lucy > lucy 's Quotes

“I wanted to explain myself to myself in an understandable way. I gave shape to my fears and made excuses. I varied my velocities, watched myselves sleep. Something's not right about what I'm doing but I'm still doing it-- living in the worst parts, ruining myself. My inner life is a sheet of black glass. If I fell through the floor I would keep falling.
The enormity of my desire disgusts me.”
― Richard Siken, War of the Foxes

“Is it better to speak or die?”
― André Aciman, Call Me by Your Name

“Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.”
― Richard Siken

“Tell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
Tell me we'll never get used to it.”
― Richard Siken, Crush

“We have not touched the stars,
nor are we forgiven, which brings us back
to the hero’s shoulders and the gentleness that comes,
not from the absence of violence, but despite
the abundance of it.”
― Richard Siken, Crush

“How come each time my hands hurt me, they become more mine?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I sleep. I dream. I make up things that I would never say. I say them very quietly.”
― Richard Siken

“I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.”
― Richard Siken

“Everyone needs a place. It shouldn't be inside of someone else.”
― richard siken

“But why can't the language for creativity be the language of regeneration? You killed that poem, we say. You're a killer. You came into that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I'm wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. "Good for you, man" a man once said to me at a party, "you're making a killing with poetry. You're knockin' em dead.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Imagine that the world is made out of love. Now imagine that it isn’t. Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die. Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.”
― Richard Siken

“Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.”
― Richard Siken, Crush

“How much can you change and get away with it, before you turn into someone else, before it's some kind of murder?”
― Richard Siken, War of the Foxes

“Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.”
― Richard Siken, Crush

“All night I streched my arms across
him, rivers of blood, the dark woods, singing
with all my skin and bone ''Please keep him safe.
Let him lay his head on my chest and we will be
like sailors, swimming in the sound of it, dashed
to pieces.'' Makes a cathedral, him pressing against
me, his lips at my neck, and yes, I do believe
his mouth is heaven, his kisses falling over me like stars.”
― Richard Siken, Crush

“with this bullet lodged in my chest, covered with your name, I will turn myself into a gun, because
it’s all I have,
because I’m hungry and hollow and just want something to call my own. I’ll be your slaughterhouse, your killing floor, your morgue and final resting, walking around with this
bullet inside me
‘cause I couldn’t make you love me and I’m tired of pulling your teeth.”
― Richard Siken, Crush

“You're trying not to tell him you love him, and you're trying to choke down the feeling, and you're trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you've discovered something you don't even have a name for.”
― Richard Siken, Crush

“I'm like you,' he said. 'I remember everything.'

I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you’re just ready to shut the door of the taxi and have already said goodbye to everyone else and there’s not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name”
― André Aciman, Call Me by Your Name

“Time makes us sentimental. Perhaps, in the end, it is because of time that we suffer.”
― André Aciman, Call Me by Your Name

“I'm not wise at all. I told you, I know nothing. I know books, and I know how to string words together--it doesn't mean I know how to speak about the tings that matter most to me."

"But you're doing it now--in a way."

"Yes, in a way--that's how I always say things: in a way.”
― André Aciman, Call Me by Your Name

“I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Is that what art is? To be touched thinking what we feel is ours when, in the end, it was someone else, in longing, who finds us?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Because gunshots, lies, and oxtail—or whatever you want to call your god—should say Yes over and over, in cycles, in spirals, with no other reason but to hear itself exist. Because love, at its best, repeats itself.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I will never leave him. It will be this, always, for as long as he will let me.
If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
“Patroclus,” he said. He was always better with words than I.”
― Madeline Miller, The Song of Achilles

“There are no bargains between lion and men. I will kill you and eat you raw.”
― Madeline Miller, The Song of Achilles

“Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep.”
― Madeline Miller, Circe

“I thought: I cannot bear this world a moment longer. Then, child, make another.”
― Madeline Miller, Circe

“It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment's carelessness. If I had ever believed it, I no longer did.”
― Madeline Miller, Circe

“Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.”
― Madeline Miller, Circe

“I’m not suggesting the world is good, that life is easy, or that any of us are entitled to better. But please, isn’t this the kind of thing you talk about in somber tones, in the afternoon, with some degree of hope and maybe even a handful of strategies?”
― Richard Siken