Cosmos if you like: a thermometer, a coin, an aluminum spoon and a porcelain cup. A key, a cell phone, a piece of paper and a pen. And one of my gray hairs, whose atoms preserve the memory of the origins of life, of the cosmic Catastrophe that gave the world its beginning.”
― Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

“Winter mornings are made of steel; they have a metallic taste and sharp edges. On a Wednesday in January, at seven in the morning, it’s plain to see that the world was not made for Man, and definitely not for his comfort or pleasure.”
― Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

“Women want to be loved like roses. They spend hours perfecting their eyebrows and toes and inventing irresistible curls that fall by accident down the back of their necks from otherwise austere hair-dos. They want their lover to remember the way they held a glass. They want to haunt.”
― Eve Babitz, Slow Days, Fast Company: The World, the Flesh, and L.A.

“In our romantic lives, these moments of jealousy, which scorch our lover’s initials into our flesh and seem to brand us, often vanish into thin air sooner or later. But maybe, if we don’t cave in to them, they’ll vanish sooner, and we’ll be able sooner to try to describe what happened with phrases that fall apart in our hands, meaningless descriptions in voices clouded with scraps of holocaust, memorized episodes that have no context unless you’re inside the story trying to live through it. Once you’re out, all there are are empty spaces strewn in the past where the pain was too great and red-hot jealousy tore through our rooms, or why else would we have painted them all black? Nothing remains, as we look back, but a smile, and “Oh, yes, one night I crouched under a window . . .” But it’s a window too dark to peer through, and you find yourself saying, “I never knew real jealousy. . . .” It elapses into long ago.”
― Eve Babitz, Black Swans: Stories

“You will always fall in love, and it will always be like having your throat cut, just that fast.”
― Catherynne M. Valente, Deathless

“You are going to break your promise. I understand. And I hold my hands over the ears of my heart, so that I will not hate you.”
― Catherynne M. Valente, Deathless

“Oh, I will be cruel to you, Marya Morevna. It will stop your breath, how cruel I can be. But you understand, don’t you? You are clever enough. I am a demanding creature. I am selfish and cruel and extremely unreasonable. But I am your servant. When you starve I will feed you; when you are sick I will tend you. I crawl at your feet; for before your love, your kisses, I am debased. For you alone I will be weak.”
― Catherynne M. Valente, Deathless

“You look like a winter night", he had told her when he had given it to her. "I could sleep inside the cold of you".”
― Catherynne M. Valente, Deathless

“I know you loved both he and I, the way a mother can love two sons. And no one should be judged for loving more than they ought, only for loving not enough.”
― Catherynne M. Valente, Deathless

“Koschei smiled. His pale lips sought hers, crushing her into a kiss like dying. She tasted sweetness there, as though he still kissed her with honey and sugar on his tongue. When he pulled away, his eyes shone.

"I don't care, Marya Morevna. Kiss him. Take him to your bed, and the vila, too, for all it matters to me. Do you understand me, wife? There need never be any rules between us. Let us be greedy together; let us hoard. Let us hit each other with birch branches and lock each other in dungeons; let us drink each other's blood in the night and betray each other in the sun. Let us lie and lust and take hundreds of lovers; let us dance until snow melts beneath us. Let us steal and eat until we grow fat and roll in the pleasures of life, clutching each other for purchase. Only leave me my death — let me hold this one thing sacred and unmolested and secret — and I will serve you a meal myself, served on a platter of all the world's bounty. Only do not leave me, swear that you will never leave me, and no empress will stand higher. Forget the girls in the factory. Be selfish and cruel and think nothing of them. I am selfish. I am cruel. My mate cannot be less than I. I will have you in my hoard, Marya Morevna, my black mirror.”
― Catherynne M. Valente, Deathless

“I am angry that I starved my brain and that I sat shivering in my bed at night instead of dancing or reading poetry or eating ice cream or kissing a boy...”
― Laurie Halse Anderson, Wintergirls

“Dead girl walking” the boys say in the halls.
“Tell us your secrets” the girls whisper, one toilet to another.
"I am that girl. I am the spaces between my thighs, daylight shinning through. I am the bones they want, wired on a porcelain frame.”
― Laurie Halse Anderson, Wintergirls

“I wanted very much not to be where I was. In fact part of the trouble seemed to be that where I was wasn't anywhere at all. My life felt empty and unreal and I was embarrassed about its thinness, the way one might be embarrassed about wearing a stained or threadbare piece of clothing.”
― Olivia Laing, The Lonely City: Adventures in the Art of Being Alone