Mary Kate > Mary Kate's Quotes

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  • #1
    Stephen Chbosky
    “Enjoy it. Because it's happening.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #2
    Anthony Doerr
    “Don’t you want to be alive before you die?”
    Anthony Doerr, All the Light We Cannot See

  • #3
    We accept the love we think we deserve.
    “We accept the love we think we deserve.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #4
    Anthony Doerr
    “Open your eyes and see what you can with them before they close forever.”
    Anthony Doerr, All the Light We Cannot See

  • #5
    Victoria Schwab
    “And then he whispers three words into her hair. “I love you,” he says, and Addie wonders if this is love, this gentle thing. If it is meant to be this soft, this kind. The difference between heat, and warmth. Passion, and contentment. “I love you too,” she says. She wants it to be true.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #6
    Chuck Palahniuk
    “We’re the middle children of history, man. No purpose or place. We have no Great War. No Great Depression. Our Great War’s a spiritual war… our Great Depression is our lives. We’ve all been raised on television to believe that one day we’d all be millionaires, and movie gods, and rock stars. But we won’t. And we’re slowly learning that fact. And we’re very, very pissed off.”
    Chuck Palahniuk, Fight Club

  • #7
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #8
    Vladimir Nabokov
    “Most of the dandelions had changed from suns into moons.”
    Vladimir Nabokov

  • #9
    Sylvia Plath
    “I didn't know why I was going to cry, but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of the throat and I'd cry for a week.”
    Sylvia Plath, The Bell Jar

  • #10
    Elie Wiesel
    “The opposite of love is not hate, it's indifference. The opposite of art is not ugliness, it's indifference. The opposite of faith is not heresy, it's indifference. And the opposite of life is not death, it's indifference.”
    Elie Wiesel

  • #11
    Donna Tartt
    “He came up behind her and laid his hands on her shoulders; bending low, he put his lips close to the nape of her neck. “How about a kiss for your jailbird brother?” he said.
    She turned halfway, as if to touch her lips to his cheek but he slid a palm down her back and tipped her face up to his and kissed her full on the mouth—not a brotherly kiss, there was no mistaking it for that, but a long, slow, greedy kiss, messy and voluptuous. His bathrobe fell slightly open as his left hand sank from her chin to neck, collarbone, base of throat, his fingertips just inside the edge of her thin polka-dot shirt and trembling over the warm skin there.”
    Donna Tartt, The Secret History

  • #12
    N.H. Kleinbaum
    “We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?”
    N.H. Kleinbaum, Dead Poets Society

  • #13
    “TODD: Well, listen, Neil. I-I appreciate this concern, but I-I'm not like you.All right? You, you, you say things and people listen. I'm, I'm not like that.
    NEIL: Don't you think you could be?
    TODD: No! I--I, I don't know, but that's not the point. The, the, the point is that there's nothing you can do about it, so you can just butt out. I can take care of myself just fine. All right?
    NEIL: No.
    TODD: What do you mean, "no"?
    NEIL: No.”
    Tom Schulman, Dead Poets Society

  • #14
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    Donna Tartt, The Secret History

  • #15
    Donna Tartt
    “Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
    Donna Tartt, The Secret History

  • #16
    Donna Tartt
    “But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’
    Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.”
    Donna Tartt, The Secret History

  • #17
    Donna Tartt
    “Cubitum eamus?"
    "What?"
    "Nothing.”
    Donna Tartt, The Secret History

  • #18
    Donna Tartt
    “Being the only female in what was basically a boys’ club must have been difficult for her. Miraculously, she didn’t compensate by becoming hard or quarrelsome. She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose scarves fluttered jauntily in the breeze. But strange and marvelous as she was, a wisp of silk in a forest of black wool, she was not the fragile creature one would have her seem.”
    Donna Tartt, The Secret History

  • #19
    Khaled Hosseini
    “For you, a thousand times over”
    Khaled Hosseini, The Kite Runner

  • #20
    Khaled Hosseini
    “I loved him in that moment, loved him more than I'd ever loved anyone, and I wanted to to tell them all that I was the snake in the grass, the monster in the lake. I wasn't worthy of this sacrifice; I was a liar, a cheat, a thief. And I would have told, except that a part of me was glad. Glad that this would all be over with soon. Baba would dismiss them, there would be some pain, but life would move on. I wanted that, to move on, to forget, to start with a clean slate. I wanted to be able to breathe again.”
    Khaled Hosseini, The Kite Runner

  • #21
    Khaled Hosseini
    “Hassan and I fed from the same breasts. We took our first steps on the same lawn in the same yard. And, under the same roof, we spoke our first words.
    Mine was Baba.
    His was Amir. My name.
    Looking back on it now, I think the foundation for what happened in the winter of 1975 —and all that followed— was already laid in those first words.”
    Khaled Hosseini, The Kite Runner
    tags: love

  • #22
    Khaled Hosseini
    “There is a way to be good again...”
    Khaled Hosseini, The Kite Runner

  • #23
    Khaled Hosseini
    “Learn this now and learn it well. Like a compass facing north, a man’s accusing finger always finds a woman. Always. You remember that, Mariam.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #24
    Khaled Hosseini
    “A man's heart is a wretched, wretched thing. It isn't like a mother's womb. It won't bleed. It won't stretch to make room for you.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #25
    Suzanne Collins
    “I don't want to lose the boy with the bread.”
    Suzanne Collins, The Hunger Games

  • #26
    Suzanne Collins
    “You have a... remarkable memory."
    "I remember everything about you. You're the one who wasn't paying attention.”
    Suzanne Collins, The Hunger Games

  • #27
    Suzanne Collins
    “Deep in the meadow, under the willow
    a bed of grass, a soft green pillow
    lay down your head, and close your sleepy eyes
    and when again they open, the sun will rise.
    Hear it's safe, here it's warm
    hear the daisies guard you from every harm
    hear your dreams are sweet and tomorrow brings them true
    hear is the place where i love you.
    Deep in the meadow, hidden far away
    a clock of leaves, a moonbeam ray
    forget your woes and let your troubles lay
    and when again it's morning, they'll wash away.
    Hear it's safe, hears its' warm
    hear the daises guard you from every harm
    Hear your dreams are sweet and tomorrow bring them true
    hear is the place where i love you.”
    Suzanne Collins, The Hunger Games

  • #28
    Suzanne Collins
    “I realize only one person will be damaged beyond repair if Peeta dies. Me.”
    Suzanne Collins, Catching Fire

  • #29
    Suzanne Collins
    “My nightmares are usually about losing you. I'm okay once I realize you're here.”
    Suzanne Collins, Catching Fire

  • #30
    Suzanne Collins
    “I always channel my emotions into my work. That way, I don't hurt anyone but myself.”
    Suzanne Collins, Catching Fire



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