Cheyenne Curl > Cheyenne's Quotes

“There is truth in stories. There is truth in one of your paintings, boy, or in a sunset or a couplet from Homer. Fiction is truth, even if it is not fact. If you believe only in facts and forget stories, your brain will live, but your heart will die.”
― Cassandra Clare, Lord of Shadows

“Sorry I missed you at the station. And that I'm too afraid to say anything that I can't take back.
I am full to the brim of myself, infatuated and governed by the weight of my own emotions.
It's not what you deserve, but I fear that this creature is not capable of love or worthy in return. It's filled with shame and need and made you reconsider yourself and cry when he left and desperate to be whole and to be needed even if you only like water, even if only in the most carnal, the most basic. We are all animals, in the end, reduced to this. I watched it shatter in pieces across the hardwood floor. Is this love or fear?”
― Richard Siken

“You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert, repenting. You only have to let the soft animal of your body love what it loves. Tell me about despair, yours, and I will tell you mine. Meanwhile the world goes on.”
― Richard Siken

“It requires mortality to make art. The knowledge of death, of things limited. There is fire inside us, Emma, and as it blazes, it burns us, and the burning causes pain- but without its lights, I cannot see to draw.”
― Cassandra Clare, Queen of Air and Darkness

“Chiron had said once that nations were the most foolish of mortal inventions. “No man is worth more than another, wherever he is from.”

“But what if he is your friend?” Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. “Or your brother? Should you treat him the same as a stranger?”

“You ask a question that philosophers argue over,” Chiron had said. “He is worth more to you, perhaps. But the stranger is someone else’s friend and brother. So which life is more important?”

We had been silent. We were fourteen, and these things were too hard for us. Now that we are twenty-seven, they still feel too hard.

He is half of my soul, as the poets say. He will be dead soon, and his honor is all that will remain. It is his child, his dearest self. Should I reproach him for it? I have saved Briseis. I cannot save them all.

I know, now, how I would answer Chiron. I would say: there is no answer. Whichever you choose, you are wrong.”
― Madeline Miller, The Song of Achilles

“There was beauty in the idea of freedom, but it was an illusion. Every human heart was chained by love.”
― Cassandra Clare, Lady Midnight

“You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.”
― richard siken

“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
― Madeline Miller, The Song of Achilles

“The wound is the place where the Light enters you.”
― Cassandra Clare, Lord of Shadows

“Laws are meaningless, child. There is nothing more important than love. And no law higher.”
― Cassandra Clare, Lady Midnight

“As long as there is love and memory, there is no true death.”
― Cassandra Clare, Lady Midnight

“I will never leave him. It will be this, always, for as long as he will let me.”
― Madeline Miller, The Song of Achilles

“I am made of memories.”
― Madeline Miller, The Song of Achilles

“How much can you change and get away with it, before you turn into someone else, before it's some kind of murder?”
― Richard Siken, War of the Foxes

“Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?

A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.

Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.

Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.

We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.

Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.”
― Richard Siken

“In your world I am ashes, I am ancestors, my memories and hopes and dreams have gone to build the City of Bones. In your world, I am lucky, because I do not have to live in a world without you. But in this world, I am you. I am the twinless twin. So I can tell you this:
When your twin leaves the earth you live on, it never turns the same way again: the weight of their soul is gone, and everything is off balance. The world rocks under your feet like an unquiet sea. I can't tell you it gets easier. But it does get steadier; you learn how to live with the new rocking of the new earth, the way sailors gain sea legs. You learn. I promise.”
― Cassandra Clare, Queen of Air and Darkness