Harms > Harms's Quotes

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  • #1
    Erin Morgenstern
    “We are all stardust and stories.”
    Erin Morgenstern, The Starless Sea

  • #2
    Erin Morgenstern
    “For those who feel homesick for a place they’ve never been to. Those who seek even if they do not know what (or where) it is that they are seeking. Those who seek will find. Their doors have been waiting for them.”
    Erin Morgenstern, The Starless Sea

  • #3
    Erin Morgenstern
    “But the world is strange and endings are not truly endings no matter how the stars might wish it so.”
    Erin Morgenstern, The Starless Sea

  • #4
    Erin Morgenstern
    “A boy at the beginning of a story has no way of knowing that the story has begun.”
    Erin Morgenstern, The Starless Sea

  • #5
    Erin Morgenstern
    “Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.  The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.  In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.  The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.  So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate.  The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.  Occasionally Fate can pull itself together again.  And Time is always waiting.”
    Erin Morgenstern, The Starless Sea

  • #6
    Erin Morgenstern
    “It is easier to be in love in a room with closed doors. To have the whole world in one room. One person. The universe condensed and intensified and burning, bright and alive and electric.”
    Erin Morgenstern, The Starless Sea

  • #7
    Erin Morgenstern
    “How are you feeling? Zachary asks. “Like I’m losing my mind but in a slow, achingly beautiful sort of way.”
    Erin Morgenstern, The Starless Sea

  • #8
    Erin Morgenstern
    “These doors will sing. Silent siren songs for those who seek what lies behind them. For those who feel homesick for a place they’ve never been to. Those who seek even if they do not know what (or where) it is that they are seeking. Those who seek will find. Their doors have been waiting for them.”
    Erin Morgenstern, The Starless Sea

  • #9
    Antoine de Saint-Exupéry
    “I am looking for friends. What does that mean -- tame?"

    "It is an act too often neglected," said the fox. "It means to establish ties."

    "To establish ties?"

    "Just that," said the fox. "To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world....”
    Antoine de Saint-Exupéry, The Little Prince

  • #10
    Margaret  Rogerson
    “It was always wise to be polite to books, whether or not they could hear you.”
    Margaret Rogerson, Sorcery of Thorns

  • #11
    Margaret  Rogerson
    “She now understood that the world wasn’t kind to young women, especially when they behaved in ways men didn’t like, and spoke truths that men weren’t ready to hear.”
    Margaret Rogerson, Sorcery of Thorns

  • #12
    Margaret  Rogerson
    “Books, too, had hearts, though they were not the same as people's, and a book's heart could be broken: she had seen it happen before. Grimoires that refused to open, their voices gone silent, or whose ink faded and bled across the pages like tears.”
    Margaret Rogerson, Sorcery of Thorns

  • #13
    Margaret  Rogerson
    “I'm ruining your reputation, aren't I?" she asked, watching the spectacle unfold.

    "Don't worry," Nathaniel said. "I've been hard at work trying to ruin my reputation for years. Perhaps after this, influential families will stop trying to catapult their unwed daughters over my garden fence. Which actually did happen once. I had to fend her off with a trowel.”
    Margaret Rogerson, Sorcery of Thorns

  • #14
    Margaret  Rogerson
    “Some days, the memories hung over her like a weight. Each was light enough to bear on its own, but combined, they could make it difficult to even walk up the stairs. And yet, she wouldn't trade them away for anything. Their existence made this house, this life, a place she had fought for and won. A place where she belonged.”
    Margaret Rogerson, Sorcery of Thorns

  • #15
    Taylor Jenkins Reid
    “I had absolutely no interest in being somebody else's muse.
    I am not a muse.
    I am the somebody.
    End of fucking story.”
    Taylor Jenkins Reid, Daisy Jones & The Six

  • #16
    Taylor Jenkins Reid
    “I wish someone had told me that love isn’t torture. Because I thought love was this thing that was supposed to tear you in two and leave you heartbroken and make your heart race in the worst way. I thought love was bombs and tears and blood. I did not know that it was supposed to make you lighter, not heavier. I didn’t know it was supposed to take only the kind of work that makes you softer. I thought love was war. I didn’t know it was supposed to… I didn’t know it was supposed to be peace.”
    Taylor Jenkins Reid, Daisy Jones & The Six

  • #17
    Dolly Alderton
    “I am always half in life, half in a fantastical version of it in my head.”
    Dolly Alderton, Everything I Know About Love

  • #18
    Dolly Alderton
    “Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I'm bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is- just me and the trees and the sky and the seas- I know now that that's enough.”
    Dolly Alderton, Everything I Know About Love

  • #19
    “There is such a narrow window
    For happiness in this life
    And if the past is anything to go by
    Everything is about to go slowly but inevitably wrong
    In a non-confrontational but ultimately disappointing way”
    Hera Lindsay Bird, Hera Lindsay Bird

  • #20
    “Even in poetry I forgive you nothing
    not even your new empire of grief.”
    Hera Lindsay Bird, Hera Lindsay Bird

  • #21
    “You take off your dress and stand in the river your body a ghost on loan from someone else’s past.”
    Hera Lindsay Bird, Hera Lindsay Bird

  • #22
    “It’s like falling in love for the first time for the last time”
    Hera Lindsay Bird, Hera Lindsay Bird

  • #23
    Michelle Zauner
    “Hers was tougher than tough love. It was brutal, industrial-strength. A sinewy love that never gave way to an inch of weakness. It was a love that saw what was best for you ten steps ahead, and didn't care if it hurt like hell in the meantime. When I got hurt, she felt it so deeply, it was as though it were her own affliction. She was guilty only of caring too much. I realize this now, only in retrospect. No one in this would would ever love me as much as my mother, and she would never let me forget it.”
    Michelle Zauner, Crying in H Mart

  • #24
    Michelle Zauner
    “For the rest of my life there would be a splinter in my being, stinging from the moment my mother died until it was buried with me.”
    Michelle Zauner, Crying in H Mart

  • #25
    John Green
    “We all know how loving ends. But I want to fall in love with the world anyway, to let it crack me open. I want to feel what there is to feel while I am here.”
    John Green, The Anthropocene Reviewed: Essays on a Human-Centered Planet

  • #26
    John Green
    “To fall in love with the world isn’t to ignore or overlook suffering, both human or otherwise. For me anyway, to fall in love with the world is to look up at the night sky and feel your mind swim before the beauty and the distance of the stars. It is to hold your children while they cry and watch the sycamore trees leaf out in June. When my breastbone starts to hurt, and my throat tightens and tears well in my eyes, I want to look away from feeling. I want to deflect with irony or anything else that will keep me from feeling directly. We all know how loving ends. But I want to fall in love with the world anyway, to let it crack me open. I want to feel what there is to feel while I am here.”
    John Green, The Anthropocene Reviewed: Essays on a Human-Centered Planet

  • #27
    John Green
    “You can't see the future coming--not the terrors, for sure, but you also can't see the wonders that are coming, the moments of light-soaked joy that await each of us.”
    John Green, The Anthropocene Reviewed: Essays on a Human-Centered Planet

  • #28
    John Green
    “For me, finding hope is not some philosophical exercise or sentimental notion; it is a prerequisite for my survival.”
    John Green, The Anthropocene Reviewed: Essays on a Human-Centered Planet

  • #29
    John Green
    “It's no wonder we worry about the end of the world. Worlds end all the time.”
    John Green, The Anthropocene Reviewed: Essays on a Human-Centered Planet

  • #30
    Fredrik Backman
    “Death is a strange thing. People live their whole lives as if it does not exist, and yet it's often one of the great motivations for living. Some of us, in time, become so conscious of it that we live harder, more obstinately, with more fury. Some need its constant presence to even be aware of its antithesis. Others become so preoccupied with it that they go into the waiting room long before it has announced its arrival. We fear it, yet most of us fear more than anything that it may take someone other than ourselves. For the greatest fear of death is always that it will pass us by. And leave us there alone.”
    Fredrik Backman, A Man Called Ove



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